Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Two sisters on trial for murder. They accuse each other. Who do you believe? From Steve Cavanagh, the “wickedly clever” (The New York Times) master of twisty psychological thrillers.

A former resident of the ultra-elite Manhattan upper class, Ruby now works as a maid in the type of houses she used to live in. Unassuming, she sees everyone’s dirty secrets from the inside of their beautiful, renovated brownstones. But when Ruby witnesses a murder, she has wicked plans in mind that don’t involve telling the authorities the truth.

Vor über einem Jahr hat der Strafverteidiger Eddie Flynn vor Gericht einen folgenschweren Fehler begangen – und sich danach geschworen, niemals mehr einen Fall zu übernehmen. Doch nun muss er Olek Volchek, den berüchtigten Paten der New Yorker Russenmafia, gegen eine Mordanklage verteidigen. Volchek droht, Eddies elfjährige Tochter Amy umzubringen, falls er sich weigert.

One dark evening on New York City’s Upper West Side, two strangers meet by chance. Over drinks, Amanda and Wendy realize they have much in common, including an intense desire for revenge against the men who destroyed their families. As they talk into the night, they come up with the perfect plan: if you kill for me, I’ll kill for you.

The first collaborative novel by Oscar-winning actor, producer, New York Times bestselling author and Reese’s Book Club/Hello Sunshine founder Reese Witherspoon and # 1 international bestselling author and TV creator Harlan Coben.

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

This collection includes three novels: I Said Yes, The Mother-In-Law, and The Good Neighbors.

Defense Intelligence Agency operative Matt Drake broke a promise. A promise that cost three people their lives and crippled his best friend. Three months later, he's paralyzed by survivor's guilt and haunted by the memories of the fallen. Matt may have left Syria, but Syria hasn't left him. In the midst of his self-imposed exile, Matt is dragged back into the world of espionage and assets that he tried to forget. A Pakistani scientist working for an ISIS splinter cell has created a terrifying weapon of mass destruction.

When Julie Buckley, a successful mystery writer, suspects her husband of cheating, she turns to her best friend, Darby, for advice. When Darby suggests couples therapy, Julie and Oliver find themselves discussing Oliver’s betrayal with their new therapist, Liza. Liza is competent and reassuring, and her advice and Oliver’s openness to change seem to be helping the couple rebuild their relationship.

Dr. Willa Watters is a prominent child psychologist at the height of her career. But when a viral video of a disastrous television interview puts her reputation on the line, Willa retreats to Broken Bayou, the town where she spent most of her childhood summers. There she visits her aunts’ old house and discovers some of her unstable mother’s belongings still languishing in the attic—dusty mementos harboring secrets of her harrowing past. Willa’s hopes for a respite are quickly crushed, not only by what she finds in that attic but also by what’s been found in the bayou.