The day I turned 19, I expected to gain what little freedom I could within the restrictions of my bank account and the hallucinations that had haunted me for the last six years. I expected to drive away from a life that had been dictated by the tragedy of others and shaped by the care of strangers. I expected to be alone. Actually, I relished the idea of being alone. Instead, I found fear I thought I'd overcome and terror that was more real than anything I'd ever hallucinated before. I'd seen terrible, fantastical, and utterly impossible things...but not love. Not until I saw him.

They called me an amplifier. And they had bred me, raised me, and trained me to be a killer with preternatural precision. I was capable of taking, holding, and transferring power that wasn’t my own with a simple touch. Skin-to-skin contact. Along with four others of my generation, I could infiltrate any magical organization, extracting whoever or whatever I’d been ordered to extricate. Then I could destroy all evidence of our passing presence. They had made me. They directed me. Controlled me. Then they tried to kill me.

The plan was to hop a train to Oslo, hang out at a coffee shop, and connect my personal archive, Infinity, to the Internet. Yes, completely disregarding the well-established fact that magic and technology didn’t mix. At all.

If you’d asked me a week ago, I would have told you that the best cupcakes were dark chocolate with chocolate cream cheese icing, that dancing in a crowd of magic wielders—the Adept—was better than sex, and that my life was peaceful and uneventful. Just the way I liked it. That’s what 23 years in the magical backwater of Vancouver will get you—a completely skewed sense of reality. Because when the dead werewolves started showing up, it all unraveled—except for the cupcake part. That’s a universal truth.

The world of Faerie never disappeared: it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Half-human, half-fae, outsiders from birth, these second-class children of Faerie spend their lives fighting for the respect of their immortal relations.

Remember that old line about how the only way out of the organization is in a pine box? Well, Rue Hollis spent 10 years thinking she had escaped the Black Hat Bureau, no coffin required. Then her former partner had to go and shatter the illusion by showing up on her doorstep with grim tidings.

On the outside, Dina Demille is the epitome of normal. She runs a quaint Victorian Bed and Breakfast in a small Texas town, owns a Shih Tzu named Beast, and is a perfect neighbor, whose biggest problem should be what to serve her guests for breakfast. But Dina is...different: Her broom is a deadly weapon; her Inn is magic and thinks for itself. Meant to be a lodging for otherworldly visitors, the only permanent guest is a retired Galactic aristocrat who can’t leave the grounds because she’s responsible for the deaths of millions and someone might shoot her on sight.

Judith Hampton was as beautiful as she was proud and loyal. Her dear Scottish friend from childhood was about to give birth, and Judith had promised to be at her side. But there was another reason for the journey from her bleak English home to the Highlands: to meet the father she had never known, the Laird Maclean. Nothing prepared her, however, for the sight of the Scottish barbarian who was to escort her into his land...Iain Maitland, laird of his clan, a man more powerfully compelling than any she had ever encountered.

Mercy Thompson is a shapeshifter, and while she was raised by werewolves, she can never be one of them, especially after the pack ran her off for having a forbidden love affair. So she’s turned her talent for fixing cars into a business and now runs a one-woman mechanic shop in the Tri-Cities area of Washington State.

Ilona Andrews, the #1 New York Times bestselling author of the Kate Daniels series, invites you to a fresh start for Kate, Curran and Conlan, in a long novella and a short novel. The places and faces may be different, but they’ve brought some familiar friends and all the special brand of chaos they create!

When Finlay Ashowan joins the staff of the King and Queen of Daxaria, he’s an enigma. No one knows where he comes from or how he came to be where he is, which suits Fin just fine. He’s satisfied simply serving as the royal cook, keeping nosy passersby out of his kitchen, and concocting some truly uncanny meals. But Fin’s secret identity doesn’t stay hidden for long. After all, it’s not every day a house witch and his kitten familiar, Kraken, take to meddling in imperial affairs.

The DFZ, the metropolis formerly known as Detroit, is the world’s most magical city with a population of nine million and zero public safety laws. That’s a lot of mages, cybernetically enhanced chrome heads, and mythical beasties who die, get into debt, and otherwise fail to pay their rent. When they can’t pay their bills, their stuff gets sold to the highest bidder. That’s when they call me. I’m a Cleaner: a freelance mage employed by the DFZ to sort through the mountains of magical junk people leave behind. It’s not a pretty job, or a safe one....

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of 20 years packs up and heads for greener pastures, and my son heads away to college, that's exactly what my midlife becomes. A do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at 40 I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills.

Beast, with Jane Yellowrock in the background of her mind, observes the lumber camp of white men who are destroying her hunting grounds. She decides to take revenge on the leader of the lumberjacks.

In the world’s most magical metropolis where spirits run noodle shops and cash-strapped dragons stage photo-ops for tourists, people still think fairies are nothing but stories, and that’s exactly how the fairies like it. It’s a lot easier to feast on humanity’s dreams when no one believes you exist. But while this arrangement works splendidly for most fair folk, Lola isn’t one of the lucky ones.