
That's Not Funny
How the Right Makes Comedy Work for Them
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Narrated by:
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Keith Sellon-Wright
A 2022 Best Comedy Book, Vulture
"Why do conservatives hate comedy? Why is there no right-wing Jon Stewart?" These sorts of questions launch a million tweets, a thousand op-eds, and more than a few scholarly analyses. That's Not Funny argues that it is both an intellectual and politically strategic mistake to assume that comedy has a liberal bias. Matt Sienkiewicz and Nick Marx take listeners—particularly self-described liberals—on a tour of contemporary conservative comedy and the "right-wing comedy complex."
In That's Not Funny, "complex" takes on an important double meaning. On the one hand, liberals have developed a social-psychological complex—it feels difficult, even dangerous, to acknowledge that their political opposition can produce comedy. At the same time, the right has been slowly building up a comedy-industrial complex, utilizing the irony-laden media strategies of liberals such as Jon Stewart, Samantha Bee, and John Oliver to garner audiences and supporters. Right-wing comedy has been hiding in plain sight, finding its way into mainstream conservative media through figures ranging from Fox News's Greg Gutfeld to libertarian podcasters like Joe Rogan. That's Not Funny taps interviews with conservative comedians and observations of them in action to guide listeners through media history, text, and technique.
©2022 Matt Sienkiewicz and Nick Marx (P)2022 KaloramaListeners also enjoyed...




















It's a mildly above average temp take on an interesting topic. Worth a listen but don't hold overly high expectations.
Also before I hear and push back on being antisemetic: Im jewish, leftist and a heavy human rights activate. And it doesn't take a college degree to see a genocide for what it is.
Interesting collection of studies reviewed by yet another set of white guys
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Kinda boring idk
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From Gutfeld!, the authors journey down the cellar stairs that lead past sexist, anti-science, white supremacist, racist, and even Nazi-worshiping shows (mostly only available as podcasts). Shows hosted by would-be comedians such as Joe Rogan are examined, often by pointing out their marginal guest lists. We explore horrific examples such as "The Daily Shoah", which tries to lighten up subjects like genocide and the Holocaust. The authors wisely exclude original material from such sources. Unfortunately, despite the frightening aspects of these extreme Right "humorous" websites, discussion of their perverse nature is often dull and dry in the authors' hands.
While this story as told is worth the read, I feel some genuine comedy writing is necessary for us to understand why Right-wing attempts at humor often resemble the bully's classic "joke" of kicking away an amputee's crutch, or worse, throwing a puppy in a wood chipper just for grins.
Lives up to its Title, Unfortunately
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A Cohesive Essay
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