
Slow Horses
Slough House, Book 1
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Narrated by:
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Gerard Doyle
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By:
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Mick Herron
About this listen
Slough House is a dumping ground for British intelligence agents who've screwed up cases in any number of ways - by leaving a secret file on a train or blowing a surveillance. River Cartwright, one such "slow horse", is bitter about his failure and about his tedious assignment transcribing cell phone conversations.
When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, River sees an opportunity to redeem himself.
Is the victim whom he first appears to be? And what's the kidnappers' connection with a disgraced journalist? As the clock ticks on the execution, River finds that everyone has his own agenda.
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Reconstruction
- By: Mick Herron
- Narrated by: Julia Franklin
- Length: 12 hrs and 55 mins
- Unabridged
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When a young man breaks into South Oxford Nursery School with a gun and takes a group of hostages, teacher Louise Kennedy is fearful. But Jaime Segura isn’t there on a homicidal mission. Bad Sam Chapman - head of the intelligence service’s internal security force, the Dogs - tries to find out what Jaime is after. But the only person Jaime will talk to is Ben Whistler, an MI6 colleague of Jaime’s lover, Miro - who has gone missing with a quarter of a billion pounds....
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worst reader ever
- By mimz on 06-25-21
By: Mick Herron
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This Is What Happened
- By: Mick Herron
- Narrated by: Steven Crossley
- Length: 7 hrs and 28 mins
- Unabridged
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Twenty-six-year-old Maggie Barnes is someone you would never look at twice. Living alone in a month-to-month sublet in the huge city of London, with no family but an estranged sister, no boyfriend or partner, and not much in the way of friends, Maggie is just the kind of person who could vanish from the face of the earth without anyone taking notice. Or just the kind of person MI5 needs to infiltrate the establishment and thwart an international plot that puts all of Britain at risk. Now one young woman has the chance to be a hero - if she can think quickly enough to stay alive.
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Well written, but disappointing
- By Meg on 02-04-18
By: Mick Herron
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The Last Voice You Hear
- By: Mick Herron
- Narrated by: Julia Franklin
- Length: 12 hrs and 7 mins
- Unabridged
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When Caroline Daniels takes a deadly fall in front of a train and her lover fails to turn up at the funeral, Zoë Boehm wants nothing to do with the case. But Caroline's boss is persistent, and as Zoë attempts to unlock the secrets of a woman she's never met while in search of a man who could be anywhere, she starts to wonder if he's found her first. And if he has, will that make her the next victim?
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Impressive Chops
- By Cheryl L. Walton on 11-03-23
By: Mick Herron
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A Perfect Spy
- By: John Le Carré
- Narrated by: Shaun Evans
- Length: 19 hrs and 56 mins
- Unabridged
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The most autobiographical of John le Carré’s works, A Perfect Spy follows two narratives: the manhunt for the double agent Magnus Pym, and the makings of the man in question—told in his own words.
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Wonderful narration
- By Clare on 08-17-24
By: John Le Carré
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The Pyramid and Four Other Kurt Wallander Mysteries
- By: Henning Mankell
- Narrated by: Dick Hill
- Length: 15 hrs and 20 mins
- Unabridged
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The Pyramid is the long-awaited addition to Henning Mankell's critically celebrated and internationally best-selling Kurt Wallander mystery series: the book of five short mysteries that takes us back to the beginning. Here are the stories that trace, chronologically, Wallander's growth from a rookie cop into a young father and then a middle-aged divorcé, illuminating how Wallander became a first-rate detective and highlighting new facets of a now canonical character.
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Satisfaction for Mankell/Wallander Junkies
- By Rebecarol on 08-30-09
By: Henning Mankell
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Murder at Everham Hall
- A Marius Quin Mystery, Book 1
- By: Benedict Brown
- Narrated by: George Blagden
- Length: 7 hrs and 43 mins
- Unabridged
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December 1927. Mystery-writer Marius Quin has one previous bestseller, endless looming mortgage payments, and no idea how to write his next book. When his childhood friend Lady Isabella Montague invites him to an intimate New Year’s Eve party hosted by a narcissistic actor, Marius seizes upon the distraction. With his perpetually glum Basset hound along for the ride, he navigates the snowy lanes to the opulent estate of Everham Hall. As the celebrations begin, fireworks light up the sky, champagne corks pop, and then the host is murdered…
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Great new series!
- By Sallyk575 on 07-02-24
By: Benedict Brown
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The Peacock and the Sparrow
- A Novel
- By: I.S. Berry
- Narrated by: Pete Simonelli
- Length: 11 hrs and 37 mins
- Unabridged
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Shane Collins, a world-weary CIA spy, is ready to come in from the cold. Stationed in Bahrain off the coast of Saudi Arabia for his final tour, he has little use for his mission—uncovering Iranian support for the insurgency against the monarchy. Then Collins meets Almaisa, a beautiful and enigmatic artist, and his eyes are opened to a side of Bahrain most expats never experience, to questions he never thought to ask.
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Slow storyline
- By Chris on 10-17-23
By: I.S. Berry
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Furbidden Fatality
- A Catskills Pet Rescue Mystery, Book 1
- By: Deborah Blake
- Narrated by: Hollis McCarthy
- Length: 7 hrs and 54 mins
- Unabridged
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Kari Stuart's life is going nowhere - until she unexpectedly wins the lottery. The 29-year-old instant multimillionaire is still mulling plans for her winnings when rescuing a bossy black kitten leads her to a semi-abandoned animal shelter. They need the cash - Kari needs a purpose. But the dilapidated rescue is literally going to the dogs with a pending lawsuit, hard-to-adopt animals, and too much unwanted attention from the town's dog warden. When the warden turns up dead outside the shelter's dog kennels, Kari finds herself up a creek without a pooper-scooper.
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Approved by Harry Dresden
- By Christopher T. Malone on 11-22-21
By: Deborah Blake
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Zero Day
- A Jeff Aiken Novel
- By: Mark Russinovich
- Narrated by: Johnny Heller
- Length: 9 hrs and 39 mins
- Unabridged
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An airliner’s controls abruptly fail mid-flight over the Atlantic. An oil tanker runs aground in Japan when its navigational system suddenly stops dead. Hospitals everywhere have to abandon their computer databases when patients die after being administered incorrect dosages of their medicine. In the Midwest, a nuclear power plant nearly becomes the next Chernobyl when its cooling systems malfunction. At first, these random computer failures seem like unrelated events.
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Uninspired...
- By ReadsALot on 11-02-12
By: Mark Russinovich
listen.. thoroughly recommended!
Brilliant!
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Great read!
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Excellent spy drama
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Above all, the great idea is that our collective protagonists are a group of MI-5 British intelligence agents who have all screwed up in one way or another. One shut down the London tube for a day when he had his squad hold a gun to a suspect a with a blue flannel over a white t-shirt when the real suspect had the reverse colors. Another slept with the wife of the Venezualan consul. Another drank too much. And another simply forgot a confidential file on the bus.
They’ve all been exiled to the dead end of “Slough House,” a place named after the suburb so awful and backwater that it’s where they set the British version of The Office. (And the American version chose Scranton, where I work and think of at least partly as home.) The idea is that, while others do the glamorous work of spycraft, they’re left to push paper and occasionally sort through rubbish for old credit card statements. They are the titular “slow horses,” suspect figures doomed to depressing careers and held hostage by the promise of modest pensions.
When a seeming group of National Front-like anti-immigrants determine to kidnap a young Pakistani-English man and promise to cut his head off, though, it’s the Slow Horses who have a better chance to make things right. Like Derek Raymond’s The Devil’s Home on Leave – though better than that one (while less good than Raymond’s amazing He Died with His Eyes Open) – this gives the underdogs a chance at solving a crime other law enforcement people have overlooked.
At the heart of this, that anger, that barely repressed sense of the fundamental unfairness of life, permeates the novel in interesting ways. Our potential victim, Hassan, doesn’t deserve what happens to him any more than anyone else. And we come to see that many of the fortunate thrivers don’t deserve their luck either. In a flickering way, it conjures what noir has to do (at least as far as I’m concerned): raise ideas of fundamental morality in the context of crime and the specter of amorality.
There are two major problems with this iteration of the experiment, though.
First, it’s irritating to see Herron switch perspectives as frequently and erratically as he does. The scenes here are almost all short and choppy, and he way overplays the pregnant pause; there are simply too many instances where, right before a big reveal, he changes scene. And, even more frustratingly, he’ll often rewind a bit when he returns to the thread he’s dropped. In small doses, that can work; overdone like this, it’s irritating.
Second, too much of what actually happens is contrived. Above all, [MAJOR SPOILER:] the plot to kidnap Hassan turns out to have been hatched as a counter-espionage effort by an MI-5 official who wants to frame the anti-immigrant right and, in foiling them, to win credit abroad. That’s such a bad idea that it undermines the effect of the whole set-up here; the “winners” in the race for espionage careers may not be any smarter than the Slow Horses themselves, but surely they can’t be that stupid.
And that problem persists in less structural ways too. For instance, two different characters trip during crucial physical showdowns, keeping their good-guy antagonists from having to kill them. That’s a clear failure of imagination on Herron’s part, and it’s too bad because it seems as if he could push this just a hair farther to something more compelling. We don’t need LeCarre level inspiration at every turn, but a little more attention can bolster the whole.
As I say, though, those real flaws may simply be growing pains. There’s a kernel of real inspiration here and, given the good reviews I see of the sequel, I have a sense that Herron may have moved beyond them in his later work.
Promising Concept Hampered by Style & Contrivance
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Why have I never heard of this series before?
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The thing about an axe is you never have to reload
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Great book, narrator is soporific
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Found a great series!
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Most impressed with the quality of the language, and actually found myself writing down some of the more insightful phrases. Unexpectedly literate, considering the genre Read the author’s biography and realized why!
New to Mick Herron and wondering why it took me so long.
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River knows he was sabotaged and tries to find something real to work on in hopes of being reinstated as an active field agent. Jackson Lamb, the head of Slough House, tries to keep the group quietly working and out of trouble.
However a young man is abducted and his kidnappers threaten to behead him and filming online. The group at Slough House slowly get involved in an attempt to save the abductee's life while River and Jackson uncover activity behind the scenes at headquarters.
“AUDIBLE 20 REVIEW SWEEPSTAKES ENTRY”
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