Paul manages an old-school plastics factory that has pivoted during the pandemic to making face masks and is now booming. Along comes Emily, the wayward daughter of an old friend, whom Paul hires to be his assistant, and she’s a sparkling force determined to prove her worth with the one chance she’s been given.

It was four o'clock in the morning. A young woman pushed through the hospital doors. Staff would later say they thought the woman was a new mother, returning to her child - and in a way, she was. She walked into the nursery, where a baby girl lay sleeping. The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.

Caroline Overington's stunning fiction debut is a multi-voiced novel centred around a child's death and its terrible repercussions. In 1982 Victorian police were called to a home on a housing estate an hour west of Melbourne. There, they found a five-year-old boy lying still and silent on the carpet. There were no obvious signs of trauma, but the child, Jacob, died the next day. The story made the headlines, and hundreds attended the funeral. Few people were surprised when the boy's mother and her boyfriend went to prison for the crime.

A girl with a secret. Longbill Beach, 1982. Emily Vaughn gets ready for the prom. For an athlete, who is smart, pretty and well-liked, this night that should be the highlight of her high school career. But Emily has a secret. And by the end of the evening, that secret will be silenced forever. Forty years later, Emily’s murder remains a mystery. Her tight-knit group of friends closed ranks; her respected, wealthy family retreated inwards; the small town moved on from her grisly attack. But all that’s about to change.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: She must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims - a bit too strongly.

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours. Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the Earth is wielded as a weapon. And where there is no mercy.

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together, they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.

As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be - her hometown where the slayings took place. Wracked by the lingering echoes of survivor's guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister's killer - only to discover that she's the one being hunted. How can one woman uncover the truth when everyone's a suspect - including herself?

Near an isolated mansion lies a beautiful garden. In this garden grow luscious flowers, shady trees...and a collection of precious “butterflies” - young women who have been kidnapped and intricately tattooed to resemble their namesakes. Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.

When a woman's body is discovered in a cathedral and hours later a young man is found hanging from a tree outside his home, Detective Lottie Parker is called in to lead the investigation. Both bodies have the same distinctive tattoo clumsily inscribed on their legs. It's clear the pair are connected, but how? The trail leads Lottie to St Angela's, a former children's home, with a dark connection to her own family history. Suddenly the case just got personal.

Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara's fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents.

Allie Garvey is heading home to the funeral of a childhood friend. Allie is not only grief-stricken, she's full of dread. Because going home means seeing the other two people with whom she shares an unbearable secret. Twenty years earlier, a horrific incident shattered the lives of five teenagers, including Allie. Drinking and partying in the woods, they played a dangerous prank that went tragically wrong. The teenagers kept what happened a secret, believing that getting caught would be the worst thing that could happen. But time has taught Allie that not getting caught was far worse.

In this prequel to the international best seller The Ruin, set 10 years prior, bright-eyed Carrie Ryan is at the very start of her career. When she has a hunch about an ongoing murder investigation, she knows it could be her only chance to prove herself and truly break into the “boys' club” of Dublin’s police force.

Milly's mother is a serial killer. Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all.

Paul manages an old-school plastics factory that has pivoted during the pandemic to making face masks and is now booming. Along comes Emily, the wayward daughter of an old friend, whom Paul hires to be his assistant, and she’s a sparkling force determined to prove her worth with the one chance she’s been given.

Shortly after 9.30 in the morning, a young man walks into Surf City, Bondi’s newest shopping complex. He’s wearing a dark grey hoodie - and a bomb around his neck. Just a few minutes later, he is locked in a shop on the upper floor. And trapped with him are four innocent bystanders. For police chaplain Paul Doherty, called to the scene by Senior Sergeant Boehm, it’s a story that will end as tragically as it began. For this is clearly no ordinary siege. The boy, known as Ali Khan, seems as frightened as his hostages and has yet to utter a single word.

Caroline Overington's stunning fiction debut is a multi-voiced novel centred around a child's death and its terrible repercussions. In 1982 Victorian police were called to a home on a housing estate an hour west of Melbourne. There, they found a five-year-old boy lying still and silent on the carpet. There were no obvious signs of trauma, but the child, Jacob, died the next day. The story made the headlines, and hundreds attended the funeral. Few people were surprised when the boy's mother and her boyfriend went to prison for the crime.

Garry Hartshorn and Softie Monaghan were never love's young dream. Not even on their wedding day. Softie was sophisticated, a career woman, who owned a nice apartment overlooking St Kilda Beach. Garry had a few rough edges, plus one failed marriage and an assortment of jobs under his belt. But Softie's body clock was ticking, and Garry wanted children....

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

For more than 150 years, a grand house known as Alden Castle has stood proudly in the rolling hills of California's wine country, home to a family weighed down by secrets and debt. When the castle is sold, billionaire developers move in, only to discover one skeleton after another—including a fresh corpse—rotting in the old family cemetery. As three generations of the well-respected Alden-Stowe family come under scrutiny, police unearth a twisted web of rivalries, alliances, deceit, and treachery. Who lied? Who will survive? Who, amid all the horror and betrayal, is the lucky one?

In January 1889, Louisa Collins, a 41-year-old mother of 10 children, became the first woman hanged at Darlinghurst Gaol and the last woman hanged in New South Wales. Both of Louisa's husbands had died suddenly and the Crown, convinced that Louisa poisoned them with arsenic, put her on trial an extraordinary four times in order to get a conviction, to the horror of many in the legal community. Louisa protested her innocence until the end.

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Pauly Johnson is a successful surgeon at a Melbourne hospital with a beautiful wife, a loving family - and a memory he wishes he could erase. One night, he takes a drive on a lonely road above a steep drop, determined to end it all, but before he can put his plan into action, a woman steps out of the darkness and into the path of his car. In an instant, her life is ended and his is saved. Shattered by the experience, Pauly becomes obsessed with finding out who she was and why she wanted to kill herself. But he soon finds that the answers lie shockingly close to home.

It was supposed to be fun. A relaxing trip to a remote mountain retreat where there’s no phone reception. Three couples, friends since high school, are looking forward to a weekend of drinking, reminiscing and flirting. When someone suggests swapping partners, it doesn’t seem like such a bad idea. The lights will be switched off, for privacy. It’s not really cheating if you don’t know who you were with, right? But when the lights come back on, one of the men is dead. No-one can agree who was in which bedroom with whom.

On the first day of her new job, Harris is called to the scene of a brutal murder at the heart of Surrey society. A shocking crime, with a meticulous killer: the victim’s eyes have been removed and the body drained of blood, with no forensic evidence left at the scene. Her boss insists it must be the return of a killer who escaped justice several years ago, leaving a trail of bloody ritualistic killings. Harris isn’t so sure: both sets of victims have had their eyes removed, but other details are significantly different.

Inside the vehicle at fault, Jennifer Ashby survives with barely a scratch. In the wreckage of the second, the occupants are not so lucky. Jennifer’s good character helps her escape jail, but she is traumatised. Desperate for a change, and with her marriage buckling under the stress, she convinces her husband Jon to move to the beautiful but wild Daintree region, far away from family and friends. As Jon spends long hours at his new job and Jennifer makes plans to absolve her lingering guilt, cracks begin to form in their idyllic new life. Will the shadow of their past continue to haunt them?

In this new novella from the number one internationally best-selling author of The Sisters and The Murder Rule, Dervla McTiernan, a mother and son fighting to prove her innocence are reunited with an estranged friend—a detective who may hold the key to her freedom—as they’re forced to put their differences aside to uncover the shocking truth behind the crime.