Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

Connell and Marianne grew up in the same small town, but the similarities end there. At school, Connell is popular and well liked, while Marianne is a loner. But when the two strike up a conversation - awkward but electrifying - something life changing begins. A year later, they’re both studying at Trinity College in Dublin. Marianne has found her feet in a new social world while Connell hangs at the sidelines, shy and uncertain. Throughout their years at university, Marianne and Connell circle one another.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn’t initially concerned when her father and younger brother Eugene don’t return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia’s brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

Sometimes, the worst day of your life happens, and you have to figure out how to live after it. So Clementine forms a plan to keep her heart safe: work hard, find someone decent to love, and try to remember to chase the moon. The last one is silly and obviously metaphorical, but her aunt always told her that you needed at least one big dream to keep going. And for the last year, that plan has gone off without a hitch. Mostly. The love part is hard because she doesn’t want to get too close to anyone—she isn’t sure her heart can take it.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Reclusive Sally Diamond is thrust into the media spotlight when she tries to incinerate her dead father, causing widespread outrage. Now she’s the center of attention, not only from hungry reporters and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the repressed memories of her horrific early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Cinnamon Haynes has fought hard for a life she never thought was possible—a good man by her side, a steady job as a career counselor at a local community college, and a cozy house in a quaint little beach town. It may not look like much, but it’s more than she ever dreamed of or what her difficult childhood promised. Her life’s mantra is to be good, quiet, grateful. Until something shifts and Cinnamon is suddenly haunted by a terrifying question: “Is this all there is?”

Masterfully blending elements of psychological suspense and true crime, Jessica Knoll—bestselling author of Luckiest Girl Alive and the writer behind the Netflix adaptation starring Mila Kunis—delivers an “unflinching and evocative” (Laura Dave, New York Times bestselling author) thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including a sorority president and key witness, Pamela Schumacher, are forever changed.

When Ari and Josh first meet, the wrong kind of sparks fly. They hate each other. Instantly. A free-spirited, struggling comedian who likes to keep things casual, Ari sublets, takes gigs, and she never sleeps over after hooking up. Born-and-bred Manhattanite Josh has ambitious plans: Take the culinary world by storm, find The One, and make her breakfast in his spotless kitchen. They have absolutely nothing in common . . . except that they happen to be sleeping with the same woman.

Lucy Young is twenty-six and tired. Tired of fetching coffees for senior TV producers, sick of going on disastrous dates, and done with living in a damp flat with roommates who never buy toilet paper. After another disappointing date, Lucy stumbles upon a wishing machine. Pushing a coin into the slot, Lucy closes her eyes and wishes with all her might: Please, let me skip to the good part of my life.

The many lives of theoretical physicist Elsie Hannaway have finally caught up with her. By day, she’s an adjunct professor, toiling away at grading labs and teaching thermodynamics in the hopes of landing tenure. By other day, Elsie makes up for her non-existent paycheck by offering her services as a fake girlfriend, tapping into her expertly honed people-pleasing skills to embody whichever version of herself the client needs. Honestly, it’s a pretty sweet gig—until her carefully constructed Elsie-verse comes crashing down.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

It’s the busiest season of the year, and Forest Manor Hotel is quite literally falling apart. So when Izzy and Lucas are given the same shift on the hotel’s front desk, they have no choice but to put their differences aside and see it through. The hotel won't stay afloat beyond Christmas without some sort of miracle. But when Izzy returns a guest’s lost wedding ring, the reward convinces management that this might be the way to fix everything. With four rings still sitting in the lost & found, the race is on for Izzy and Lucas to save their beloved hotel—and their jobs.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart.

When Wren realizes her fiancé is in love with someone else, she thinks her heart will never recover. On the other side of the world, Anders lost his wife four years ago and is still struggling to move on. Wren hopes that spending the summer with her dad and step-family on their farm in Indiana will help her to heal. There, amid the cornfields and fireflies, she and Anders cross paths and their worlds are turned upside-down again.

When Hannah picks up a call from an unknown number, she thinks nothing of it—it’s just an easygoing American named Davey who misdialed her while calling into a job interview. And when Hannah wishes him luck after clearing up the confusion, she never actually expects to hear from him again. Then she gets a text saying he got the job and he’ll be moving to London, and she can’t help but smile. Soon their texts become phone calls that turn into video calls, and their friendship becomes a relationship they can’t wait to start in earnest.

About her debut, Out of Love, Hazel Hayes said, “The journey from writing horror to writing love stories was a short one. There is nothing more horrific than love.” In her new novel, she sets out to prove it. This genre-defying, meta-modern novel is unlike anything you have ever heard, and yet at its core it is a story we all deeply understand. A story of love and liminality, and the ways in which grief grips us all. Prepare to laugh and cry; Hazel Hayes will break your heart, but then she’ll mend it for you.

Summer 1999: Twentysomething Sawyer is striving to make it in New York. Between her assistant job in publishing, her secret dreams of becoming a writer, and her upcoming wedding to her college boyfriend, her is plate full. Only one problem: She is facing an incredibly lonely summer as her fiancé has been spending longer and longer hours at work . . . with an all-too-close female colleague, Kendra. When Kendra's boyfriend, Nick, invites Sawyer to meet up and compare notes about their suspicions, the meeting goes awry.

Star Shine Meadows is all about freedom, thanks to the hippie parents who raised her. Juggling her jobs as a professional costume character actor and a line sitter, she believes in no expectations, no stressful ambitions, and no-strings-attached relationships. So when she meets a birthday girl’s grumpy uncle while working a princess party, she can’t help but needle him. She’ll never see him again, and honestly, he's pretty hot.

Ivy Bauer is a young, bright soil scientist and inventor of a game changing organic irrigation system. She’s on top of the world when, suddenly, her husband is killed in a biking accident. Needing space to grieve, she takes a summer job as a gardener in Malibu. Conrad Reed is a wealthy Hollywood has-been who, after the death of his wife, feels overwhelmed by the care of his anxious stepson Hudson, massive cliffside estate, and deteriorating career.

Eliza and Graham are anticipating an anything-but-sexy, weeklong getaway to celebrate their five-year anniversary. Nestled on the Northern California coastline, the resort prides itself on being a destination for those in love and those looking to find it. For Eliza and Graham, it might as well be a vacation with a roommate.

Millicent Watts-Cohen is on a mission. When she promised her elderly best friend that she’d reunite her with the woman she fell in love with nearly eighty years ago, she never imagined that would mean traveling from D.C. to Key West with three tablespoons of Mrs. Nash’s remains in her backpack. But Millie’s determined to give her friend a symbolic happily-ever-after, before it’s (really) too late—and hopefully reassure herself of love’s lasting power in the process.

Hannah and Libby need a miracle. The PR agency they inherited from their grandmother is losing clients left and right, and the sisters are devastated at the thought of closing. The situation seems hopeless—until in walks Lou, an eccentric self-help guru who is looking for a new PR agency. Her business could solve all their problems—but there’s a catch. Whoever works with Lou must complete a twelve-week challenge as part of her “Crush Your Comfort Zone” program.

Esther is nearing thirty, with a great job and a flat she shares with her two best friends, Bibi and Louise. But her life is missing that special someone. Tired of being single and sick of bad date after bad date, she thinks she’s found the answer to her romance problem in an old women's magazine. According to the magazine’s dating column, there are seven archetypes a woman will date before finding Mr. Right.

Sloan Amari has spent years in the shadow of her older brother Henry, heir apparent to their family’s company, Amari Global. Determined to show she’s been the right choice all along, she’s become a powerful corporate attorney and is on track to make history as the firm’s youngest senior partner. Now, the role of CEO at Amari Global may be within her grasp and Sloan’s eyes are on the prize.

As strangers and seatmates Maryam Aziz and Anna Gibson fly to Toronto over the holidays—Maryam to her sister’s impromptu wedding, and Anna to meet her boyfriend’s wealthy family for the first time—neither expect that severe turbulence will scare them into confessing their deepest hopes and fears to one another. At least they’ll never see each other again. And the love of Maryam’s life, Saif, wasn’t sitting two rows behind them hearing it all. Oops.

Lana Parker is an expert girlfriend. After a disastrous breakup with her high school boyfriend, she's bounced from long-term relationship to long-term relationhip and even works as the dating and relationships columnist for one of Los Angeles's trendiest websites. But when Lana suddenly finds herself single, she's ready to take a break, both personally and professionally. That is, until her high school ex, Seth Carson, takes an assignment at Lana's site.

"Talking at night" è la storia di Will e Rosie. Il cattivo ragazzo e la brava ragazza. Si incontrano da adolescenti, e si riconoscono subito. Si innamorano tra musica degli anni '90, lunghe passeggiate per tornare a casa, sguardi nascosti, tramonti e falò in spiaggia e telefonate nella notte. Sono destinati a essere l'amore della vita ciascuno dell'altro. Finché un giorno non accade una tragedia, e ogni possibilità di stare insieme sembra distrutta. Ma quella tragedia - e il loro sentimento - è ciò che li terrà sempre legati.

Garland Moore used to believe in magic, the power of optimism, and signs from the universe. Then her husband surprised her with divorce papers over Valentine's Day dinner. Now Garland isn’t sure what to believe anymore, except that she’s clearly never meant to love again. When new friends invite her to spend a week at their reopened sleepaway camp, she and her sister decide it’s an opportunity to enjoy the kind of summer getaway they never had as kids. If Garland still believed in signs, this would sure seem like one.