You’ve heard about the tantrums, the seething, the storming out of court, yes. But what about E. Jean’s side of the story? What about the flight suits, the bottle of green Chartreuse, and the bob? Not My Type puts you in a better seat than the jury box.

By early 1960s standards, Margaret Ryan, Viv Buschetti, and Bitsy Cobb, suburban housewives in a brand-new "planned community" in Northern Virginia, appear to have it all. The fact that "all" doesn't feel like enough leaves them feeling confused and guilty, certain the fault must lie with them. Things begin to change when they form a book club with Charlotte Gustafson—the eccentric and artsy "new neighbor" from Manhattan—and read Betty Friedan's just-released book, The Feminine Mystique.

In a rare window into some of her life’s pivotal moments, Melinda French Gates draws from previously untold stories to offer a new perspective on encountering transitions. Melinda will reflect on some of the most significant transitions in her own life, including becoming a parent, the death of a dear friend, and her departure from the Gates Foundation. The stories she tells illuminate universal lessons about loosening the bonds of perfectionism, helping friends navigate times of crisis, embracing uncertainty, and more.

Los Angeles County Sheriff’s Detective Stilwell has been "exiled" to a low-key post policing rustic Catalina Island, after department politics drove him off a homicide desk on the mainland. But while following up the usual drunk-and-disorderlies and petty thefts that come with his new territory, Detective Stilwell gets a report of a body found wrapped in plastic and weighed down at the bottom of the harbor. Crossing all lines of protocol and jurisdiction, he starts doggedly working the case.

Clinton and Patterson are back. And they’re better than ever. The President of the United States is up for reelection. Her husband is on trial for murder. Is the First Gentleman a killer? A pair of brilliant investigative journalists set out to answer that burning question about the NFL star-turned-political spouse.

Winter 1952. Penelope Fitzgerald’s husband is a struggling alcoholic, their literary journal is on the brink, and she is pregnant with their third child. Out of the blue she receives a letter from two spinster sisters named Delaney, distant relations with a silver mine, who dangle the possibility of an inheritance. Jessica Francis Kane’s brilliantly imagined Fonseca fictionalizes Penelope’s real and momentous trip to northern Mexico in pursuit of this legacy, a creative and practical lifeline.

Fannie Flagg once said that what the world needs now is a good laugh. And that is what she gives us in these thirty warmhearted, often hilarious, always surprising stories about Americans finding clever ways of dealing with the curveballs life throws at us. We meet Velma from Kansas, a loving great-grandmother who struggles to bridge the generational divide with her great-grandchild in California. Why, for instance, does her great-grandchild sign letters to Velma with “(they/them)”?

Reeling from a breakup and overlooked at her job as a lighting designer, Iris Sunnegren finds herself stuck, disconnected, and lonely in crowded New York City. Her wealthy friends are married and having babies, while she’s trying to pay for freezing her eggs. And the future she longs for feels out of reach. Then, a mysterious neighbor, an older Frenchwoman, makes her a gift: a bespoke perfume. One spritz, a dab behind the ears, and Iris feels like a different woman. Suddenly, she is the object of every man’s desire, and she can satisfy her own hungers for sex, love, and ambition.

Violet Adams is the perfect, youngest child in a family of loud, passionate women on Sullivan’s Island, South Carolina. As the sweet, traditional one, she’s always been the steady hand in her family but after a sudden breakup and subsequent tragedy, she doesn’t know who she is anymore. Aly Knox, Violet’s best friend, is a young influencer still struggling with the loss of her mother and adjusting to joining Violet in Southern living. With her best friend’s help, Violet is determined to break out of her shell—and who she thought she was—no matter what.

Rayna Dumont came to Amsterdam for a fresh start. She’s never been the type for a one-night stand, but this move is all about adventure, and Xander is handsome and successful and more than willing to go along for the ride. Until the morning after, when Rayna finds him dead, millions of dollars’ worth of diamonds missing from his safe.

Pauline, a young chambermaid who works at the legendary Mapes Hotel in Reno, Nevada, is asked to step in for a colleague and clean Suite 614. Although she was told the rooms were empty, a dazed, sleepy woman appears before her. This is Mrs. Miller, aka Marilyn Monroe, whose stay in Reno coincides with the breakdown of her marriage to Arthur Miller and the filming of what was to be her last film, The Misfits.

If you ask Jill Tingley, she'll tell you she and her husband Jack are college sweethearts living the dream in Southern California. Newly empty nesting with their daughter Maggie away at college, Jill suggests a road trip to reconnect. Jack would rather do anything else than drive to Utah with his wife. He's only stayed in this marriage because of a shared secret, a tragedy in the past he wanted to keep buried. But Jack is finished with the charade of his marriage. He's filing for divorce as soon as they return, no matter what. But he doesn't realize what else Jill is hiding.

Kara will do anything for her best friend and neighbor, Mindy. Especially when she learns that Mindy’s husband might be having an affair. Kara promises to remain vigilant. Maybe she’ll even catch the rat in the act. Then one night when Kara observes someone sneaking into Mindy’s house, she decides to take a closer look. But what’s happening across the street isn’t what Kara expects. And what she sees could get her killed.

Perfect strangers Lucy and Greta have agreed to a house swap—and boy, are they going to regret it. Lucy’s hometown of Dallas has gone from home sweet home to vicious snake pit in the blink of an eye after her son makes a mistake he can’t undo. And Greta’s beloved flat in Berlin is suddenly up for grabs when her husband Otto takes a dream job in Texas without even telling her. In their rush to leave town, Lucy and Greta make a deal, pack their bags, and—thanks to martinis, desperation, and some very rusty German—have absolutely no idea what they’re getting themselves into.

Ukraine, 2022. Yeva is a loner and a maverick scientist who lives out of her mobile lab. She scours the country’s forests and valleys, trying and failing to breed rare snails, while her relatives urge her to settle down and finally start a family of her own. What they don’t know: Yeva already dates plenty of men—not for love, but to fund her work—entertaining Westerners who come to Ukraine on guided romance tours believing they’ll find docile brides untainted by feminism and modernity.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Jia Song has always been destined for greatness. As the daughter of Korean bodega owners, she promised herself that she would have every Fifth Avenue luxury when she grew up, and it is all finally within reach. She has just made junior partner at her prestigious Manhattan law firm, she can count on her two best friends to have her back, and she is about to score the ultraluxe gold-on-gold Birkin bag of her dreams. So when her boss asks her to sit in on the hush-hush family implosion of a high-level client, she accepts without hesitation.

Monica Tsai spends most days on her computer, journaling the details of her ordinary life and coding for a program that seeks to connect strangers online. A self-proclaimed recluse, she's always struggled to make friends and, as a college freshman, finds herself escaping into a digital world, counting the days until she can return home to her beloved grandparents. They are now in their nineties, and Monica worries about them constantly—especially her grandmother, Yun, who survived two wars in China before coming to the States, and whose memory has begun to fade.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

Colette Marceau has been stealing jewels for nearly as long as she can remember, following the centuries-old code of honor instilled in her by her mother, Annabel: take only from the cruel and unkind, and give to those in need. Never was their family tradition more important than seven decades earlier, during the Second World War, when Annabel and Colette worked side by side in Paris to fund the French Resistance. But one night in 1942, it all went wrong.