Opal is a lot of things—orphan, high school dropout, full-time cynic and part-time cashier—but above all, she's a determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago. All she left behind were dark rumors—and her home. Everyone agrees that it’s best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug-dealer boyfriends, dead-end jobs, and much, much worse. In fact, by age twenty, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most prestigious universities on a full ride. What’s the catch, and why her?

When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss - a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten - by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare - one that will end with a child dead and herself in prison awaiting trial for murder.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

He sought to flee his tragic past, but when Thomas Usher hears a clockwork voice on the phone, and sees ever-more disturbing visions in a derelict warehouse, Usher realises that he has to return home - for the sake of his own sanity. Meanwhile, a deadly figure from Usher's past threatens to undermine the very fabric of reality. Gary McMahon’s short fiction has appeared in numerous acclaimed magazines and anthologies in the UK and US and has been reprinted in yearly “Best of” collections.

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

Leah’s perfect marriage isn’t what it seems, but the biggest lie of all is that she’s learned to live with what happened all those years ago. Marie drinks a bit too much to help her forget. And Carly has never forgiven herself for not keeping them safe.

All David Flinch ever wanted was a normal life. But when you're a member of the Flinch family, normal has never been easy. For hundreds of years, the eldest-born male of each generation of the Flinch family has been servant and guardian to the vampire, Lord Underwood. While the Flinches have changed through the generations, Underwood has remained eternal. David had hoped to be spared the horror of serving his family's lord and master, but when he is summoned to the Flinch home in Spain by his dying older brother, he knows his luck has run out.

Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has published eight other critically acclaimed novels and achieved international recognition as one of crime fictions great living writers. Now for the first time Neville offers listeners a collection of his short fiction - 12 chilling stories that traverse and blend the genres of noir, horror, and speculative fiction and which bring the history and lore of Neville's native Northern Ireland to glittering life.

When journalist Ava Brent decides to investigate the dark mystery of Overtoun Estate — a "thin place", steeped in myth — she has no idea how dangerous this story will be for her. Overtoun looms over the town, watching, waiting: the locals fearful of the strange building and the secrets it keeps. When Ava starts to ask questions, the warm welcome she first receives turns to a cold shoulder. And before she knows it, Ava is caught in the house’s grasp too.

On a lonely cliff beside the vast blue sea there is a house. In the house there lives a girl, and in the girl there lives a dream. Soon she'll be as free as the fishes that swim beneath the water. But until then she bides her time and lives quietly, her every move ruled over by an uncaring, heartless stepmother. The hope for freedom is all she has to hold onto. So close she can almost taste it. But when her stepmother’s estranged younger brother comes to stay, he presents a mystery that lures her in.

Home is where the nightmare is. The number one international best seller everyone can't stop talking about. Beautiful double room to let to single person. Lisa, a troubled young woman with a past, can’t believe her luck when she finds a beautiful room to rent in a large house. The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.

Teenager Edie Hudson was nobody’s little darling, which made vanishing all too easy. Two decades later, she’s been forgotten by everyone except her mother, Samantha. And the person who knows what happened to her. Samantha has had a long time to remember, and to regret. Having seen how little her daughter mattered to the community in the months following her disappearance, she wonders if Edie was lost before she was even gone. Or was it guilt, not indifference, that made the locals turn a blind eye? When she meets Frances, she at last starts to hope for answers.

In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.

In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.

He sought to flee his tragic past, but when Thomas Usher hears a clockwork voice on the phone, and sees ever-more disturbing visions in a derelict warehouse, Usher realises that he has to return home - for the sake of his own sanity. Meanwhile, a deadly figure from Usher's past threatens to undermine the very fabric of reality. Gary McMahon’s short fiction has appeared in numerous acclaimed magazines and anthologies in the UK and US and has been reprinted in yearly “Best of” collections.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

The Snakes exposes the damage wreaked by parents on children as observed by a new member of the family, Dan, a mixed-race man from Peckham who marries Bea, the daughter who refuses to take any of her father’s filthy money. But when Bea’s brother, Alex (who runs a shabby hotel in Paligny, France), dies suddenly in unexplained circumstances, the confusion and suspicion which arise bring other dark family secrets - and violence - to the surface. And none of the family, even the good members, go untouched.

John Docherty’s mother has just been taken into a nursing home following a massive stroke and she’s unlikely to be able to live independently again. With no other option than to sell the family home, John sets about packing up everything in the house. In sifting through the detritus of his family’s past he’s forced to revisit, and revise his childhood. For in a box, in the attic, he finds undeniable truth that he had a brother who disappeared when he himself was only a toddler.