The conversation about masculinity, patriarchy, and misogyny has never been so prominent or heated. Alarmed by a new generation of angry, broken young men, genderqueer writer Jacob Tobia sets out to explore what’s going on and comes to a shocking conclusion: Emotionally and spiritually speaking, men and boys may be the ones suffering the most under the gender binary right now.

A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter’s love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt’s debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics.

Emily has, by all appearances, a perfect life: a townhouse on Manhattan’s Upper East Side, two healthy children, and a husband who showers her with attention. But the truth is more complicated: Emily’s marriage is in trouble, her relationship with her parents is fraught, and she is still nursing a heartbreak from long ago. When Emily runs into her high school girlfriend at a cocktail party, that heartbreak comes roaring back. But Gen Hall is no longer the lanky, hungry kid with holes in her shoes who Emily loved in her youth.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

Prize-winning historian Helen Castor delivers a compelling, eye-opening examination of women and power in England, witnessed through the lives of six women who exercised power against all odds—and one who never got the chance.

New York City, 1932: Eva Le Gallienne is trying to save her theatre company from the jaws of the Depression by mounting an innovative new production of Alice in Wonderland. She agrees to give a radio interview for the sake of publicity, but while revisiting the moments that shaped her career, she struggles with the need to keep a significant secret: she and her leading lady are in love. As Eva’s work careens toward catastrophe, she fights to preserve her dream of a people’s theatre—but will she destroy the people she loves in the process?

From the outside, Oliver Radclyffe spent four decades living an immensely privileged, beautifully composed life. As the daughter of two well-to-do British parents and the wife of a handsome, successful man from an equally privileged family, Oliver played the parts expected of him. He checked off every box—marriage, children (four), a white-picket fence surrounding a stately home in Connecticut, and a golden retriever named Biscuit. But beneath the shiny veneer, Oliver was desperately trying to stay afloat as he struggled to maintain a facade of normalcy.

Lucy’s brother, Mikey, is dead. Two years ago, when he left their small Eastern Colorado town and moved west to Denver, he’d intended to bring Lucy along. But Lucy has only just arrived, and too late. She arrives in search of Helen, a woman Mikey loved. But when Lucy moves in across the hall, she finds nothing is as she expected.

All Things Seen and Unseen follows Alex Nguyen, an isolated, chronically ill university student in her early 20s. After a suicide attempt and subsequent lengthy hospitalization, she finds herself without a job, kicked out of campus housing, unable to afford school, and still struggling in the aftermath of a relationship’s dissolution. Hope comes in the form of a rich high school friend who offers Alex a job housesitting at her family’s empty summer mansion on a gulf island.

The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination.

Everything about Lilah Stohler is dark: her clothes, her mood, and her outlook on life and death. That last part is important because Lilah’s father has just retired and left her in charge of Stohler’s Funeral Home. But Abel Stohler knows his daughter’s comfort level rests “downstairs”, so he hires one Sparkle Lee Sink to help Lilah manage the living part of the business of death. Sparkle is everything that Lilah isn’t—an empathetic marketing whiz who is a true people person.

For years, Tommy Dorfman turned her back on her thoughts and emotions, hoping they’d simply go away. After a lifetime of confusion, she finally gained clarity around her gender and began to transition. But there were still parts of herself she’d locked away, elements of her story that she needed, for the first time, to fully confront. She sought guidance in a tarot deck. Maybe This Will Save Me is structured through the cards of that tarot pull.

So Many Stars knits together the voices of trans, nonbinary, genderqueer, and two-spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world. This singular project collects the testimonies of twenty elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations—who can more fully exist in the world today because of these very trailblazers.

Single gay mom Brigid always thought that cutting ties with her extremist Catholic family was the best thing she could have done for her daughter, Dylan—and for herself. But when Dylan starts having terrifying fits of unnatural violence, Brigid can’t shake her memories of a girl from her childhood who behaved the same way … until Brigid’s uncle, Father Angus, performed an exorcism. Convinced that her daughter is suffering from demonic possession, Brigid does the thing she told herself she’d never do: she goes home.

The British monarchy of today descends directly from one leader: King James I, whose huge—and much overlooked—influence launched England as a major international trade power, established the King James Bible, and united the royal families of Scotland and England under one house and one monarch.