Sam’s life is on track. She has the perfect doctor fiancé, Jack (his strict routines are a good thing, really), a great job in Manhattan (unless they fire her), and is about to tour a wedding venue near her family’s Long Island beach house. Everything should go to plan, yet the minute she arrives, Sam senses something is off. Wyatt is here. Her Wyatt. But there’s no reason for a thirty-year-old engaged woman to feel panicked around the guy who broke her heart when she was seventeen. Right?

Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er do well husband Nora’s life will never be the same.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

There's no such thing as a perfect guy, but Xavier Rush comes disastrously close. A gorgeous veterinarian giving Greek god vibes—all while cuddling a tiny kitten? Immediate yes. That is until Xavier opens his mouth and proves that even sculpted gods can say the absolute wrong thing. Like, really wrong. Of course, there’s nothing Samantha loves more than proving an asshole wrong . . . unless, of course, he can admit he made a mistake.

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer there at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life. Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay.

Lenny’s a bit of a mess at the moment. Ever since cancer stole away her best friend, she has been completely lost. She’s avoiding her concerned parents, the apartment she shared with her best friend, and the ever-laminated “live again” list of things she’s promised to do to survive her grief. But maybe if she acts like she has it all together, no one will notice she’s falling apart. The only gigs she can handle right now are temporary babysitting jobs, and she just landed a great one, helping overworked, single mom Reese and her precocious daughter, Ainsley.

Amelia Rose, known as Rae Rose to her adoring fans, is burned-out from years of maintaining her “princess of pop” image. Inspired by her favorite Audrey Hepburn film, Roman Holiday, she drives off in the middle of the night for a break in Rome . . . Rome, Kentucky, that is. When Noah Walker finds Amelia on his front lawn in her broken-down car, he makes it clear he doesn’t have the time or patience for celebrity problems. He’s too busy running the pie shop his grandmother left him and reminding his nosy but lovable neighbors to mind their own damn business.

They say you can never go home again, and for Persephone Fraser, ever since she made the biggest mistake of her life a decade ago, that has felt too true. Instead of glittering summers on the lakeshore of her childhood, she spends them in a stylish apartment in the city, going out with friends, and keeping everyone a safe distance from her heart. Until she receives the call that sends her racing back to Barry’s Bay and into the orbit of Sam Florek—the man she never thought she’d have to live without.

Hallie Piper is turning over a new leaf. After belly-crawling out of a hotel room (hello, rock bottom), she decides it’s time to become a full-on adult. She gets a new apartment, a new haircut, and a new wardrobe, but when she logs onto the dating app that she has determined will find her new love, she sees none other than Jack, the guy whose room she snuck out of.

Columnist Anna Appleby has left her love life behind after a painful divorce. Who needs a man when she has two kids, a cat, and uncontested control of the TV remote? Besides, she’d rather be single than subject herself to the hell of online dating. But her office rival is vying for her column, and no column means no stable source of income. In a desperate attempt to keep her job, Anna finds herself pitching a unique angle: seven dates, all found offline, chosen by her children.

Hannah Brooks looks more like a kindergarten teacher than somebody who could kill you with a wine bottle opener. Or a ballpoint pen. Or a dinner napkin. But the truth is, she’s an Executive Protection Agent (aka "bodyguard"), and she just got hired to protect superstar actor Jack Stapleton from his middle-aged, corgi-breeding stalker.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance.

Josie thought she was getting a promotion at her architectural firm, but instead her career implodes. She impulsively takes up her roommates’ offer to nanny for a little girl on a mega yacht in the South of France. Even though she can't stand boats, this seems like fate giving her an opportunity to lick her wounds in a bucket list paradise while she figures out how to get her life back.

Sam’s life is on track. She has the perfect doctor fiancé, Jack (his strict routines are a good thing, really), a great job in Manhattan (unless they fire her), and is about to tour a wedding venue near her family’s Long Island beach house. Everything should go to plan, yet the minute she arrives, Sam senses something is off. Wyatt is here. Her Wyatt. But there’s no reason for a thirty-year-old engaged woman to feel panicked around the guy who broke her heart when she was seventeen. Right?

From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punch line who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash course with her past, spending a week on Long Island with the last man she thinks might make her believe in love.

Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er do well husband Nora’s life will never be the same.

Farrah "Digit" Higgins may be going to MIT in the fall, but this L.A. high school genius has left her geek self behind in another school district so she can blend in with the popular crowd at Santa Monica High and actually enjoy her senior year. But when Farrah, the daughter of a UCLA math professor, unknowingly cracks a terrorist group's number sequence, her laid-back senior year gets a lot more interesting. Soon she is personally investigating the case, on the run from terrorists, and faking her own kidnapping - all while trying to convince a young, hot FBI agent to take her seriously.

When Mae and Ari meet outside a crowded gay bar during their final year of university, their connection is instant, sparking a lifetime friendship. Stubborn and no stranger to breaking hearts, Mae needs Ari's bright light to guide her out of her self-centered ways. Reeling from a scandal in New York, vibrant, charming Ari sees Mae as an anchor keeping him grounded. Though they are young, ambitious, and queer, both Mae and Ari secretly daydream about settling down somewhere with a garden, children, and dogs, building a life that feels like home.

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance.

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

When thirty-year-old post-double-mastectomy BRCA1 carrier and reluctant thrill-seeker Alison Mullally arrives at her ex-boyfriend Sam’s funeral to discover that no one knows he dumped her, she agrees to play the grieving girlfriend for the sake of the family. Little did she know this would mean packing up Sam's apartment with his prickly best friend, Adam Berg. After all, it'll only take four weekends . . . But Adam doesn’t want Alison anywhere near him. Forced to spend long hours with the grump and his monosyllabic demeanor, Alison decides to put her people-pleasing abilities to the test.

Eve Hatch lives for surprises! Just kidding. She expects every tomorrow to be pretty much the same as today. She loves her cozy apartment in Brooklyn that’s close to her childhood best friend Willa, and far from her midwestern, traditional family who has never really understood her. While her job is only dream-adjacent, it’s comfortable and steady. She always knows what to expect from her life . . . until she finds herself expecting after an uncharacteristic one-night stand.

Georgia Woodward lives by her lists, none more so than the one about her ex, Eli Mora. It’s full of the ironclad dos and don’ts they’ve been following since she returned to the Bay Area after their cataclysmic breakup five years ago. With the wedding of their mutual best friend, Adam, looming, and them about to step into their roles as best woman and man, Georgia’s never needed it more. She refuses to threaten their tight-knit friend group with her messy—and still very present—feelings. The rules on that list will keep her cool, calm, and compartmentalized.

They say you can never go home again, and for Persephone Fraser, ever since she made the biggest mistake of her life a decade ago, that has felt too true. Instead of glittering summers on the lakeshore of her childhood, she spends them in a stylish apartment in the city, going out with friends, and keeping everyone a safe distance from her heart. Until she receives the call that sends her racing back to Barry’s Bay and into the orbit of Sam Florek—the man she never thought she’d have to live without.

Sloane Cooper is up for her dream job as a designer for a top video game company. During the interview, though, she somehow promises the all-male panel that she’ll remain single and fully dedicated to the work. It’s actually fine—after her last boyfriend cheated on her, she vowed to focus on her career anyway.

Twenty-seven-year-old screenwriter Elle has the chance of a lifetime to write a big-budget movie set in New York City. The only problem? She’s had writer’s block for months, and her screenplay is due at the end of the summer. In a desperate attempt at inspiration, Elle ends up back in the city she swore she would never return to, in an apartment she could never afford (floor-to-ceiling windows, skyline views, and a new coffee shop to haunt included).

Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away. But when she runs into Elliot Petropoulos - the first and only love of her life - the careful bubble she’s constructed begins to dissolve.

Columnist Anna Appleby has left her love life behind after a painful divorce. Who needs a man when she has two kids, a cat, and uncontested control of the TV remote? Besides, she’d rather be single than subject herself to the hell of online dating. But her office rival is vying for her column, and no column means no stable source of income. In a desperate attempt to keep her job, Anna finds herself pitching a unique angle: seven dates, all found offline, chosen by her children.