In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie’s opposite in almost every way, pushes Artie to want, and to ask for, more for himself.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is thirteen years old when he gets a scholarship to a top boarding school. With the doors of elite English society cracked open for him, heady new possibilities emerge, even as Dave is exposed to the envy and viciousness of his wealthy classmates.

It’s London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone. Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. The House of Lancaster will never be the same.

Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed. So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian.

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past.

Édouard Louis longs for a life beyond the poverty, discrimination, and violence in his working-class hometown-so he sets out for school in Amiens, and, later, university in Paris. He sheds the provincial "Eddy" for an elegant new name, determined to eradicate every aspect of his past. He reads incessantly; he dines with aristocrats; he spends nights with millionaires and drug—dealers alike. Everything he does is motivated by a single obsession: to become someone else.

When Jackson's son born through surrogacy came out to him at age 15, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century. Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men, and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil.

When X—an iconoclastic artist and shape-shifter—falls dead in her office, her widow CM, wild with grief, hurls herself into writing X's biography. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. In CM's quest to unravel it, she opens a Pandora’s box of secrets and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification.

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister’s words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next.

In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal, but he grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante.

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.

A completely revised edition of the first Henry Rios mystery, The Little Death, Lay Your Sleeping Head introduces Michael Nava’s singular protagonist, gay Latino criminal defense lawyer Henry Rios. Rios, beset by personal and professional problems, begins a passionate affair with the black sheep heir to a great California fortune who tells Rios an improbable tale of murder and sexual predation in his wealthy family. When the young man is found dead of an apparent drug overdose, Rios begins an investigation that ultimately reveals much more than murder.

Rife with the indulgent pleasures of life among New York’s one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable—if fallible—characters, it’s about the peculiar unknowability of someone else’s family, the miles between the haves and have-nots, and the insanity of first love—all wrapped in a story that is a sheer delight.

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law, and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that’s become sacred to her.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Saddle up and join Wynonna Earp on an immersive new audio adventure in the gritty supernatural world of Purgatory. This Audible Original invites you deeper into the Weird West to follow Wynonna Earp (Melanie Scrofano), as she embarks on her craziest adventure yet: riding off into the sunset with her soulmate, Doc Holliday (Tim Rozon)—yes ... that Doc Holliday. Brace yourself for more wise-cracking demon hunters, earth-shattering revelations and all the genre-blending action you've come to expect from the cult hit TV series.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.

It’s 2001, and twenty-four-year-old Gordon—handsome, sensitive, and eager for direction—takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him—and what he’s capable of doing in order to get it for himself.

In 1992, on his thirtieth birthday, Artie Anderson meets the man who will change his life. Artie spends his days at a tedious advertising job, finding relief in the corner of New York City he can call his own, even as the queer community is still being ravaged by HIV. But when his birthday celebration brings Artie and his friends to his favorite bar, a chance encounter with Abe, an uptight lawyer and Artie’s opposite in almost every way, pushes Artie to want, and to ask for, more for himself.

Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores—Mexican wrestlers donning flamboyant masks and capes—were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name rec­ognition across Mexico, but at great expense, nearly costing him his marriage to his wife Elena.

It’s London, 2014, and Hal Lancaster, son and heir of Henry, Duke of Lancaster, is in a holding pattern: his mother is dead, his father is dying or remarrying or both, his siblings are fighting, his internship is pointless, and nobody will leave him alone. Everything is as it should be and yet nothing is right. Over the course of a year of partying, drinking, and flirting to dubious consequence, Hal is tested by brutal family legacies, Catholic guilt, and the terrifying possibility of being loved. The House of Lancaster will never be the same.

Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams—and the burden of sharing his late uncle’s name. Daniel flounders at first, but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.

Three gay men in pre-Stonewall New York City find their fates thrown together in the police raid of a Village bar. The three men find themselves in a police wagon together, their hidden lives threatened to be revealed to the world. Blackmail, a private investigator, Gus’s disappearance, and Danny’s quest for retribution propel Disorderly Men to its piercing conclusion, as each man meets the boundaries of his own fear, love, and shame. The stakes for each are different, but all of them confront a fundamental question: How much happiness is he allowed to have . . .

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

Set in early 1980s Poland against the violent decline of communism, a tender and passionate story of first love between two young men who eventually find themselves on opposite sides of the political divide - a stunningly poetic and heartrending literary debut for fans of Andre Aciman, Garth Greenwell, and Alan Hollinghurst.

A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value—art, memory, poetry, music, care—are thrown into sharp relief.

Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background—murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity—can be a key to doors he didn’t even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer.

Édouard Louis longs for a life beyond the poverty, discrimination, and violence in his working-class hometown-so he sets out for school in Amiens, and, later, university in Paris. He sheds the provincial "Eddy" for an elegant new name, determined to eradicate every aspect of his past. He reads incessantly; he dines with aristocrats; he spends nights with millionaires and drug—dealers alike. Everything he does is motivated by a single obsession: to become someone else.

Failed Pitbull impersonator Ismael Reyes—you can call him Izzy—might not be the Scarface type, but why should that keep him from trying? Growing up in Miami has shaped him into someone who dreams of being the King of the 305, with the money, power, and respect he assumes comes with it. After finding himself at the mercy of a cease-and-desist letter from Pitbull’s legal team and living in his aunt’s garage, Izzy embarks on an absurd quest to turn himself into a modern-day Tony Montana.

It took three car crashes to kill Jake. Theron David Alden is there for the first two: the summer they meet in rural New Hampshire, when he’s fifteen and anxious, and Jake’s seventeen and a natural; then six years later in New York City, those too-short, ecstatic, painful nights that change both their lives forever—the end of the dream and the longing for the dream and the dream itself, all at once. Theron is not there for the third crash. And yet, their story contains so much joy and self-discovery.

Summer in London stops for no one. Not the half-naked drunks and stoners, the bachelorette parties glugging from bejewelled bottles, the drag queens puffing on hurried cigarettes. It’s June 2019, and everyone has converged on the city’s parks, beer gardens, and street corners to revel in the collective joys of being alive. Everyone but Maggie. She’s 30, pregnant, and broke.