Marcus grew up believing his father killed his mother—then blamed it on the boogeyman under the bed. Always leave the lights on, his father warned, or the boogeyman will get you. Marcus still heeds the superstition, especially when he invites his new girlfriend over. Is Marcus haunted by a creature or has he just inherited his father’s murderous delusions? The night will tell.

Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep.

On the outside, luxury real estate agent Sarah Nelson looks like every other mom in the suburb. But she has an edge that others don’t: She’s a witch. And no one knows . . . except her estranged ex-coven and college friends, Katrina and Alicia. One terrible night during their freshman year, the trio accidentally burned down their dorm, and soon after they scattered. Their secret had been safe, until Sarah learns they’ve been invited back to commemorate the anniversary of the fire.

When Ralph and Abby Lamb move in with Ralph’s mother, Laura, Abby hopes it’s just what she and her mother-in-law need to finally connect. After a traumatic childhood, Abby is desperate for a mother figure, especially now that she and Ralph are trying to become parents themselves. Abby just has so much love to give—to Ralph, to Laura, and to Mrs. Bondy, her favorite resident at the long-term care home where she works. But Laura isn’t interested in bonding with her daughter-in-law. She’s venomous and cruel, especially to Abby, and life with her is hellish.

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

Elizabeth is a demure 23-year-old wiling her life away at a dull museum job, living with her neurotic aunt, and subsisting off her dead mother’s inheritance. When Elizabeth begins to suffer terrible migraines and backaches, her aunt takes her to the doctor, then to a psychiatrist. But slowly, and with Jackson’s characteristic chill, we learn that Elizabeth is not just one girl - but four separate, self-destructive personalities.

In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all.

Harry Potter has never even heard of Hogwarts when the letters start dropping on the doormat at number four, Privet Drive. Addressed in green ink on yellowish parchment with a purple seal, they are swiftly confiscated by his grisly aunt and uncle. Then, on Harry's eleventh birthday, a great beetle-eyed giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. An incredible adventure is about to begin!

Other People’s Clothes brilliantly illuminates the sometimes dangerous intensity of female friendships, as well as offering an unforgettable window into millennial life and the lengths people will go to in order to eradicate emotional pain.

Patricia Campbell's life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they're as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation. Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend.

It was supposed to be the perfect weekend away. Six very different women travel to a sun-soaked Greek island for a bachelorette trip, to celebrate Lexi’s upcoming wedding. From the glorious ocean views to the quaint tavernas and whitewashed streets, the vacation seems too good to be true. But dangerous undercurrents run beneath the sunset swims and midnight cocktails—because each of the women is hiding a secret. Someone is determined to make sure that Lexi’s marriage never happens—and that one of them doesn’t leave the island alive.

Belly measures her life in summers. Everything good, everything magical happens between the months of June and August. Winters are simply a time to count the weeks until the next summer, a place away from the beach house, away from Susannah, and most importantly, away from Jeremiah and Conrad. They are the boys that Belly has known since her very first summer—they have been her brother figures, her crushes, and everything in between. But one summer, one wonderful and terrible summer, the more everything changes, the more it all ends up just the way it should have been all along.

After his estranged father’s mysterious death, Charlie Remick returns to Seattle to help with the funeral. There, he discovers his father left him two parting gifts: the keys to the family record store and a strange black case containing four ancient records that, according to legend, can open a gate to the land of the dead. When Charlie, his sister, and their two friends play the records, they unwittingly open a floodgate of unspeakable horror. As the darkness descends, they are stalked by a relentless, malevolent force and see the dead everywhere they turn.

Seventy-seven-year-old Dorothy Darling has lived in Shelley House longer than any of the other residents, and if you take their word for it, she’s as cantankerous as they come. But Dorothy has her reasons for spying. And none of them require justifying herself to Kat Bennett. Twenty-five-year-old Kat has never known a place where she felt truly at home, and crumbling Shelley House is no different. Her neighbors find her prickly and unapproachable, but beneath her tough exterior, Kat’s plagued by a guilty secret from her past.

For Katie True, a keen gut and quick wit are just tools of the trade. After a failed attempt at adulting in Chicago, she’s back in the suburbs living a bit too close to her overbearing parents, jumping from one dead-end job to the next, and flipping through her tarot deck for guidance. Then along comes Marley. Katie thinks that with their friendship, she just might make it through this rough patch after all. Until the day when Katie, encouraged by Marley to practice soothsaying, reads the cards for someone who stumbles into her shop—and finds more than intel for her clairvoyance.

When Nareh Bedrossian’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance. Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or the wealthy engineer who catch Nar’s eye—it’s Erebuni, a woman as immersed in the witchy arts as she is in preserving Armenian identity.

Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers.

Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic.

When a sharp cry wakes Jean in the middle of the night during a terrible tempest, she’s convinced it must have been a dream. But when the cry comes again, Jean ventures outside and is shocked by what she discovers—a young woman in labor, drenched to the bone in the bitter cold and able to speak barely a word of English.

In the year 2475, the remnants of humanity have taken to the skies, inhabiting massive domed cities that hover five miles over the ruined ecological disaster of old Earth. The Powers That Be, in their infinite wisdom, decided that the few million people left deserved to live their best lives, so they gave each sub-orbital platform its own theme and legally enforced tech level.

In a small Alaska town, a boy is found with his throat ripped out and all the blood drained from his body. The inhabitants of Deadhart haven’t seen a killing like this in twenty-five years. But they know who’s responsible: a member of the Colony, an ostracized community of vampyrs living in an old mine settlement deep in the woods.

After reckless behavior costs NYPD detective Leigh O’Donnell her job and her marriage, she returns with her four-year-old daughter to her beautiful hometown of Copper Falls, Ohio. Leigh had stayed away for more than a decade—even though her brother and a trio of loving uncles still call it home—because, while the town may seem idyllic, something rotten lies at its core. Three men in town have drowned in what Leigh suspects to be a triple homicide. She hopes that by finding out who killed them, she just might get her life back on course.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy.

At the dawn of the twentieth century in Paris, Samantha Harker, daughter of Dracula's killer, works as a researcher for the Royal Society for the Study of Abnormal Phenomena. But no one realizes how abnormal she is. Sam is a channel into the minds of monsters: a power that could help her solve the gruesome deaths plaguing turn-of-the-century Paris—or have her thrown into an asylum.

Clayton Stumper might be in his twenties, but he dresses like your grandpa and fusses like your aunt. Abandoned at birth on the steps of the Fellowship of Puzzlemakers, he was raised by a group of eccentric enigmatologists and now finds himself among the last survivors of a fading institution. When the esteemed crossword compiler and main maternal presence in Clayton’s life, Pippa Allsbrook, passes away, she bestows her final puzzle on him: a promise to reveal the mystery of his parentage and prepare him for life beyond the walls of the commune.

Though they look like any other family, they aren’t one—not quite. They are three sets of parents who find themselves intertwined after adopting four biological siblings, having committed to keeping the children as connected as possible. At the heart of the family, the adoptive mothers grapple to define themselves and their new roles. Tabitha, who adopted the twins, crowns herself planner of the group, responsible for endless playdates and holidays, determined to create a perfect happy family.

This is how Bernie, a film photographer, meets Leah, a writer, and from opposite sides of a thin bedroom wall in West Philadelphia, the two become closer than they ever could have imagined. When Leah volunteers to accompany Bernie on a road trip to settle a complicated inheritance, what ensues is an unexpected journey into the heart of America as the duo try to make sense of the times they are living in—falling in love with each other and rediscovering the power of making art along the way.