It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

This newer edition of the King James Bible published in 1769 is usually preferred by most that read it over the older 1611 version. This 1769 edition is highly sought after due to being more reader/listener friendly than the 1611 since many typos were fixed.... We hope your new audio bible will go everywhere with you and be a blessing for years to come.

But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.

How far would you go to protect your family? Single dad Ben is doing his best to raise his children, with the help of his devoted mother, Judi. And then Ben meets Amber. Everyone thinks this is a perfect match for Ben, but Judi isn't so sure.... There's just something about Amber that doesn't add up. Ben can't see why his mother dislikes his new girlfriend. And Amber doesn't want Judi anywhere near her new family. Amber just wants Ben and the children.

They said write what you know so that's what I did. I wrote dirty, I wrote erotic, I wrote the truth. And then they called me a liar. But it's not me who's lying, it's them. Our story isn't for everyone. It's not even for us. So if you're looking for the fairy tale and the stupid prince on his dumb white horse, move along. You've got a hold of the wrong book. This is not your story, this is not your life, and this is not your opportunity to dip your frightened little toe into the dark pool of water and "try new things" and then pull it out and decide... #NotForMe.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.

It’s the summer of ’77 in New York City, and the only thing more unnerving than the scorching heatwave is the rampant murder, leaving washed-up homicide detective Richard Dietrich on edge. When Dietrich investigates a brutal mob hit the brass doesn’t want him to solve, he goes from phoning it in to getting in over his head. Caught up in a mysterious second homicide with an even more perplexing perpetrator, Dietrich starts to second guess his instincts—and his memory—as he searches for answers at the bottom of a bottle.

A grieving mother calls out to her faraway son. A student forgoes the lurid appeal of dating apps in exchange for a painter’s love. The anonymous voices of queer native men converge amid violent eroticism. A man just out of prison balances the uneasy weight of family and freedom, while a professor returns home to conduct research only to be haunted by a dark specter. The stories and voices in Billy-Ray Belcourt’s debut story collection are buoyed by philosophical undergirding, poetic demand, and the complex relationship between aesthetics and ethics.

Young, headstrong Psyche has captured the eyes of every suitor in town and far beyond with her tempestuous beauty, which has made her irresistible as a woman yet undesirable as a wife. Secretly, she longs for a life away from the expectations and demands of men. When her father realizes that the future of his family and town will be forever cursed unless he appeases an enraged Aphrodite, he follows the orders of the Oracle, tying Psyche to a rock to be ravaged by a monstrous husband. And yet a monster never arrives.

When sixteen-year-old Shae meets Cam, who is new to their small town in West Virginia, she thinks she has found someone who is everything she has ever wanted in a companion. The two become fast friends, and then more. And when Shae ends up pregnant, Cam begins a different transition—trying on clothes that Shae can no longer fit into and using female pronouns. Shae tries to be fully supportive as Cam becomes the person she wants and needs to be.

The trip was supposed to be fun. When Kit’s best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for an idyllic weekend in the Montana mountains. They’ll soak in hot springs, then sneak a vape into a dive bar and drink too much, like old times. Instead, their getaway only reminds Kit of everything she’s lost lately: her wildness, her independence, and—most heartbreaking of all—her sister, Julie, who died a few years ago.

Aldwych West, an eighty-year-old modern-day aristocrat living alone in his Manhattan townhouse, is used to having what he wants. And when he sets eyes on August Dupond, a strong, stunningly beautiful soloist in the New York City Ballet, he decides he must have him. Soon they strike up a closeness that falls between the blurry lines of friendship, sponsorship, and love, and August moves in with Aldwych. But eventually August starts bringing home other men, and a formidable woman in Aldwych's circle named Ernestine also takes a deep interest in the enchanting young star.

Theo and Kit have been a lot of things: childhood best friends, crushes, in love, and now estranged exes. After a brutal breakup on the transatlantic flight to their dream European food and wine tour, they exited each other's lives once and for all. Time apart has done them good. Theo has found confidence as a hustling bartender by night and aspiring sommelier by day, with a long roster of casual lovers. Kit, who never returned to America, graduated as the reigning sex god of his pastry school class and now bakes at one of the finest restaurants in Paris.

Joseph is having a comically rough year. His job sucks, his relationship ended, he’s plagued by prank phone calls, and he nearly lost his father to the virus. When his best friend asks him to donate his sperm so that she can start a family, Joseph just can’t understand why anyone would bring a child into this calamitous world. The only bright spot is an intriguing new online relationship with an attractive internet “daddy” that has him rethinking his isolation until a series of revelations have him facing even bigger decisions about his future.

All Psyche ever wanted to do was help people, whether it's in her job as a therapist or online as an influencer. So when a mysterious invitation arrives from the most captivating man she's ever seen, asking for her assistance, she can't refuse. But Psyche soon finds herself in a world of Courts, full of debauchery and treachery, where her only option for survival is to swear a strange oath to a mysterious masked woman named Eros.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

It’s 2003, and artist Dawn Levit is stuck. A bookbinder who works in conservation at the Met, she spends her free time scouting the city’s street art, hoping something might spark inspiration. Instead, everything looks like a dead end. And art isn’t the only thing that feels wrong: wherever she turns, her gender identity clashes with the rest of her life. Her relationship, once anchored by shared queerness, is falling apart as her boyfriend Lukas increasingly seems to be attracted to Dawn only when she’s at her most masculine.

In an elite English boarding school where the girls kiss the marble statue of the famous dead author who used to walk the halls, a butch antipodean outsider arrives to take up the antiquated role of “matron.” Within this landscape of immense privilege, where difference is met with hostility, the matron finds herself unsure of her role, her accent and her body.

Growing up in the San Fernando Valley with his two brothers, all K wants is to be “a boy from L.A.,” all American. But K—the youngest, named after a Persian king—knows there’s something different about himself. Like the way he feels about his closest friend, Johnny, a longing that he can’t share with anyone.

Shagun knows he will never be the kind of son his father demands. After the sudden deaths of his beloved twin sisters, Shagun flees his own guilt, his mother’s grief, and his father’s violent disapproval by enrolling at an all-boys boarding school. But he doesn’t find true belonging until he encounters a traveling theater troupe performing the Hindu myths of his childhood. Welcomed by the other storytellers, Shagun thrives, easily embodying mortals and gods, men and women, and living on the road, where his father can’t catch him.

After a successful first season of Domestic Partners chronicling the renovation of their historic Craftsman Colonial, Peter and JP are taking on a renovation of a local Tudor Revival inherited by identical twin brothers Terry and Tom Cash. But linoleum floors and a pink-tiled bathroom aren't the only unwelcome surprises awaiting inside the house. Just as the show is set to start filming, Peter and JP discover Tom Cash dead at the foot of the house's staircase. And when the police ruling changes from accidental death to homicide, the list of suspects grows fast.