The powerful forces of science and family collide when geneticist Paige Robson finds her world in upheaval: Her eight-year-old son Miles is struggling to fit in at his new school and begins asking questions about his biological father that Paige can’t answer - until fate thrusts the anonymous donor she used into their lives.

Hillary Jean leads an enviable life. She has a loving husband, a beautiful home, caring friends, and meaningful work planning fundraisers. Yet she’s always felt incomplete. After a DNA website emails her a match, Hillary sets out to find the daughter she gave up twenty-five years ago. But her hunger to reconnect threatens to destroy the very thing she hopes to gain.

When thirty-four-year-old Cath loses her mostly absentee mother, she is ambivalent. With days of quiet, unassuming routine in Buffalo, New York, Cath consciously avoids the impulsive, thrill-seeking lifestyle that her mother once led. But when she’s forced to go through her mother’s things one afternoon, Cath is perplexed to find tickets for an upcoming “murder week” in England’s Peak District: a whole town has come together to stage a fake murder mystery to attract tourism to their quaint hamlet.

I have three months to write the last book of my life. Three months to confess the details of that day, and how it changed everything for me. My name is Helena Ross. I've written 15 romance novels, 10 of which have become international best sellers. But this one isn't a romance, no happily ever after in place. This novel holds only the truth, which I have run away from for four years. The truth, which I have hidden from the police, from my loved ones, from the world.

Annabelle Reynolds has everything she’s ever wanted. A devoted husband, two wonderful daughters, and a career she loves. She couldn’t be happier. So why is she suddenly plagued by disturbing dreams of a future where she hates her husband and her daughters’ lives are at risk? At first, she chalks the dreams up to an overactive imagination. But when details from her dreams, details she couldn’t possibly have predicted, begin to materialize, she realizes these aren’t just dreams but rather premonitions of a terrifying future.

It was the Crime of the Decade. Pathological sibling rivalry. Bitter, all-consuming envy. Whatever the cause—and everyone has an opinion—it led Georgia Cartwright who was adopted as a newborn, to kill the younger, biological daughter of her wealthy, socially prominent family. Georgia is being kept at an institution where the most violent offenders are held while she waits to see if she is ruled not guilty by reason of insanity.

When Abby steps foot on Isla Colel, she isn’t sure what—if anything—she’ll find. She only knows that she needs to see the place where her fiancée, Eszter, died to try and make sense of the tragic accident. The island is nothing like Abby expected: Though it was once a bustling tourist hub, a hurricane has left it a shell of its former self, with only a handful of residents remaining. Even the once-daily ferry to the mainland now runs every week or so. There, Abby befriends an alluring group of expats, but her sense of unease surges.

Frida and Gabriel arrive seeking a fresh start at the stunning Ara Hotel in the secluded desert of Escalante, Utah. Once so close they were able to finish each other’s sentences, they’ve grown apart in recent years after a sudden, unspeakable tragedy. Now, at the luxe resort, they are ready to reconnect between dips in the pool and hikes on spectacular desert trails. It all feels like paradise—until the dead body of a beautiful young woman who was vacationing at the Ara with her powerful, much older husband is discovered.

After an emergency leaves her short on rent, thirty-year-old Freya Arnalds bails on her lackluster life as bartender in Maine and returns to her suburban hometown of Somers, New York, to live in the house she inherited from her estranged parents. Despite attempts to lay low, Freya encounters childhood friends, familial enemies, and old flames—as well as her fifteen-year-old niece, Aubrey, who is secretly living in the derelict home. As they reconnect, Freya and Aubrey lean on each other, working to restore the house and come to terms with the devastating events that pulled them apart.

After thirty years of friendship, Pam dreams of her perfect retirement with Nancy, Shalisa, Marlene, and their husbands—until their husbands pool their funds for an investment that goes terribly wrong. Suddenly, their golden years are looking as dreary as their marriages. But when the women discover their husbands have seven-figure life insurance policies, a new dream forms. And this time, they need a hitman.

Dr. Laurel Harlow can’t believe she’s agreed to do a reality TV show. But her years as a chemical dependency counselor and personal history with the show’s director make her the obvious choice. Treating a mansion full of former child stars on the road to recovery is the tallest order of her career—especially when one of them turns up dead while the cameras are still rolling.

After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking—and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily’s alone, so are they happening at all?

A decades-old secret that drove a mother from her hometown now threatens her college-bound daughter in this twisty new thriller from New York Times bestselling author Megan Miranda.

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. When Harper moves in with her sister Pam, she's surprised to find Pam doing so well financially after her messy divorce. After all, Pam's ex-husband wiped their bank accounts, even stole from their kids. But Pam managed to find her way back. Thanks to the Wheel... Twice a month, the women of the Wheel meet. New members bring cash to the party that is pooled together and then gifted to one lucky member. It's all about giving back. Lifting each other up. As women should. As they must.

Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.