On an isolated farm in southern Ireland, a decades-old grave houses the dismembered bones of 11 women. Detective Superintendent Katie Maguire of the Irish Gardai is used to bloodshed, but these white bones speak of unimaginable butchery. Not far away, a young American tourist is at the mercy of a sadistic killer. His tools are a boning knife, twine, and a doll fashioned from rags, nails, and fish-hooks. The murder of his victims is secondary only to his pleasure at their pain.

St Philomena's military hospital has been abandoned for over three years. Now Lilian Chesterfield, who works for one of the most successful building companies in England, is in charge of developing it into a luxury housing complex. But as soon as she and her colleagues start work in the Jacobean-style mansion, their dream turns into a nightmare. They hear screaming from wards full of empty beds. They hear doors slamming and find cutlery scattered over the kitchen floor. Then they see faces peering at them from the mullioned windows.

Against all the odds, Dolly Rawlins and her gangland widows managed the impossible: a heist their husbands had failed to pull off - at the cost of their lives. But though they may be in the money, they're far from easy street. Shocked by her husband's betrayal, Dolly discovers Harry Rawlins isn't dead. He knows where the four women are and he wants them to pay. And he doesn't just mean getting his hands on the money. The women can't keep running. They have to get Harry out of their lives for good. But can they outwit a criminal mastermind who won't hesitate to kill?

The Carolinas, 1699: The citizens of Fount Royal believe a witch has cursed their town with inexplicable tragedies -- and they demand that beautiful widow Rachel Howarth be tried and executed for witchcraft. Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal....

Former soldier. Ex-copper. Current man on the edge. Shunned by his old colleagues, and dividing his time between a dead-end job and the bottom of a whisky bottle, former Police Scotland detective superintendent Bob Hoon’s life is a mess. Then an old face from Hoon’s Special Forces days turns up asking for help: His teenage daughter has been missing for months, the police have drawn a blank, and he needs the kind of help that only Hoon can provide. And besides, Hoon owes him one.

After the tragic death of their eleven-year-old son, Adam and Ella are fighting to keep their family from falling apart. Then comes an opportunity that seems too good to be true. They win a competition to live for free in a breathtakingly beautiful mansion on the Cornish Lizard Peninsula. There’s just one catch: the house is supposedly haunted. Despite misgivings, the chance to start afresh is too tempting to pass up. Adam, Ella, and their surviving son, Henry, move into Fenton House. But as the house starts to reveal its secrets, they come to suspect that they may not be alone.

Probationary constable Peter Grant dreams of being a detective in London's Metropolitan Police. Too bad his superior plans to assign him to the Case Progression Unit, where the biggest threat he'll face is a paper cut. But Peter's prospects change in the aftermath of a puzzling murder, when he gains exclusive information from an eyewitness who happens to be a ghost. Peter's ability to speak with the lingering dead brings him to the attention of Detective Chief Inspector Thomas Nightingale....

There are two sides to every story: yours and mine, ours and theirs, his and hers. Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

Each tale is a magic trick, luring you toward the light while leading you down an ever-darkening path. There is hope mingled with horror, and that s Chizmar s secret power. His storytelling always beats with a huge, passionate heart. Stephen King says he writes terrific stories served with a very large slice of disquiet pie, and with The Long Way Home, Richard Chizmar has taken his evocative and compelling storytelling to an entirely new level.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

If you like dark and compelling crime thrillers, then you’ll love the acclaimed DCI Yorke series. Three best-selling, high-octane serial killer thrillers in one pause-resisting box set! Includes: One Last Prayer for the Rays, The Repenting Serpent, and The Silence of Severance.

Detective Finnegan Beck is called to a crime scene - a remote house near the rural Irish town of Cross Beg - where a dog lies whimpering beside his beloved owner’s body. At first it looks like a burglary gone wrong. But Beck spots something his colleagues didn’t. The victim, Eddie Kavanagh, was wearing his smartest clothes. He’d brushed his hair. And, on closer inspection, a small velvet box containing an engagement ring is discovered in his pocket, along with a letter to a nameless woman, which seems to suggest she’s in danger.

Felix Pink is retired. Widowed for more than a decade and a painfully literal thinker, he has led a life of routine. He occupies himself volunteering as an Exiteer - someone who sits with terminally ill people as they die by suicide, assisting with logistics and lending moral support. When Felix lets himself into Number 3 Black Lane, he’s there to keep a dying man company as he takes his final breath. But just 15 minutes later, Felix is on the run from the police. Now he must discover whether what went wrong was a simple mistake - or deliberate, a murder.

Don’t miss the first novel in a gripping series featuring DI Clare Mackay, perfect for fans of Alex Gray, D. S. Butler and Rachel Amphlett. On the night of a wedding celebration, one guest meets a grisly end when he’s killed in a hit-and-run. A card bearing the number ‘five’ has been placed on the victim’s chest. DI Clare Mackay, who recently moved to join the St Andrews force, leads the investigation. The following night another victim is struck down and a number ‘four’ card is at the scene.

Meet Jack Irish, criminal lawyer, debt collector, football lover, turf watcher, trainee cabinetmaker, and the best Australian crime character we've seen in years. When Jack receives a puzzling message from a jailed ex-client, he's too deep in misery over Fitzroy's latest loss to take much notice. Next thing Jack knows, the ex-client's dead and he's been drawn into a life-threatening investigation involving high-level corruption, dark sexual secrets, shonky property deals and murder.

Astrid Bell has known most of her roommates for years, but while they have a history together - romantic pairings, one-night stands, friendships - each of them also has a past. Astrid is on her way home one day when her neighbor knocks her off her bike. Seeing she is bruised but not broken, her roommates help her home. The next day, they learn that same neighbor was beaten to death hours later. Each of them tells the police what they know and are dismissed - until Astrid stumbles over another body.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.