It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

Written with White’s signature honesty, irreverence, and wit, The Loves of My Life is the culmination of a legend's life and work, a delightful and moving tour of over seventy years of being unabashedly gay and in love with love in all its forms.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Summer, 1916. With German Zeppelins on the skyline, the men of Paris are off at war. For Vincent, sixteen and still too young to fight, this moment of dread is also a moment of possibility. An electrifying encounter with Marcel, an enigmatic middle-aged writer, draws Vincent’s desires out into the light. As he’s taken under Marcel’s wing, Vincent begins a dangerous affair with Arthur, the son of his governess and a young soldier on leave. Together, they share a secret that everyone seems to know and yet everyone remains silent about.

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

Theo Briggs is a rule follower. He's a decent student in his junior year, an appeasing son, and a lifelong Christian, just trying to make it through high school unscathed. Caleb Raynard is a romantic. One of the few out-and-proud kids at Specter High School, Caleb's dating life has been hellish, to say the least—fraught with misread social cues and embarrassing situations—and Caleb is about ready to call the whole thing off. When Theo and Caleb meet in the basement of an old Catholic church that's rumored to be haunted, an instant and electric connection forms between them.

This is how Bernie, a film photographer, meets Leah, a writer, and from opposite sides of a thin bedroom wall in West Philadelphia, the two become closer than they ever could have imagined. When Leah volunteers to accompany Bernie on a road trip to settle a complicated inheritance, what ensues is an unexpected journey into the heart of America as the duo try to make sense of the times they are living in—falling in love with each other and rediscovering the power of making art along the way.

In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie’s opposite in almost every way, pushes Artie to want, and to ask for, more for himself.

Stonebridge High’s resident bad boy, Wesley “Big Mac” Mackenzie, is failing senior year—thanks to his unchecked anger, rowdy friends, and a tendency to ditch his homework for skateboarding and a secret photography obsession. So when his mom drags him to a production of The Nutcracker, Wes isn’t interested at all … until he sees Tristan Monroe. Mr. Nutcracker himself. Wes knows he shouldn’t like Tristan; after all, he’s a ballet dancer, and Wes is as closeted as they come. But when they start spending time together, Wes can’t seem to get Tristan out of his head.

Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name rec­ognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena.

Once the golden boy of the English literary scene, now a clinically depressed writer of pulp crime fiction, Ash Winters has given up on hope, happiness, and—most of all—himself. He lives his life between the cycles of his illness, haunted by the ghosts of other people’s expectations. Then a chance encounter throws him into the path of Essex-born Darian Taylor. By his own admission, Darian isn’t the crispest lettuce in the fridge, but he makes Ash laugh, reminding him of what it’s like to step beyond the boundaries of anxiety.

Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with. Luckily, Quique’s prospects are each intriguing in their own ways.

On the night of his twenty-first birthday, a domino effect of unfortunate events leads Liam Cassidy to a chance encounter with a stranger. What he thinks will be nothing more than a moment of shared refuge in a bar bathroom takes a turn when Liam finds the same stranger waiting in his hotel room that night.

In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie’s opposite in almost every way, pushes Artie to want, and to ask for, more for himself.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they've made a perfect life together. With everything to lose, Oliver shouldn't be visiting Haus, a gay bathhouse. But through the entrance he goes, and it's a line crossed. Inside, he follows a man into a private room, and it's the final line. Whatever happens next, Nathan can never know.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

From Genesis to Revelation, the providence of God directs the entire course of redemptive history. Providence is “God’s purposeful sovereignty”. Its extent reaches down to the flight of electrons, up to the movements of galaxies, and into the heart of man. Its nature is wise and just and good. And its goal is the Christ-exalting glorification of God through the gladness of a redeemed people in a new world.