There has always been a darkness to Ilmar, but never more so than now. The city chafes under the heavy hand of the Palleseen occupation, the choke-hold of its criminal underworld, the boot of its factory owners, the weight of its wretched poor and the burden of its ancient curse. What will be the spark that lights the conflagration? Despite the city's refugees, wanderers, murderers, madmen, fanatics and thieves, the catalyst, as always, will be the Anchorwood–that dark grove of trees, that primeval remnant, that portal, when the moon is full, to strange and distant shores.

The Hygrometric Dehabitation Region, or the "Zone," is a growing band of rainforest on the equator, where the heat and humidity make it impossible for warm-blooded animals to survive. A human being without protection in the Zone is dead in minutes. Twenty years ago, Marks went into the rainforest with a group of researchers led by Doctor Elaine Fell, to study the extraordinary climate and see if it could be used in agriculture. The only thing she learned was that the Zone was no place for people. There were deaths, and the program was cut short. Now, they're sending her back in.

My name is Gary Rendell. I'm an astronaut. When they asked me as a kid what I wanted to be when I grew up, I said, "astronaut, please!" I dreamed astronaut, I worked astronaut, I studied astronaut. I got lucky; when a probe exploring the Oort Cloud found a strange alien rock and an international team of scientists was put together to go and look at it, I made the draw. I got even luckier. When disaster hit and our team was split up, scattered through the endless cold tunnels, I somehow survived. Now I'm lost, and alone, and scared, and there's something horrible in here. Lucky me.

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark.

Harry Bodie has a famous grandmother, who wrote beloved children's books set in the delightful world of Underhill. Harry himself is a failing kids' television presenter whose every attempt to advance his career ends in self-sabotage. His family history seems to be nothing but an impediment. An impediment . . . or worse. What if Underhill is real? What if it has been waiting decades for a promised child to visit? What if it isn't delightful at all? And what if its denizens have run out of patience and are taking matters into their own hands?

Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining station, has died. But no one will admit that his death wasn't an accident - or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court. Now, Mahit must discover who is behind the murder, rescue herself, and save her station from Teixcalaan's unceasing expansion.

When an experiment to study quantum uncertainty goes spectacularly wrong, physics student Bill Rustad and his friends find that they have accidentally created an inter-dimensional portal. They connect to Outland - an alternate Earth with identical geology, but where humans never evolved. The group races to establish control of the portal before the government, the military, or evildoers can take it away. Then everything changes when the Yellowstone supervolcano erupts in an explosion large enough to destroy civilization and kill half the planet.

Nobody remembers how the Causality War started. Really, there's no-one to remember and nothing for them to remember if there were; that's sort of the point. We were time warriors and we broke time. I was the one who ended it. Ended the fighting, tidied up the damage as much as I could. Then I came here, to the end of it all, and gave myself a mission: to never let it happen again.

The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates, the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival, he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there. In the midst of a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go?

The Carryx—part empire, part hive—has waged wars of conquest for centuries, destroying or enslaving species across the galaxy in its conflict with an ancient and deathless enemy. When they descend on the isolated world of Anjiin, the human population is abased, slaughtered, and put in chains. The best and brightest are abducted, taken to the Carryx world-palace to join prisoners from a thousand other species. Dafyd Alkhor, assistant to a prestigious scientist, is captured along with his team.

Maya Hoshimoto was once the best art thief in the galaxy. For ten years, she returned stolen artifacts to alien civilizations—until a disastrous job forced her into hiding. Now she just wants to enjoy a quiet life as a graduate student of anthropology, but she’s haunted by persistent and disturbing visions of the future. Then an old friend comes to her with a job she can’t refuse: find a powerful object that could save an alien species from extinction. Except no one has seen it in living memory, and they aren’t the only ones hunting for it.

It's always idyllic in the village until the landlord comes to call. Because the landlord is an Ogre. And Ogres rule the world, with their size and strength and appetites. It's always been that way. It's the natural order of the world. And they only eat people sometimes. But when the headman's son, Torquell, dares lift his hand against the landlord's son, he sets himself on a path to learn the terrible truth about the Ogres, and about the dark sciences that ensured their rule.

Welcome to Ringworld, an intermediate step between Dyson Spheres and planets. The gravitational force created by a rotation on its axis of 770 miles per second means no need for a roof. Walls 1,000 miles high at each rim will let in the sun and prevent much air from escaping. Larry Niven's novel, Ringworld, is the winner of the 1970 Hugo Award for Best Novel, the 1970 Nebula Award for Best Novel, and the 1972 Ditmars, an Australian award for Best International Science Fiction.

When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food-delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization”. Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on. What Tom doesn't tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, dinosaur-like creatures named Kaiju roam a warm and human-free world.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

Destined from birth to serve as protector of the princess Zariya, Khai is trained in the arts of killing and stealth by a warrior sect in the deep desert; yet there is one profound truth that has been withheld from him. In the court of the Sun-Blessed, Khai must learn to navigate deadly intrigue and his own conflicted identity…but in the far reaches of the western seas, the dark god Miasmus is rising, intent on nothing less than wholesale destruction.

Sergeant Adriene Valero wants to die. She can't. After enduring a traumatic resurrection for the ninety-sixth time, Valero is reassigned to a special forces unit and outfitted with a cutting-edge virtual intelligence aid. They could turn the tide in the war against intelligent machines dedicated to the assimilation, or destruction, of humanity. When her VI suddenly achieves sentience, Valero is drawn into the machinations of an enigmatic major who’s hell-bent on ending the war—by any means necessary.

In this strange, new world deep among the shadows under a triple-canopy jungle and plagued by dangers real and imagined, soldiers strive to fulfill a mission they don’t understand and are ill-equipped to carry out. And high above them, the heavy rush of wings slashing through the humid air herald a coming wave of death and destruction, and just possibly, salvation.

On a warm March night in 2083, Judy Wallach-Stevens wakes to a warning of unknown pollutants in the Chesapeake Bay. She heads out to check what she expects to be a false alarm—and stumbles upon the first alien visitors to Earth. These aliens have crossed the galaxy to save humanity, convinced that the people of Earth must leave their ecologically-ravaged planet behind and join them among the stars. And if humanity doesn't agree, they may need to be saved by force. But the watershed networks that rose up to save the planet from corporate devastation aren't ready to give up on Earth.

Earth, 2144. Jack is an anti-patent scientist turned drug pirate, traversing the world in a submarine as a pharmaceutical Robin Hood, fabricating cheap scrips for poor people who can't otherwise afford them. But her latest drug hack has left a trail of lethal overdoses as people become addicted to their work, doing repetitive tasks until they become unsafe or insane.

A VIEW FROM THE STARS features a range of short works from the past three decades of New York Times bestselling author Cixin Liu's prolific career, putting his nonfiction essays and short stories side-by-side for the first time. This collection includes essays and interviews that shed light on Liu's experiences as a reader, writer, and lover of science fiction throughout his life, as well as short fiction that gives glimpses into the evolution of his imaginative voice over the years.

You can't militarize space. This one rule has led to decades of peaceful development of space programs worldwide. However, increasing resource scarcity and a changing climate on Earth's surface is causing some interested parties - namely India, the North American Union, and the Sinese Federation - to militarize. The discovery of a strange artifact by Dr. Alayna Wong precipitates a crisis. What appears to be a hitherto undiscovered comet is soon revealed to be an alien structure on a cometary trajectory toward the sun.

As a witch in the walled city of Chernograd, Kosara has plenty of practice treating lycanthrope bites, bargaining with kikimoras, and slaying bloodsucking upirs. There’s only one monster she can’t defeat: her ex, the Zmey, known as the Tsar of Monsters. She’s defied him one too many times and now he’s hunting her. Betrayed by someone close to her, Kosara’s only choice is to trade her shadow—the source of her powers—for a quick escape.

Veycosi, in training as a griot (an historian and musician), hopes to sail off to examine the rare Alamat Book of Light and thus secure a spot for himself on Chynchin’s Colloquium of scholars. However, unexpected events prevent that from happening. Fifteen Ymisen galleons arrive in the harbor to force a trade agreement on Chynchin. Veycosi tries to help, hoping to prove himself with a bold move, but quickly finds himself in way over his head.

Maya Hoshimoto was once the best art thief in the galaxy. For ten years, she returned stolen artifacts to alien civilizations—until a disastrous job forced her into hiding. Now she just wants to enjoy a quiet life as a graduate student of anthropology, but she’s haunted by persistent and disturbing visions of the future. Then an old friend comes to her with a job she can’t refuse: find a powerful object that could save an alien species from extinction. Except no one has seen it in living memory, and they aren’t the only ones hunting for it.

With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.

The village of Saint-Ferdinand has all the trappings of a quiet life. Though if an out-of-towner stopped in, they would notice one unusual thing - a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play.

In a daring and deadly heist, thieves have made away with an artifact of terrible power - the death mask of Louis Charbon. Made by a master craftsman, it is imbued with the spirit of a monster from history, a serial murderer who terrorized the city. Now Charbon is loose once more, killing from beyond the grave. But these murders are different from before, not simply random but the work of a deliberate mind probing for answers to a sinister question.

There is only one way to travel across the Wastelands: on the Trans-Siberian Express, a train as famous for its luxury as for its danger. The train is never short of passengers, eager to catch sight of Wastelands creatures more miraculous and terrifying than anything they could imagine. But on the train's last journey, something went horribly wrong, though no one seems to remember what exactly happened. Not even Zhang Weiwei, who has spent her life onboard and thought she knew all of the train’s secrets.

Koschei the Deathless is to Russian folklore what devils or wicked witches are to Western European culture: a menacing, evil figure; the villain of countless stories that have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the 20th century.