
Kill for Me, Kill for You
A Novel
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Narrated by:
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Stephanie Cannon
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By:
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Steve Cavanagh
About this listen
Two ordinary women make a deadly pact to take revenge for each other after being pushed to the brink in this “unguessable and unputdownable” (Alex Michaelides, #1 New York Times bestselling author) psychological thriller, perfect for fans of Gillian Flynn and Alfred Hitchcock.
One dark evening on New York City’s Upper West Side, two strangers meet by chance. Over drinks, Amanda and Wendy realize they have much in common, including an intense desire for revenge against the men who destroyed their families. As they talk into the night, they come up with the perfect plan: if you kill for me, I’ll kill for you.
In another part of the city, Ruth is home alone when the beautiful brownstone she shares with her husband, Scott, is invaded. She’s attacked by a man with piercing blue eyes, who disappears into the night. Will she ever be able to feel safe again while the blue-eyed stranger is out there?
“Explosive, game-changing” (Publishers Weekly, starred review), and unpredictable, Kill for Me, Kill for You will keep you guessing until the very end.
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Good book except for ending
- By Rhonda Morrison on 08-07-23
By: Robyn Harding
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Fifty Fifty
- Eddie Flynn Series
- By: Steve Cavanagh
- Narrated by: Adam Sims
- Length: 11 hrs and 44 mins
- Unabridged
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Two sisters on trial for murder. They accuse each other. Who do you believe? From Steve Cavanagh, the “wickedly clever” (The New York Times) master of twisty psychological thrillers.
By: Steve Cavanagh
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We Used to Live Here
- A Novel
- By: Marcus Kliewer
- Narrated by: Jeremy Carlisle Parker, Corey Brill
- Length: 9 hrs and 52 mins
- Unabridged
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As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter their home, uncanny and inexplicable things start happening.
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ok
- By Emily Santoyo on 08-14-24
By: Marcus Kliewer
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Creep
- By: Jennifer Hillier
- Narrated by: Talmadge Ragan
- Length: 11 hrs and 4 mins
- Unabridged
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Dr. Sheila Tao is a professor of psychology, an expert in human behavior with her own hidden past. But she's not the only one keeping secrets. When Sheila began an affair with her sexy graduate assistant Ethan Wolfe, she knew she was playing with fire. Consumed by lust when they were together, she was riddled with guilt when they were apart. Now she's finally engaged to a good man, and it's time to end the dangerous liaison. But Ethan has something different in mind. He intends to make her pay for rejecting him.
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The narrator makes all the difference. Unfortunately, this one needed a different narrator!
- By Critter Mama on 07-04-14
By: Jennifer Hillier
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Keep It in the Family
- By: John Marrs
- Narrated by: Elizabeth Knowelden, Steve West, Simon Mattacks, and others
- Length: 10 hrs and 12 mins
- Unabridged
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Mia and Finn are busy turning a derelict house into their dream home when Mia unexpectedly falls pregnant. But just when they think the house is ready, Mia discovers a shocking message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following the clue up into the eaves, the couple make a gruesome discovery: their home was once a real-life murder house, with the evidence still concealed within the four walls.
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Oooof
- By Michelle on 08-31-23
By: John Marrs
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Tell Me What You Did
- A Novel
- By: Carter Wilson
- Narrated by: Allyson Ryan, Patrick Zeller
- Length: 9 hrs and 50 mins
- Unabridged
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Poe Webb, host of a popular true crime podcast, invites people to anonymously confess crimes they’ve committed to her audience. She can’t guarantee the police won’t come after her “guests,” but her show grants simultaneous anonymity and instant fame—a potent combination that’s proven difficult to resist. After an episode recording, Poe usually erases both criminal and crime from her mind. But when a strange and oddly familiar man appears on her show, Poe is forced to take a second look.
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Good story.
- By Sami on 02-23-25
By: Carter Wilson
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Her Every Fear
- A Novel
- By: Peter Swanson
- Narrated by: Eva Kaminsky
- Length: 10 hrs and 51 mins
- Unabridged
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Growing up, Kate Priddy was always a bit neurotic, experiencing momentary bouts of anxiety that exploded into full-blown panic attacks after an ex-boyfriend kidnapped her and nearly ended her life. When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life. But soon after her arrival at Corbin's grand apartment on Beacon Hill, Kate makes a shocking discovery.
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Sometimes the Narrator Elevates the Story
- By Bette on 01-27-17
By: Peter Swanson
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The Kind Worth Killing
- A Novel
- By: Peter Swanson
- Narrated by: Johnny Heller, Karen White, Kathleen Early, and others
- Length: 10 hrs and 17 mins
- Unabridged
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On a flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing intimate details about themselves. Ted talks about his marriage that’s going stale and his wife, Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start - he the rich businessman, she the artistic free spirit - a contrast that once inflamed their passion but has now become a cliché. But their game turns a little darker when Ted jokes that he could kill Miranda....
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Ending is disappointing
- By DARIANN LOYNES on 10-05-20
By: Peter Swanson
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Rock Paper Scissors
- A Novel
- By: Alice Feeney
- Narrated by: Richard Armitage, Stephanie Racine
- Length: 10 hrs and 38 mins
- Unabridged
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When Adam and Amelia Wright win a weekend away to Scotland, it might be just what their marriage needs. Self-confessed workaholic and screenwriter Adam Wright has lived with face blindness his whole life. He can’t recognize friends or family, or even his own wife. Each year Adam’s wife writes him a letter that she never lets him read. Until now. They both know this weekend will make or break their marriage, but they didn’t randomly win this trip. One of them is lying, and someone doesn’t want them to live happily ever after.
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I could feel myself losing IQ points while listening to this.
- By Collier on 09-14-21
By: Alice Feeney
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The Last One
- A Novel
- By: Will Dean
- Narrated by: Jenny Funnell
- Length: 12 hrs and 48 mins
- Unabridged
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When Caz steps onboard the exclusive cruise liner RMS Atlantica, it’s the start of a vacation of a lifetime with her new love, Pete. On their first night they explore the ship, eat, dance, make friends, but when Caz wakes the next morning, Pete is missing. And when she walks out into the corridor, all the cabin doors are open. To her horror, she soon realizes that the ship is completely empty. No passengers, no crew, nobody but her. The Atlantica is steaming into the mid-Atlantic and Caz is the only person on board. But that’s just the beginning.
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Felt like passenger #6
- By Michael on 11-27-23
By: Will Dean
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The Trap
- By: Catherine Ryan Howard
- Narrated by: John Keating, Alana Kerr Collins
- Length: 9 hrs and 10 mins
- Unabridged
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One year ago, Lucy’s sister, Nicki, left to meet friends at a pub in Dublin and never came home. The third Irish woman to vanish inexplicably in as many years, the agony of not knowing what happened that night has turned Lucy’s life into a waking nightmare. So, she’s going to take matters into her own hands. Angela works as a paper-pusher in the Missing Persons Unit, but wants nothing more than to be a fully fledged member of An Garda Síochána, the Irish police force. With the investigation into the missing women stalled, she begins pulling on a thread that could break the case wide open.
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Not Her Best
- By Avid series reader on 08-05-23
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Lock Every Door
- A Novel
- By: Riley Sager
- Narrated by: Dylan Moore
- Length: 10 hrs and 26 mins
- Unabridged
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No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid. When Ingrid confides that the Bartholomew is not what it seems, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears.
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The Have and the Have Nots
- By Teethnclaws on 07-03-19
By: Riley Sager
DREADFUL NARRATOR
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Terrible narrator, read the book instead
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Captivating story
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Unfortunately, so many authors now are going for the "heartpounding twist you'll never see coming" that they forsake reason and forget to provide the reader with a trail that would make it possible for them to see the twist, but carefully obfuscate that trail just well enough that the reader won't see it. The most successful plot twists: Gone Girl, Fight Club, The Sixth Sense, Shutter Island, The Usual Suspects...those were so memorable and GOOD because they were expertly set up. The twist is crafted carefully and methodically, the trail right there in plain sight, and yet hidden at the same time so that when it hits, the reader has flashbacks to all the things along that trail that they saw but that just didn't click in place until that very moment. What makes a twist great isn't, "oh, wow, I didn't see that coming," (and you didn't see it coming because it would have been impossible with the information given/omitted). It's, "oh wow, HOW did I NOT see that coming?? (and you didn't see it coming even though it was right there in front of you the whole time, but the information was so expertly presented that you just didn't put it together in that context).
For a twist to be good, it should be like a puzzle that the author drops piece by piece, out of order, sometimes covertly so that you don't even realize it is a puzzle piece, sometimes in your face so that you know it has to fit somewhere, but you just can't figure where...and by the time the twist is revealed, it should look like all the pieces you already have, falling into place to make a whole, surprising picture that goes against what you thought it would be even though you recognize every single piece.
A cheap twist is like a puzzle that's missing most of the pieces, and they're either all thrown at you in one eye-rolling, cringe inducing villainous diatribe scene or they're just suddenly all there, and arranged in front of you, but they're pieces you've never seen before, therefore could have never made the connection. It's just not as thrilling as it is when you realize it was right under your nose the whole time. That's how the twists in this story felt: a bunch of missing pieces thrown at me at once with every twist reveal.
Don't get me wrong, I enjoyed the story overall. I sympathized with the characters. I enjoyed the writing style. The pacing felt good. There were never parts that I just wanted to skip or skim over. In that way, it was an enjoyable read. It was the twists that just really didn't work for me as twists, and the last one actually, I felt, was unnecessary. I may have felt differently about it if I had been given some indication that this person wasn't who they made themselves out to be, but that just wasn't the case. It had never been a puzzle. It just was presented one way, then it was something else with no lead-up, no way to have put it together.
I know I'm beating the twist horse after I've already killed it, but it's fast becoming a story killer for me. It's becoming as common and annoying as the trope of the villain of the story giving a smug, self satisfied 10 minute long diatribe to explain what they did, and why and how, all while having the protagonist in their clutches, giving the protagonist a window to escape. I've gotten to the point where I don't care how much I've enjoyed a story, if that scene comes in, I'll DNF right then and there. I'm not quite there yet with the cheap twist, but getting there fast.
Overall, though, an enjoyable story. 3.5
Decent, but not Amazing
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So unlikely
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Interesting premise
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Lots of twists
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Wow wow wow!
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Pretty Darn Good, Except....
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Unexpected and surprising!
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