Playwriting 101
A Quick Guide on Writing and Producing Your First Play Step by Step from A to Z
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Narrated by:
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Phillip Goodchild
About this listen
To write for the theater, you need to know about theater. Ideas are easy to come by. Examine your background, interest, and beliefs. Examine the world around you. Exercises can help you come up with ideas. Choose the audience you want to reach, and write to that audience. To learn to write dialogue, listen to and record everyday conversations. Dialogue should sound like ordinary conversations but have more direction.
Know as much as you can about your central characters. Do a character analysis. Choose the character traits to emphasize. A character should come across as both typical and individual. Most plays have a plot, which involves conflict between the protagonist and the antagonist. The parts of a plot are: inciting incident, rising action, turning point, climax, and falling action. Other types of organization for a play are circular and thematic.
Before starting to write, you need to develop a central idea. Plays exist for a number of reasons - entertainment, to bring attention to something, and to teach. You need to decide what you want to accomplish. It’s easier to gain an audience’s interest if you start with a theme with which they agree.
A play needs a sense of universality. A play should be unified, but it also needs contrast. Since theater is a collaborative art, the director, actor, and designers may see the different facets differently than you do. It’s not difficult to have a well-written production. Possible markets are schools, organizations, and professional theater. Finished plays have to follow a particular format.
About the expert: Marsh Cassady has had 38 plays published and/or produced - including off-Broadway. A former theater professor with a PhD degree, he started a playwriting program at Montclair State in New Jersey that included beginning and advanced classes, workshops, and individual projects. He also taught creative writing, including playwriting, at UCSD. Marsh is the author of 60 published books in a variety of genres, from theater textbooks to novels to true crime, and hundreds of shorter pieces. For about 35 years, he led all-genre writing workshops in San Diego and in Rosarito, BC, Mexico, where he has lived since 1997.
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When it comes to creating ideas, we hold ourselves back. Thats because inside each of us is an internal editor whose job is to forever polish our thoughts, so we sound smart and in control, and so that we fit into society. But what happens when we encounter problems for which such conventional thinking fails us? How do we get unstuck? For Mark Levy, the answer is freewriting....
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Great Ideas
- By Amazon Customer on 12-31-10
By: Mark Levy
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Process
- The Writing Lives of Great Authors
- By: Sarah Stodola
- Narrated by: Andi Arndt
- Length: 7 hrs and 4 mins
- Unabridged
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Ernest Hemingway, Zadie Smith, Joan Didion, Franz Kafka, David Foster Wallace, and more. In Process, acclaimed journalist Sarah Stodola examines the creative methods of literature's most transformative figures. Each chapter contains a mini biography of one of the world's most lauded authors, focused solely on his or her writing process.
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Excellent!
- By Davina Rush on 04-10-15
By: Sarah Stodola
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Story
- Substance, Structure, Style, and the Principles of Screenwriting
- By: Robert McKee
- Narrated by: Robert McKee
- Length: 6 hrs and 12 mins
- Abridged
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
- By Stephen Buck on 02-15-11
By: Robert McKee
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Improv for Actors
- By: Dan Diggles
- Narrated by: Paul Boehmer
- Length: 9 hrs and 34 mins
- Unabridged
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In this step-by-step guide, an actor and improvisational teacher brings his tested methods to the page to show how actors can take risks and gain spontaneity in all genres of scripted theater. Through 28 lessons - each of which includes warm-ups, points of concentration, and improvisation exercises - Improv for Actors provides insights into thinking and reacting with fluidity, exploring a character’s social status, using the voice and body as effective tools of storytelling, and more.
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Good Content, helpful resource
- By Buyer One on 04-30-14
By: Dan Diggles
What listeners say about Playwriting 101
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Silgo
- 08-13-24
i like it
I’m a playwright and it helped me review playwriting and go over concepts once again.
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- Michael s.
- 11-18-19
Practically informative.
How-to-ish in a practically informative manner.
Excellent narrator. Evoked ideas and images with the exercises.
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1 person found this helpful