St. Medard’s Bay, Alabama is famous for three things: the deadly hurricanes that regularly sweep into town, the Rosalie Inn, a century-old hotel that’s survived every one of those storms, and Lo Bailey, the local girl infamously accused of the murder of her lover, political scion Landon Fitzroy, during Hurricane Marie in 1984.

Bryden and Sam have it all: thriving careers, a smart apartment in a luxury condominium, supportive friends and a cherished daughter. The perfect life for the perfect couple. Then Sam receives a call at his office. Bryden–working from home that day–has failed to collect their daughter from daycare. Arriving home with their little girl, he finds his wife’s car in the underground garage. Upstairs in their apartment her laptop is open on the table, her cell phone nearby, her keys in their usual place in the hall. Except Bryden is nowhere to be seen. It’s as if she just walked out.

Eden Fox, an artist on the brink of her big break, sets off for a run before her first exhibition. When she returns to the home she recently moved into, Spyglass, an enchanting old house in Hope Falls, nothing is as it should be. Her key doesn’t fit. A woman, eerily similar to her, answers the door. And her husband insists that the stranger is his wife.

Lottie Jones thought her crimes were behind her. Decades earlier, she changed her identity and tucked herself away in a small town. Her most exciting nights are the weekly bingo games at the local church and gossiping with her friends. When investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past and specifically her involvement with numerous unsolved cases, well, Lottie just can’t have that. But getting away with murder is hard enough when you’re young.

It was the Crime of the Decade. Pathological sibling rivalry. Bitter, all-consuming envy. Whatever the cause—and everyone has an opinion—it led Georgia Cartwright who was adopted as a newborn, to kill the younger, biological daughter of her wealthy, socially prominent family. Georgia is being kept at an institution where the most violent offenders are held while she waits to see if she is ruled not guilty by reason of insanity.

Sierra Coleman awakens from a horrific crash, her mind a blank slate. But as she claws her way back to reality, she discovers her amnesia is just the tip of a sinister iceberg. Every "truth" she uncovers is another lie, every ally a potential enemy. With a daughter she can't remember and a life she doesn't recognize, Sierra is thrust into a high-stakes game of cat and mouse. As bodies pile up and shocking betrayals come to light, she realizes the key to her survival lies buried in her forgotten past.

When the invitation to attend the press opening of a luxury Swiss hotel—owned by reclusive billionaire Marcus Leidmann—arrives, it’s like the answer to a prayer. Three years after the birth of her youngest child, Lo Blacklock is ready to reestablish her journalism career, but post-pandemic travel journalism is a very different landscape from the one she left ten years ago.

In 1942, six people destroyed Anna Matheson’s family. Twelve years later, she’s ready for retribution. Under false pretenses, Anna has lured those responsible for her family’s downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of thirteen hours. Her goal? Confront the people who’ve wronged her, get them to confess their crimes, and deliver them into the hands of authorities waiting at the end of the line. Justice will at last be served. But Anna’s plan is quickly derailed by the murder of one of the passengers.

Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her eighteenth birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist... until an unexpected call from her father forces her to come back home and face it all anew.

Restauranteur Paddy Swann was the life of the party until the day a man pushed him in the path of an oncoming train, leaving his twenty-something daughter Ash and wife Nina devastated. Shortly after Paddy’s funeral, the two women receive a surprise in the mail: a note and package from Nick Radcliffe, an old friend of Paddy’s, and a nondescript lighter that once belonged to him decades ago. This unexpected gift draws Nick and Nina closer together—much to Ash’s dismay.

When Audrey Collet’s ex Tyson calls, threatening to expose the skeletons in her closet unless she helps him figure out who is blackmailing him, she wants nothing more than to refuse. Though their relationship ended over a decade ago, the scars are deep. And since his tech company made him a billionaire, he’s become more than a little eccentric . . . and paranoid. But a foot has washed ashore in the Everglades—that’s right, an actual human foot, encased in an Air Jordan—and Tyson is quick to remind Audrey that it’s one whose long-dead owner they both have a connection to.

For twenty-four-year-old Jane, finding love in New York City is even harder than making it as a playwright. So when Jane meets Colin, she can’t believe her luck: they’re perfect for each other. Even when Colin breaks off their relationship after six dates, Jane knows this is just a stumbling block. She’ll get him back. She knows she will. That is, until Colin starts dating Zoe—perfect, luminous Zoe. Even worse, she’s actually kind of nice. But Zoe doesn’t have what it takes to love Colin. All Jane has to do is prove it, and they’ll be so happy together.

After an accident that nearly kills her, Emily and her husband, Freddie, move from London to a beautiful Dartmoor country house called Larkin Lodge. The house is gorgeous, striking—and to Emily, something about it feels deeply wrong. Old boards creak at night, fires go out, and books fall from the shelves, and all of it stems from the terrible presence she feels in the third-floor room. But these things happen only when Emily’s alone, so are they happening at all?

The Taylor family shatters in a single night when two teenage siblings are found dead in their own home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets. Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she's offered a job to ghostwrite her father's last book. What she doesn't know is that this project is another one of his lies.

Meet Lance. Thirty-eight years old. Works a meaningless job. Still lives above his parents’ garage. By all accounts, a world-class loser. Save for one glaring exception: He has a million-dollar face. Lance has been mistaken eighty-seven times for the Oscar-winning movie star James Jansen, and for the last ten years, he’s saved his money and studied Jansen’s films, his moves, his idiosyncrasies—even the way he speaks. Now, after an unceremonious termination from his job, Lance has decided that the time has come to go after his dream of truly becoming Jansen.

If you ask Jill Tingley, she'll tell you she and her husband Jack are college sweethearts living the dream in Southern California. Newly empty nesting with their daughter Maggie away at college, Jill suggests a road trip to reconnect. Jack would rather do anything else than drive to Utah with his wife. He's only stayed in this marriage because of a shared secret, a tragedy in the past he wanted to keep buried. But Jack is finished with the charade of his marriage. He's filing for divorce as soon as they return, no matter what. But he doesn't realize what else Jill is hiding.

Bernadette Swift, a young copyeditor at Lenox & Park Publishing, is determined to become the first female CEO in the publishing industry. But first she needs to take the next step up that ladder with a promotion that her boorish and sexist boss wants to thwart. Seeking a base of support, Bernadette joins a feminist women's book club at the New York Public Library, and soon, she's inspiring her fellow members to challenge the male gatekeepers and decades of ingrained sexism in their workplaces and pursue their personal and professional dreams.

All I want is to be innocent again. But that's not how it works. Especially not after the Wheel. The three Bishop sisters grew up in privilege in the moneyed suburbs of Detroit. But as the auto industry declined, so did their fortunes. Harper, the youngest, is barely making ends meet when her beloved, charismatic sister Pam—currently in the middle of a contentious battle with her ex-husband—and her eldest sister, Debra, approach her about joining an exciting new club.

In 1942, six people destroyed Anna Matheson’s family. Twelve years later, she’s ready for retribution. Under false pretenses, Anna has lured those responsible for her family’s downfall onto a luxury train from Philadelphia to Chicago, an overnight journey of thirteen hours. Her goal? Confront the people who’ve wronged her, get them to confess their crimes, and deliver them into the hands of authorities waiting at the end of the line. Justice will at last be served. But Anna’s plan is quickly derailed by the murder of one of the passengers.

Ever since she was a teenager, Tessa Nilsson has been consumed by the story of four friends who disappeared. As her true crime fervor turned into a wildly popular podcast, Tessa covered Sweden’s most gruesome cases, but could never find the answers behind what happened to these women who disappeared. Now Tessa’s podcast has crashed and burned, any chance she had at uncovering the truth vanishing with it.

Bryden and Sam have it all: thriving careers, a smart apartment in a luxury condominium, supportive friends and a cherished daughter. The perfect life for the perfect couple. Then Sam receives a call at his office. Bryden–working from home that day–has failed to collect their daughter from daycare. Arriving home with their little girl, he finds his wife’s car in the underground garage. Upstairs in their apartment her laptop is open on the table, her cell phone nearby, her keys in their usual place in the hall. Except Bryden is nowhere to be seen. It’s as if she just walked out.

Natalie Campbell loses time. She’ll wake up in different places with no memory of how she got there. The blackouts are a symptom of her PTSD, which began after she was sexually assaulted by her boss, who was found not guilty. But she found ways to cope by setting up routines and relying on her supportive husband, Ryan. Then one day, her husband is accused of committing the same crime that ruined her life.

Annabelle Reynolds has everything she’s ever wanted. A devoted husband, two wonderful daughters, and a career she loves. She couldn’t be happier. So why is she suddenly plagued by disturbing dreams of a future where she hates her husband and her daughters’ lives are at risk? At first, she chalks the dreams up to an overactive imagination. But when details from her dreams, details she couldn’t possibly have predicted, begin to materialize, she realizes these aren’t just dreams but rather premonitions of a terrifying future.

The Ophelia is your typical billionaire yacht: ridiculously luxurious, owned by a ruthless money man, and staffed by a crew whose only job is to indulge the guests’ every wish. Model-gorgeous Sasha is a last-minute hire for a weeklong Atlantic crossing. She joins fellow stewardesses Jade, Imogen, Euphemia, and Lola. The Ophelia’s stewardesses are almost identical—blonde and model-gorgeous—and all were lured to the Ophelia by high wages and a chance to leave their problems behind when they set sail. But despite its sleek opulence, the Ophelia isn’t as heavenly as it seems.

In the wake of her grandmother's passing, Sydney Singleton finds a hidden photograph of a little girl who looks more like Sydney than her own sister or mother. She soon discovers the mystery girl in the photograph is her aunt, Carol, who was one of six North Carolina Black girls to go missing in the 1960s. For the last several decades, not a soul has talked about Carol or what really happened to her. But now, with her grandmother gone and Sydney looking to start a family of her own, she is determined to unravel the truth behind her long-lost aunt’s disappearance.

Debut sensation Tessa Calloway is on a whirlwind book tour for her instant bestseller, All This Could Be Yours. In a different city every night, Tessa receives standing ovations from adoring fans while her husband Henry and their two children cheer her on from their brand-new dream house. But there's a chilling problem with Tessa's triumphant book tour—she soon discovers she is being stalked by someone who's obsessed not only with sabotaging her career, but also with destroying her perfect family back home.

St. Medard’s Bay, Alabama is famous for three things: the deadly hurricanes that regularly sweep into town, the Rosalie Inn, a century-old hotel that’s survived every one of those storms, and Lo Bailey, the local girl infamously accused of the murder of her lover, political scion Landon Fitzroy, during Hurricane Marie in 1984.

When thirty-four-year-old Cath loses her mostly absentee mother, she is ambivalent. With days of quiet, unassuming routine in Buffalo, New York, Cath consciously avoids the impulsive, thrill-seeking lifestyle that her mother once led. But when she’s forced to go through her mother’s things one afternoon, Cath is perplexed to find tickets for an upcoming “murder week” in England’s Peak District: a whole town has come together to stage a fake murder mystery to attract tourism to their quaint hamlet.

Lottie Jones thought her crimes were behind her. Decades earlier, she changed her identity and tucked herself away in a small town. Her most exciting nights are the weekly bingo games at the local church and gossiping with her friends. When investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past and specifically her involvement with numerous unsolved cases, well, Lottie just can’t have that. But getting away with murder is hard enough when you’re young.

There is a girl in a basement. The door has stopped opening. The light is gone. Stranger is trapped in the dark, with only her imagination and the scribbles on the wall left by long-dead girls to keep her company. Nearly out of food and water, she makes one last attempt to escape. But if the door opens at last, will it mean salvation, or only the beginning of her fight to survive?