Fourteen stories, all in classic style, introduce Holmes to new clients with strange and quirky problems. Clues to a fortune are hidden in a ludicrous painting, a modern mummy walks, and a novel tourist attraction holds the key to why an unattractive lady is suddenly pursued by an amorous admirer.

The latest collection of Sherlock Holmes stories by well-known author, Denis O. Smith, provides a variety of puzzling and tangled mysteries for the great detective to unravel. What is the explanation for the train which arrives at its destination with not a soul on board? What lies behind the sudden, shocking death of one of the members at an exclusive London club? These cases require all of Holmes's unique investigative skills if the truth is to be uncovered.

Within this volume you will find a collection of previously unpublished accounts by John H. Watson, M.D. that take Sherlock Holmes and Dr. Watson from London into the home counties and the south coast in the pursuit of villains and justice.

What's behind a series of mysterious deaths among the favourite concubines of Sultan of Turkey, Abdul Hamid II? Suspecting a plot against himself, the Sultan has called on Sherlock Holmes to investigate. However, as a man, the detective is clearly unable to penetrate the exotic enclosed world of the harem, so he reluctantly enlists the help of his landlady, Mrs Hudson. Together with Dr Watson, they travel across Europe by Orient Express to Constantinople, on the way encountering Holmes's old enemy, Baron Mauterpuis.

It is the last night before Watson’s second wedding. Holmes tells Watson of his utter vanquishment by an adversary he never met in a tale set in 1880s Germany and featuring Goethe, Beethoven, Karl Benz, and Bertha Benz. By the end of this story, the listener would have found out about Holmes’ role in the invention of the motor car, powered flight, and the mobile phone, as well as his involvement in the discovery of a 10th symphony of Beethoven.

This is the 25th story from The Art of Sherlock Holmes project and first appeared in The MX Book of New Sherlock Holmes Stories, Part VI.

London in 1890 is shocked by a series of gruesome murders. There seems to be no rhyme or reason to them, except for their location in the Thames dockland. Scotland Yard is perplexed. Can Sherlock Holmes and Dr. Watson help before worse follows? And what is really going on?

This blend of fact and fiction sheds light on a virtually unexplored dimension of the Great Detective’s exploits. It is a perspective Sherlock Holmes — who elevated “true, cold reason … above all things” — would probably not appreciate. But for all its warmth and irrationality, there is just as much truth in the heart.

After the excitement of her recent adventures in Paris, Mrs Hudson goes to stay with her married daughter Eleanor in Bilbourne, a little village in Kent, the Garden of England. It is September, and the hop-harvest is in full swing at the nearby plantation belonging to Thomas Brakefield. But if Mrs Hudson was hoping for some peace and quiet away from the city, she is to be disappointed, soon caught up in dark passions that culminate in a brutal murder. At great risk to herself, Mrs Hudson goes in pursuit of the perpetrator.

Why does Irene Adler, mistress of newspaper tycoon, Robert Munroe, lock herself into a cupboard several times a day? The antipodean magnate wants to know. And why is former Prime Minister, Charles Sedgefield, causing delays to the publication of a report on a recent Middle East war? As a representative of the British government, Mycroft wants to know.

When Mrs. Hudson's young nephew, Ralph, decides to go to Paris and become an artist, his mother is distraught. She enlists Mrs. Hudson's assistance to try and persuade him to quit and return home. In Paris, the sisters soon find themselves caught up in the whirling fin-de-siècle world of bohemians and anarchists. But then the discovery of the mutilated body of a beautiful young artists’ model in the sinister catacombs of the city puts Ralph under suspicion of her murder…

More parodies have been written targeting Sherlock Holmes than anyone else dead or alive, fictional or real. James M. Barrie, the author of Peter Pan, started it all back in the early 1890's and Sherlockian parody has been coming out regularly ever since, right into the age of the internet. While Sherlock's creator Sir Arthur Conan Doyle lived, close to 400 appeared in Britain and America.

Holmes is consulted by Mr Devine on an unusual matter. Mr Devine has apprehended two malefactors in a well-watered garden in the Middle East and is unsure what is an appropriate form of retribution to impose. Holmes, Watson, and Mr Devine discuss the problem at length before arriving at a solution which satisfies all of them. Orlando Pearson himself then pens an essay setting out a radical theory about Sherlock Holmes and this theory is given further substance in an extraordinary fragment of Dr Watson’s writing found in the Public Record Office long after Watson’s death.

London, 1920: Boston-bred Enoch Hale, working as a reporter for the Central News Syndicate, arrives on the scene shortly after a music-hall escape artist is found hanging from the ceiling in his dressing room. What at first appears to be a suicide turns out to be murder...the first of several using the same modus operandi. What's the connecting factor among all the victims? Or isn't there one? That's what the dogged journalist Hale aims to find out.

How can the insurance companies keep on producing record profits when the economic theories of Professor Alfred Marshall and his protégé John Maynard Keynes suggest that this should be impossible when their prices can be easily compared? The Chancellor of the Exchequer would like an answer and commissions Sherlock Holmes to find out.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.