Drunk with the Divine, Rumi wrote 20,000 poems of mystical, ineffable love of God. "There is a ferocity in his longing that maybe we don't understand," says Barks. Listen in and understand a little better. A wondrous, exhilarating look at the exultant poetry of Jelaluddin Rumi, the 13th century Sufi poet, with Coleman Barks.

In the seven centuries since the death of Jelaluddin Rumi, in 1273, the world has come to know and thrill to his sacred poetry. In concert with the tabla and sitar, his writing is part of a religious tradition that is believed to excite "spiritual heroism", embracing the holiness of love, lamentation, battle, and the longing for God.

A 2009 Nautilus Gold Award Winner, Pure Water is Coleman Barks’ inspired live performance of the poetry of Jellaludin Rumi (1207-1273) - with Sufi stories and jokes, accompanied with music by Bach, O’Carolan, Friesen and others. The performance captured in this recording recalls the essence of the communal celebrations of poetry, stories, jokes, prayer, and music in which Rumi’s work was first uttered, but presents it in a distinctive contemporary setting. Coleman’s words combine with the cello of Grammy Award-winner Eugene Friesen.

To fully experience the ecstatic poetry of the Middle and Near East, you must hear it as originally intended: stirred ablaze by inspired music and rhythms before a live audience. In I Want Burning, Coleman Barks fuses his passionate scholarship with a deep feeling for the poetry of Rumi, Hafiz (a 14th-century Sufi mystic, called "one of the jewels in the necklace of Persian poetry"), and Lalla (an exquisite Kashmiri female poet of the 14th century).

Jalaluddin Rumi is unquestionably one of the greatest spiritual poets of the world. This audio features Robert Bly and Coleman Barks each reading his own versons of Rumi. Brilliant musical accompaniment provides playfulness and ground to great spiritual expression.

Leaving naivete behind may open up the wilder regions of maleness, where men can wrestle with their demons and, in time, reach maturity and balance, according to Bly, poet and men's workshop facilitator. This is a fascinating dialogue which explores the mystery of maleness and includes Bly's storytelling mastery and poetry.

"As a man is, so he sees." These words of mystical poet and artist William Blake are just as relevant now as they were when they were written in 1802 - perhaps more so. Throughout his life, Blake undertook a voyage beyond rationality and materialism to an interior, visionary realm where "all things appear as they are - infinite." Yet all human beings, he believed, are capable of opening their eyes to a fuller experience of life.

An extraordinary visit with one of America's leading poets provides a unique exploration of the mystery of maleness. Bly uses fairy tales to illuminate the dark recesses of the psyche, and the result is a powerful intimation of the male experience and potential. From the soft, feminine male persona to the deeply buried wildman, Bly takes us on a journey through unmapped territory of the masculine. For men and women this is a conversation not to be missed.

Characterized by petty rivalries, self-indulgence and lack of responsibility, our actions fail to fulfill what Robert Bly describes as our true soul longing. With characteristic irreverence and storytelling from various cultures, Bly tells us what we should be doing about green-haired adolescents and idle elders, not to mention televisions and computers. His insightful focus illuminates the truths and possibilities of a culture caught in an adolescent phase of development.

Bly describes the three necessary and sequential life phases symbolized by three colors - the "red, white and black," in the Grimm Brothers' fairy tale "Iron John." He casts a penetrating light on these male life stages, describing complications that arise, for example, when a boy skips the red and goes directly to the white. He also discusses how these stages, when fulfilled, affect men's relationships with women.

In this discussion, Bly talks of four sources of shame, including shame inherited from parents, grandparents, and ancestors, and shame over our bodily and creative instincts. It opens with a Russian fairy story on the Frog Princess and the shame we feel over our interior "Frog Bride." Bly and host Michael Toms discuss the new work in America on shame, most of it done during the last ten years.

Acknowledged as one of the greatest religious teachers of this or any other age, the late J. Krishnamurti was a visionary whose ideas are still ahead of his time. New Dimensions host Michael Toms was fortunate to capture this philosopher's penetrating wisdom in 1983, just a few years before his death at the age of 90.

Scientist Rupert Sheldrake brings you years of extensive research on animal behavior, challenging traditional scientific assumptions that pets do not warrant serious study. Well-known for his controversial and revolutionary theory of "morphic resonance" and "morphogenetic fields," Sheldrake applied this to his subject with ingenious questions that have resulted in confirmation that animals do indeed possess psychic and intuitive abilities.

The courage to live and embrace love may make the difference between living and dying. In this exhilarating dialogue, Siegel displays a remarkable reliance on the natural capacity of people to manifest self-healing. He speaks of music in the operating room, inner guides and love as the principal force for healing. Siegel is a veritable Pied Piper for well-being, and he points the way to miracles as an everyday occurrence.

Rumi has been described as "the most popular poet" in the United States. Rumi's popularity has gone beyond national and ethnic borders. He is considered to be one of the greatest classical poets, by the speakers of Persian language in Iran, Afghanistan, and Tajikistan. His poetry is still read worldwide today and has been translated into a wide variety of languages including Turkish, Persian, Russian, Asian, English, and Spanish languages.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.