Ali Morris is a professional organizer whose own life is a mess. Her mom died two years ago, then her husband left, and she hasn’t worn pants with a zipper in longer than she cares to remember. No one is more surprised than Ali when the first time she takes off her wedding ring and puts on pants with hardware—overalls count, right?—she meets someone. Or rather, her dog claims a man for her, in the same way he claimed his favorite of her three children: by peeing on him. Ethan smiles at Ali like her pants are just right—like he likes what he sees.

When thirty-year-old post-double-mastectomy BRCA1 carrier and reluctant thrill-seeker Alison Mullally arrives at her ex-boyfriend Sam’s funeral to discover that no one knows he dumped her, she agrees to play the grieving girlfriend for the sake of the family. Little did she know this would mean packing up Sam's apartment with his prickly best friend, Adam Berg. After all, it'll only take four weekends . . . But Adam doesn’t want Alison anywhere near him. Forced to spend long hours with the grump and his monosyllabic demeanor, Alison decides to put her people-pleasing abilities to the test.

Maya was a rising star in the political world until her ex-husband’s high-profile sex scandal nearly derailed her career. Landing a gubernatorial candidate is the fresh start she desperately needs–a chance to focus on meaningful work and leave the drama behind. But then an email from her past sends her world spinning: Charlie, former lead singer of Mischief, the boy band that fueled her teenage obsession, is staging a solo comeback and wants Maya’s help to make it happen. Turns out, she likes the grown-up Charlie and his genuine engagement with the world.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Lucy is the tourist vacationing at a beach house on Prince Edward Island. Felix is the local who shows her a very good time. The only problem: Lucy doesn’t know he’s her best friend’s younger brother. Lucy and Felix’s chemistry is unreal, but the list of reasons why they need to stay away from each other is long, and they vow to never repeat that electric night again. It’s easier said than done.

Three generations of Schmidts have run their family’s beachfront restaurant and Jack has been at the helm since the death of his father. Jack puts the demands of the restaurant above all else, with a string of failed relationships, no hobbies, and no days off as proof of his commitment to the place. He can’t remember the last time he sat on the beach, or even enjoyed a moment to himself. Meanwhile, the DelDine group has been gradually snapping up beloved eateries along this stretch of coast and are pursuing Jack with a very generous offer to take Schmidt’s off his hands.

Natalie and Rob couldn’t have less in common. Nat’s a messy artist, and Rob’s a rigid academic. The only thing they share is their devotion to their respective best friends—who just got engaged. Still, unexpected chemistry has Natalie cautiously optimistic about being maid of honor to Rob’s best man. Until, minutes before the ceremony, Nat learns that Rob wrote a one-star review of her new novel, which has them both reeling: Nat from imposter syndrome, and Rob over the reason he needed to write it. When the reception ends, these two opposites hope they’ll never meet again.

New England, 2022. Three years ago, single mother Mallory Dunne received the telephone call every parent dreads—her ten-year-old son, Sam, had been airlifted from summer camp with acute poisoning from a toxic death cap mushroom, leaving him fighting for his life. Now, searching for the donor kidney that will give her son a chance for a normal life, Mallory’s forced to confront two harrowing secrets from her past: her mother’s adoption from an infamous Irish orphanage in 1952, and her own all-consuming summer romance fourteen years earlier with her childhood best friend, Monk Adams.

Molly Marks writes Hollywood rom-coms for a living—which is how she knows “romance” is a racket. The one and only time she was naive enough to fall in love was with her high school boyfriend, Seth—who she ghosted on the eve of graduation and hasn’t seen in fifteen years.

If she wasn’t dead already, Delphie would be dying of embarrassment. Not only did she just die by choking on a microwaveable burger, but now she’s standing in her ‘shine like a star’ nightie in front of the hottest man she’s ever seen. And he’s smiling at her. As they start to chat, everything else becomes background noise. That is until someone comes running out of a door, yelling something about a huge mistake, and sends the dreamy stranger back down to earth. And here Delphie was thinking her luck might be different in the afterlife.

When professional—and self-taught—violinist Gwen Jackson plays, she disappears into the peaks and valleys of each song, a quiet passion that never quite explodes into pure emotion. Xander Thorne is the exact opposite. A cellist and a rock star, he’s all about big emotion, but not even his six-foot-four frame can contain his skill, his genius...and an attitude that borders on jerkitude.

Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what.

Sometimes you’re so busy writing other people’s stories that you can lose the plot of your own. This wasn’t how Kelsey Worthington’s day was supposed to go. She wasn’t supposed to be picking up Starbucks for her smarmy boss. She wasn’t supposed to get hit by a car that jumped the curb. And she certainly wasn’t supposed to wake up in a hospital room next to Georgina Tate—the legendary matriarch of New York City businesswomen.

Liv and Finn meet six summers ago working in a bar on the rugged Cornish coastline, their futures full of promise. When a night of passion ends in devastating tragedy they are bound together inextricably. But Finn’s life is in LA with his band, and Liv’s is in Cornwall with her family—so they make a promise. Finn will return every year, and if they are single they will spend the summer together. This summer Liv crosses paths with Tom—a mysterious new arrival in her hometown. As the wildflowers and heather come into bloom, they find themselves falling for one another.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

In 1958, Greenwich Village buzzes with beatniks, jazz clubs, and new ideas - the ideal spot for three ambitious young people to meet. Cliff Nelson, the son of a successful book editor, is convinced he’s the next Kerouac, if only his father would notice. Eden Katz dreams of being an editor but is shocked when she encounters roadblocks to that ambition. And Miles Tillman, a talented black writer from Harlem, seeks to learn the truth about his father’s past, finding love in the process. Though different from one another, all three share a common goal.

Rose Baker seals men’s fates. With a few strokes of the keys that sit before her, she can send a person away for life in prison. A typist in a New York City Police Department precinct, Rose is like a high priestess. Confessions are her job. It is 1923, and while she may hear every detail about shootings, knifings, and murders, as soon as she leaves the interrogation room she is once again the weaker sex, best suited for filing and making coffee. This is a new era for women, and New York is a confusing place for Rose. Gone are the Victorian standards of what is acceptable. All around her women bob their hair, they smoke, they go to speakeasies.

Georgia Woodward lives by her lists, none more so than the one about her ex, Eli Mora. It’s full of the ironclad dos and don’ts they’ve been following since she returned to the Bay Area after their cataclysmic breakup five years ago. With the wedding of their mutual best friend, Adam, looming, and them about to step into their roles as best woman and man, Georgia’s never needed it more. She refuses to threaten their tight-knit friend group with her messy—and still very present—feelings. The rules on that list will keep her cool, calm, and compartmentalized.

Three generations of Schmidts have run their family’s beachfront restaurant and Jack has been at the helm since the death of his father. Jack puts the demands of the restaurant above all else, with a string of failed relationships, no hobbies, and no days off as proof of his commitment to the place. He can’t remember the last time he sat on the beach, or even enjoyed a moment to himself. Meanwhile, the DelDine group has been gradually snapping up beloved eateries along this stretch of coast and are pursuing Jack with a very generous offer to take Schmidt’s off his hands.

Louis Thorn and Haruto "Harry" Yamada - Eagle and Crane - are the star attractions of Earl Shaw's Flying Circus, a daredevil (and not exactly legal) flying act that traverses Depression-era California. The young men have a complicated relationship, thanks to the Thorn family's belief that the Yamadas - Japanese immigrants - stole land that should have stayed in the Thorn family.

A few years ago, David Alvarez had it all: a six-figure book deal, a loving boyfriend, and an exciting writing career. His debut novel was a resounding success, which made the publication of his second book—a total flop—all the more devastating. Now, David is single, lonely, and desperately trying to come up with the next great idea for his third manuscript, one that will redeem him in the eyes of readers, reviewers, the entire publishing world…and maybe even his ex-boyfriend.

After her former band shot to superstardom without her, Claire reluctantly agrees to a gig as a playgroup musician for wealthy infants on New York's Park Avenue. Claire is surprised to discover that she is smitten with her new employers, a welcoming clique of wellness addicts with impossibly shiny hair, who whirl from juice cleanse to overpriced miracle vitamins to spin class with limitless energy.

Ali Morris is a professional organizer whose own life is a mess. Her mom died two years ago, then her husband left, and she hasn’t worn pants with a zipper in longer than she cares to remember. No one is more surprised than Ali when the first time she takes off her wedding ring and puts on pants with hardware—overalls count, right?—she meets someone. Or rather, her dog claims a man for her, in the same way he claimed his favorite of her three children: by peeing on him. Ethan smiles at Ali like her pants are just right—like he likes what he sees.

When thirty-year-old post-double-mastectomy BRCA1 carrier and reluctant thrill-seeker Alison Mullally arrives at her ex-boyfriend Sam’s funeral to discover that no one knows he dumped her, she agrees to play the grieving girlfriend for the sake of the family. Little did she know this would mean packing up Sam's apartment with his prickly best friend, Adam Berg. After all, it'll only take four weekends . . . But Adam doesn’t want Alison anywhere near him. Forced to spend long hours with the grump and his monosyllabic demeanor, Alison decides to put her people-pleasing abilities to the test.

Natalie and Rob couldn’t have less in common. Nat’s a messy artist, and Rob’s a rigid academic. The only thing they share is their devotion to their respective best friends—who just got engaged. Still, unexpected chemistry has Natalie cautiously optimistic about being maid of honor to Rob’s best man. Until, minutes before the ceremony, Nat learns that Rob wrote a one-star review of her new novel, which has them both reeling: Nat from imposter syndrome, and Rob over the reason he needed to write it. When the reception ends, these two opposites hope they’ll never meet again.

Maya was a rising star in the political world until her ex-husband’s high-profile sex scandal nearly derailed her career. Landing a gubernatorial candidate is the fresh start she desperately needs–a chance to focus on meaningful work and leave the drama behind. But then an email from her past sends her world spinning: Charlie, former lead singer of Mischief, the boy band that fueled her teenage obsession, is staging a solo comeback and wants Maya’s help to make it happen. Turns out, she likes the grown-up Charlie and his genuine engagement with the world.

Then. Delfina Silva-Miller wants one thing: to leave behind Evergreen, New Jersey and never look back. Despite her adoring grandmother’s best efforts, Del can’t bear to live another moment at the whims of her deadbeat dad (so cliché) and her ever-temperamental crush, Eddie Rodriguez (humiliating).

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer there at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay.

Dumped by her cheating ex, fired from her dream job, and about to lose her flat: Clementine Monroe is not having a good day. So when her sisters get her drunk and suggest reviving a childhood ritual called the Breakup Spell, she doesn’t see the harm in it. But now Clemmie has accidentally ruined a funeral, had her first one-night stand, and she’s stuck with a new job she definitely doesn’t want—spending six weeks alone with the gorgeous and very-off-limits rock star, Theo Eliott.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.