
Romancing the Beat: Story Structure for Romance Novels
How to Write Kissing Books, Book 1
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Narrated by:
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Natalie Duke
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By:
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Gwen Hayes
About this listen
What makes a romance novel a romance? How do you write a kissing book?
Writing a well-structured romance isn't the same as writing any other genre - something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc - not the other way around.
Told in conversational (and often irreverent) prose, Romancing the Beat is like sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure - the way she does with her clients, some of whom are regular inhabitants of the New York Times and USA Today best-seller lists.
Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.
©2016 Gwen Hayes (P)2017 Gwen HayesListeners also enjoyed...
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Writing for Emotional Impact
- Advanced Dramatic Techniques to Attract, Engage, and Fascinate the Reader from Beginning to End
- By: Karl Iglesias
- Narrated by: Karl Iglesias
- Length: 9 hrs and 57 mins
- Unabridged
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There are three kinds of feelings when reading a story: boredom, interest, and wow! To become a successful writer, you must create the wow feeling on as many pages as possible, and this requires writing that engages the reader emotionally. In his best-selling book, screenwriter Karl Iglesias explored the working habits of A-list Hollywood scribes. Now, he breaks new ground by focusing on the psychology of the reader.
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Best audiobook by far for writing screenplays
- By FilmmakerSuperNova on 07-04-20
By: Karl Iglesias
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The Emotional Craft of Fiction
- How to Write the Story Beneath the Surface
- By: Donald Maass
- Narrated by: Timothy Andrés Pabon
- Length: 7 hrs and 36 mins
- Unabridged
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While writers might disagree over showing versus telling or plotting versus pantsing, none would argue this: If you want to write strong fiction, you must make your readers feel. The reader's experience must be an emotional journey of its own, one as involving as your characters' struggles, discoveries, and triumphs are for you. That's where The Emotional Craft of Fiction comes in. Veteran literary agent and expert fiction instructor Donald Maass shows you how to use story to provoke a visceral and emotional experience in readers.
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Read this if you're a writer
- By Reed Ramlow on 08-08-20
By: Donald Maass
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Story Engineering
- Mastering the 6 Core Competencies of Successful Writing
- By: Larry Brooks
- Narrated by: Chris Sorensen
- Length: 11 hrs and 48 mins
- Unabridged
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The vast majority of writers begin the storytelling process with only a partial understanding of where to begin. Some labor their entire lives without ever learning that successful stories are as dependent upon good engineering as they are artistry. But the truth is, unless you are master of the form, function, and criteria of successful storytelling, sitting down and pounding out a first draft without planning is an ineffective way to begin. Story Engineering starts with the criteria and the architecture of storytelling, the engineering and design of a story....
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dislike narrator voice/intonation, didnt get far
- By Khang Tran on 10-03-20
By: Larry Brooks
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The Secrets to Creating Character Arcs
- A Fiction Writer's Guide to Masterful Character Creation (Growing Authors Out of Writers)
- By: John S. Warner
- Narrated by: Angus Freathy
- Length: 3 hrs and 36 mins
- Unabridged
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When you think of unforgettable characters from books you’ve read, who comes to mind? James Bond, Harry Potter, Scarlett O’Hara, Elizabeth Bennett, Atticus Finch, Sherlock Holmes? These are just some of the most iconic characters in fiction. They are so memorable that even decades or centuries later, they still captivate our imagination. But what exactly is it about them that keeps generations so invested in them? Writers apply certain rules and tricks with their characters to make their stories shine. With this guide, you’ll find out exactly what they are.
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Great foundations
- By JB9K on 07-18-24
By: John S. Warner
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The Heroine's Journey
- For Writers, Readers, and Fans of Pop Culture
- By: Gail Carriger
- Narrated by: Starla Huchton
- Length: 7 hrs and 32 mins
- Unabridged
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Tired of the hero's journey? Frustrated that funny, romantic, and comforting stories aren't taken seriously? Sad that the books and movies you love never seem to be critically acclaimed, even when they sell like crazy? The heroine's journey is here to help. Multiple New York Times best-selling author Gail Carriger presents a clear, concise analysis of the heroine's journey, how it differs from the hero's journey, and how you can use it to improve your writing and your life. Narrated by Starla Huchton.
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Great Content with unsatisfactory narration
- By Kathleen S. on 05-20-21
By: Gail Carriger
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Super Structure
- The Key to Unleashing the Power of Story
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 3 hrs and 9 mins
- Unabridged
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Super Structure represents over two decades of research on what makes a novel or screenplay entertaining, commercial, original, and irresistible. Contrary to what some may think, structure is not a nasty inhibitor of creativity. Quite the opposite. Properly understood and utilized, structure is what translates story into a form audiences are wired to receive it.
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Help for crafting a great story
- By Robin on 01-09-21
By: James Scott Bell
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Logline Shortcuts
- Unlock your story and pitch your screenplay in one simple sentence
- By: Naomi Beaty
- Narrated by: Virtual Voice
- Length: 1 hr and 14 mins
- Unabridged
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Whether you've just felt the spark of inspiration for a new story idea, or you’re putting your finished screenplay in front of producers, managers, and agents… You need a logline. A logline is one simple sentence, but an incredibly powerful tool that can help you throughout the screenwriting process. In the development and writing phases, a good logline will help you unlock your story, understand the movie you’re writing, and keep you aiming for the right target so you don’t get lost along the way. And when your screenplay is finished, a good logline will intrigue listeners, stand ...
By: Naomi Beaty
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How to Write a Romance Novel
- Getting It Written and Getting It Published
- By: Susan Palmquist
- Narrated by: Marian Hussey
- Length: 2 hrs and 9 mins
- Unabridged
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Have you ever dreamed about writing a romance novel? In this second edition of How to Write a Romance Novel, you'll learn tips and tricks to getting your story started, completed and ready to submit to an editor or agent.
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I liked it
- By Ixchel Schwartz-Arevalo on 07-02-21
By: Susan Palmquist
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The Story Grid
- What Good Editors Know
- By: Shawn Coyne
- Narrated by: Dan Portnoy
- Length: 8 hrs and 9 mins
- Unabridged
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The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult).
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good story, but audiobook needs an editor
- By Jeroen de Jong on 12-17-19
By: Shawn Coyne
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The Last Fifty Pages
- The Art and Craft of Unforgettable Endings
- By: James Scott Bell
- Narrated by: James Scott Bell
- Length: 2 hrs and 48 mins
- Unabridged
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What are the secrets for writing a great ending for your novel? How do you leave readers so satisfied that they'll want another book by you, right now? What tools and techniques can shape your last 50 pages into a powerful, unforgettable experience? Listen to this audiobook, and you will come away with a thorough knowledge of why great endings work and how to create them for every novel you write.
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Not Great and Out Of Touch With The Times
- By Joseph Blackhurst on 12-22-20
By: James Scott Bell
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The Secrets of Character
- Writing a Hero Anyone Will Love
- By: Matt Bird
- Narrated by: Eric Michael Summerer
- Length: 8 hrs and 17 mins
- Unabridged
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The hardest yet most essential element of writing great fiction is character—specifically, creating a central hero who is relatable, compelling, and worth the audience's precious time. In this entertaining and practical guide, popular blogger, writing coach and screenwriter Matt Bird breaks down what makes characters embraceable and unforgettable, and presents insider tips and tricks for writers of all levels and genres.
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I can't take writing advice from someone like this
- By Nam Hien Nguyen on 03-21-24
By: Matt Bird
very helpful book
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The quick read is entertaining and the narrative reads with perfect humor in her tone.
Great resource!
Helpful and entertaining
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Essential for writing kissing books
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Interesting Advice to Novice Writers
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Good Outline
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keep coming back
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short but full of great information
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Very helpful guideline
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First, everything makes sense, and approximate ranges for where readers want to see a certain kind of story element. Example: the grand gesture moment readers live for should be in the last 10% of the book. Sounds simple, but a great reminder.
Second, the references are HILARIOUS. Gwen has a complimentary play list of 80s songs to set the mood and feel of each section. Love it!
Third, but in no way least, she has instructions on how to download the beat sheet with the 4 main components and their subsequent beats. Each beat has a brief description to remind you what it should cover to jog your memory.
This is one of the best craft books I've found, and even if you only want to read/hear about the craft of writing as a consumer, it's still informative and light hearted enough to give you an insight on why certain books resonate to you. Loved it.
Get this. Just get this.
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Loved this book
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