That's Not a Feeling
A Novel
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Narrated by:
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Charles Carroll
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By:
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Dan Josefson
About this listen
Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen-years-old, a two-time failed suicide, Benjamin must navigate his way through a new world of “popped privileges”, “candor meetings”, “morning meds”, and “cartoon brunches” - all run by adults who themselves have yet to really come of age. The only person who comprehends the school’s many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel.
Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a “self-afflicting personality”. More and more, Benjamin thinks about running away from Roaring Orchards - but he feels an equal need to know just what it is he would be leaving behind.
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Two cousins, Rory and Arden, lie unconscious in a hospital burn unit. The fire, which broke out in their shared college dorm room, killed another student, and the police want answers. Tension between Rory and Arden's parents was already at an all-time high before the fire, owing to a recent financial crisis and the decline of the family business. As the parents huddle anxiously in the waiting room, carefully avoiding the subject of their own unraveling relationships, disturbing truths come to light.
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I could not stop listening.
- By Amy Davis on 05-29-16
By: Carla Buckley
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Made You Up
- By: Francesca Zappia
- Narrated by: Amanda Ronconi
- Length: 9 hrs and 7 mins
- Unabridged
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Reality, it turns out, is often not what you perceive it to be - sometimes, there really is someone out to get you. For fans of Silver Linings Playbook and Liar, this thought-provoking debut tells the story of Alex, a high school senior - and the ultimate unreliable narrator - unable to tell the difference between real life and delusion. Alex fights a daily battle to figure out what is real and what is not.
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A DISGRACE TO AUTHORS AND MENTAL HEALTH EVERYWHERE
- By Amazon Customer on 06-27-18
By: Francesca Zappia
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A Doubter's Almanac
- A Novel
- By: Ethan Canin
- Narrated by: David Aaron Baker
- Length: 19 hrs and 8 mins
- Unabridged
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Milo Andret is born with an unusual mind. A lonely child growing up in the woods of Northern Michigan in the 1950s, he gives little thought to his own talent. But with his acceptance at UC Berkeley, he realizes the extent - and the risks - of his singular gifts. California in the '70s is a seduction, opening Milo's eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman he meets there - and the rival he meets alongside her - will haunt him for the rest of his life.
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The curse of genius?
- By Bonny on 03-03-16
By: Ethan Canin
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Make Your Home Among Strangers
- By: Jennine Capó Crucet
- Narrated by: Marisol Ramirez
- Length: 14 hrs and 15 mins
- Unabridged
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Lizet, a daughter of Cuban immigrants and the first in her family to graduate from high school, secretly applies and is accepted to an ultra-elite college. Her parents are furious at her decision to leave Miami, and amid a painful divorce, her father sells her childhood home, leaving Lizet, her mother, and older sister, a newly single mom, without a steady income and scrambling for a place to live.
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Tremendous Insight on 1st Gen College Students
- By RelizzScholar27 on 11-16-19
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Looking for Alaska
- By: John Green
- Narrated by: Wil Wheaton
- Length: 6 hrs and 40 mins
- Unabridged
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Miles Halter is fascinated by famous last words - and tired of his safe life at home. He leaves for boarding school to seek what the dying poet François Rabelais called the “Great Perhaps”. Much awaits Miles at Culver Creek, including Alaska Young, who will pull Miles into her labyrinth and catapult him into the Great Perhaps.
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I am concussed dot-dot-dot
- By Bren McKenna on 10-01-19
By: John Green
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Our Little Secret
- By: Roz Nay
- Narrated by: Erin Moon
- Length: 6 hrs and 18 mins
- Unabridged
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Angela is being held in a police interrogation room. Her ex's wife has gone missing, and Detective Novak is sure Angela knows something, despite her claim that she's not involved. At Novak's prodding, Angela tells a story going back 10 years, explaining how she met and fell in love with her high school friend HP. But as her past unfolds, she reveals a disconcerting love triangle and a dark, tangled web of betrayals. Is Angela a scorned ex-lover with criminal intent? Or a pawn in someone else's revenge scheme?
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Amazing
- By lisa on 12-31-19
By: Roz Nay
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This Raging Light
- By: Estelle Laure
- Narrated by: Sandy Rustin
- Length: 5 hrs and 36 mins
- Unabridged
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Lucille seems to have nothing going for her. With the bills piling in, the house falling apart around her, and her sister's growing distress, it is precisely the worst possible moment for Lucille to fall recklessly in love with her best friend's twin brother, Digby, who is practically engaged.
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Amazing Loving and Sexy
- By Princess Lucy on 12-28-17
By: Estelle Laure
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The Singing Bone
- By: Beth Hahn
- Narrated by: Hillary Huber
- Length: 13 hrs and 26 mins
- Unabridged
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Alice and her three closest friends meet the enigmatic Jack Wyck. Enticed by his philosophy and the promise of a constant party, Alice and her friends join Mr. Wyck's small group of devoted followers. Their idyll takes an increasingly sinister turn. Mr. Wyck's grand scheme goes wrong, culminating in a night of horrific murders.
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Mixed feelings - you may love it - or not!
- By C. Vincent on 04-19-16
By: Beth Hahn
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She's Come Undone
- By: Wally Lamb
- Narrated by: Linda Stephens
- Length: 18 hrs and 22 mins
- Unabridged
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Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.
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Really disappointing narrator!
- By Jessica Williams on 01-21-12
By: Wally Lamb
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Stick
- By: Andrew Smith
- Narrated by: Josh Hurley
- Length: 7 hrs and 48 mins
- Unabridged
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Fourteen-year-old Stark McClellan (nicknamed Stick because he’s tall and thin) is bullied for being "deformed" - he was born with only one ear. His older brother, Bosten, is always there to defend Stick. But the boys can’t defend each other from their abusive parents. When Stick realizes Bosten is gay, he knows that to survive his father's anger, Bosten must leave home. Stick has to find his brother, or he will never feel whole again. In his search, he will encounter good people, bad people, and people who are simply indifferent to kids from the wrong side of the tracks. But he never loses hope of finding love - and his brother.
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Amazing book!
- By Christopher Gaines on 02-19-18
By: Andrew Smith
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A Good Idea
- By: Cristina Moracho
- Narrated by: Alex McKenna
- Length: 10 hrs and 54 mins
- Unabridged
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Finley and Betty's close friendship survived Fin's ninth-grade move from their coastal Maine town to Manhattan. Calls, letters, and summer visits continued to bind them together, and in the fall of their senior year, they both applied to NYU, planning to reunite for good as roommates. Then Betty disappears.
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An absolute must listen/read!
- By Mel on 03-05-17
By: Cristina Moracho
What listeners say about That's Not a Feeling
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Pamela Harvey
- 11-18-12
The New, Non-linear Odyssey
Perhaps this is my personal preference in book choices, but I don't find the minutiae of any story to be very interesting. Yes, such detail adds texture and emotional drama to a written passage, or can add literary descriptive nuance,, but if I am not seeing any purpose to the infinitesimal meanderings I quickly lose interest.
This novel's structure and multiple viewpoints, unusual terminology requiring some sort of invented or specified glossary, is generous fodder for the genre of New York Times reviewers who have been known to embrace breakthrough for its own sake, and from some angles the novel could be viewed, thematically at least, as "Pilgrim's Progress" 2012-style.
Characters? Yes, the cast includes many names and develops vignettes around each character's "plot" arc but that's about all the detail to which the reader has access and the backstories, front-stories, middle-stories are all missing or deemed irrelevant. These people have no context and are just seem to be names, assigned the way a visual artist would select colors and other players, light nuance, texture, etc. for a painting or installation. The viewer reads the whole, and it's usually not linear.
IMO this novel is written in the wrong medium. It should be a painting or collage, installation or site-specific construct, impressionistic and resplendent with textural additives, line arabesques, drink stains and evocative ornamentation. Or it's a photographic slideshow, composed of unconventional and unexpected camera angles.
Perhaps (and "perhaps" an understatement) the traditional novel is dying, images are replacing words, and the art form has now been colonized by microcosmic spider-like explorations. This is all a strong departure from the archetypal hero's journey as set forth in ancient mythology and then later branded by philosopher/cosmologist Joseph Campbell. Such a setup is now looking dated.
I am all for creative breakthrough, but I also know why I read, for many reasons: enlightenment, insight, voyeurism and knowledge of how a character fictional or real gets down from the mythical tree into which he's been placed. And there is just plain old entertainment, to name a few reasons to read. I also demand that the setting - geographical or at least physical in some specific way - be a prominent player in the mix. This book has none of the above.
I'm not a fan of novels that are constructed primarily out of conversation, overdone action, and characters without context.
Which is why I asked myself, over and over again, when racing to grab this book from audible after reading the review in the NYT, what the heck is THIS?
I'd give it a 1.5 if I could.
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