Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

Carole and her lover thought they had committed the perfect crime, murdering Carole’s abusive husband and making it look like an accident. Unfortunately there was a witness, someone far more twisted than they are, with plans for a killing spree of his own.

A battle-scarred Vietnam vet has been living alone deep in the woods, but when a group of weekend campers enter the area, his fragile grasp on reality breaks, and he believes he’s back in the jungle...surrounded by an enemy he needs to kill.

Lydia McCloud meets Arthur Danse at a wedding party in Plymouth, N.H., and she thinks he's a man she could grow to love. Arthur sees things differently. In Lydia, he sees the sort of woman people always want to protect. He decides he's going to show her she wouldn't always be protected. Once their only child, Robert, is born, Arthur's behavior worsens. When the courts become involved, the nightmare really begins. This scathing novel is an indictment of a justice system that makes a mockery of its very name.

The Labyrinth - an interdimensional construct that binds all of reality together. Now, the Labyrinth is threatened. A group of malevolent cosmic entities, known as The Thirteen, have been loosed upon the universe. Ob, Leviathan, Behemoth, Nodens, Meeble, Shtar, Kandara and the rest of their kind have one goal: The complete destruction of all Creation. Seven unlikely warriors from across time and space have been called upon to stop them. If they fail, reality itself will crumble. And the collapse has already begun.

Three low-income families have been given a handsome retainer to join Geraldine Borden for a day at her cliffside estate. All the parents must do to collect the rest of their money is allow their children to test out the revolutionary playground equipment Geraldine has been working on for decades. But there’s a reason the structures in the bowels of her gothic castle have taken so long to develop—they were never meant to see the light of day.

He was clinically dead after the accident - but was miraculously revived. Now Hatch Harrison and his wife approach each day with a new appreciation for life. But something terrible has come back with Hatch from the other side.

Evil is alive in Libertyville. It inhabits a custom-painted red and white 1958 Plymouth Fury named Christine and young Arnold Cunningham, who buys it. Along with Arnold's girlfriend, Leigh Cabot, Dennis Guilder attempts to find out the real truth behind Christine and finds more than he bargained for: From murder to suicide, there's a peculiar feeling that surrounds Christine - she gets revenge on anyone standing in her path. Can Dennis save Arnold from the wrath of Christine?

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon on an afternoon in 1945...Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.

Welcome to Hopkins Bend, the remote little Tennessee town where the backwoods inhabitants are cannibals and the local law operates a sex-trafficking ring. Unlucky travelers are frequently ensnared in the town’s sinister web. Some are held captive and tortured while others face even more gruesome fates. And beneath it all is the town’s darkest secret, the curse of the depraved and mutated Kincher clan.

Rosie Daniels leaves her husband, Norman, after 14 years in an abusive marriage. She is determined to lose herself in a place where he won't find her. She'll worry about all the rest later. Alone in a strange city, she begins to make a new life, and good things finally start to happen. Meeting Bill is one, and getting an apartment is another. Still, it's hard for Rosie not to keep looking over her shoulder, and with good reason. Norman is a cop, with the instincts of a predator.

When Cassie's twin sister, Lissa, commits suicide, Cassie discovers she can travel to Hell to retrieve her sister's soul. Cassie thought she knew all about the Hell of legend, but finds Hell has evolved over the millennia into a bustling city full of the damned with looming skyscrapers, crowded streets, systemized evil, and atrocity as the status quo.

Cathy was six when the man next door killed his wife and himself. It was early morning, and she was playing outside when she heard the first shot. And then another shot. And another.

Czechoslovakia, 1935: Viktor Kosárek, a newly trained psychiatrist who studied under Carl Jung, arrives at the infamous Hrad Orlu Asylum for the Criminally Insane. The facility is located in a medieval mountaintop castle surrounded by forests, on a site that is well known for concealing dark secrets going back many centuries. The asylum houses six inmates - the country's most treacherous killers - known to the terrified public as the Devil's Six. Viktor intends to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon he calls The Devil Aspect.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

A battle-scarred Vietnam vet has been living alone deep in the woods, but when a group of weekend campers enter the area, his fragile grasp on reality breaks, and he believes he’s back in the jungle...surrounded by an enemy he needs to kill.

September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River - off season - awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall.

Carole and her lover thought they had committed the perfect crime, murdering Carole’s abusive husband and making it look like an accident. Unfortunately there was a witness, someone far more twisted than they are, with plans for a killing spree of his own.

It was the summer of 1965. Ray, Tim, and Jennifer were just three teenage friends hanging out in the campgrounds, drinking a little. But Tim and Jennifer didn't know what their friend Ray had in mind. And if they'd known, they wouldn't have thought he was serious. Then they saw what he did to the two girls at the neighboring campsite - and knew he was dead serious...Ray figured he was in the clear. Tim and Jennifer thought the worst was behind them, that the horrors were all in the past. They were wrong. The worst was yet to come.

Ladies' Night is a non-stop rollercoaster ride of sheer nerve rattling terror, previously deemed too violent for mass market publication. In this modern tale of the ages-old battle of the sexes carried to the extreme, Jack Ketchum again provides readers with an excursion into horror as relentless as a John Woo film.