Elsa is seven years old and different. Her grandmother is 77 years old and crazy, standing-on-the-balcony-firing-paintball-guns-at-men-who-want-to-talk-about-Jesus crazy. She is also Elsa's best and only friend. At night Elsa takes refuge in her grandmother's stories, in the Land of Almost-Awake and the Kingdom of Miamas, where everybody is different and nobody needs to be normal.

Newly graduated from high school, Mila has aged out of the foster care system. So when she’s offered a teaching job and a place to live on an isolated part of the Northern California coast, she immediately accepts. Maybe she will finally find a new home — a real home. The farm is a refuge, but it’s also haunted by the past. And Mila’s own memories are starting to rise to the surface.

Marin hasn't spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she's tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that's been left unsaid and finally confront the loneliness that has made a home in her heart.

In Purple Hibiscus, she recounts the story of a young Nigerian girl searching for freedom. Although her father is greatly respected within their community, 15-year-old Kambili knows a frighteningly strict and abusive side to this man. In many ways, she and her family lead a privileged life, but Kambili and her brother, Jaja, are often punished for failing to meet their father’s expectations. After visiting her aunt and cousins, Kambili dreams of being part of a loving family.

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.

After being entrusted with her brother's Los Angeles apartment for the summer as a graduation gift, Emi Price isn't sure how to fulfill his one condition: that something great take place there while he's gone. Emi may be a talented young production designer, already beginning to thrive in the competitive film industry, but she still feels like an average teen, floundering when it comes to romance.

In the wake of her best friend Ingrid's suicide, Caitlin is left alone, struggling to find hope and answers. When she finds the journal Ingrid left behind for her, she begins a journey of understanding and broadening her horizons that leads her to new friendships and first love. Nina LaCour brings the changing seasons of Caitlin's first year without Ingrid to life with emotion, honesty, and captivating writing.

Mark and Kate have sat next to each other for an entire year but have never spoken. For whatever reason, their paths outside of class have never crossed. That is until Kate spots Mark miles away from home, out in the city for a wild, unexpected night. Kate is lost, having just run away from a chance to finally meet the girl she has been in love with from afar. Mark, meanwhile, is in love with his best friend, Ryan, who may or may not feel the same way.

Emmy Harlow is a witch but not a very powerful one - in part because she hasn't been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.

Trailblazing pop star, actor and director, Hayley Kiyoko debuts her first novel, a coming-of-age romance based on her breakthrough hit song and viral video, Girls Like Girls.

Tansy Adams’ greatest love is her family’s bookstore, passed down from her late father. But when it comes to actual romance… Tansy can’t get past the first chapter. Tired of her stepfamily’s questions about her love life, Tansy invents Gemma, a fake girlfriend inspired by the stunning cover model on a bestselling book. They’ll never actually meet, so what’s the harm in a little fib? Yet when real-life Gemma crosses Tansy’s path, her white lie nearly implodes.

Seventeen is nothing like Codi Teller imagined. She’s never crashed a party, never stayed out too late. She’s never even been kissed. And it’s not just because she’s gay. It’s because she and her two best friends, Maritza and JaKory, spend more time in her basement watching Netflix than engaging with the outside world. So when Maritza and JaKory suggest crashing a party, Codi is highly skeptical. Those parties aren’t for kids like them. They’re for cool kids. Straight kids. But then, Codi stumbles upon one of those cool kids, Ricky, kissing another boy.

When Margo Roth Spiegelman beckons Quentin Jacobsen in the middle of the night - dressed like a ninja and plotting an ingenious campaign of revenge - he follows her. Margo’s always planned extravagantly, and, until now, she’s always planned solo. After a lifetime of loving Margo from afar, things are finally looking up for Q...until day breaks and she has vanished. Always an enigma, Margo has now become a mystery. But there are clues. And they’re for Q.

Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.

After fleeing an abusive husband with her six-year-old son, Tommie, Beverly is attempting to create a new life for them in a small town off the beaten track. Despite their newfound freedom, Beverly is constantly on guard: she creates a fake backstory, wears a disguise around town, and buries herself in DIY projects to stave off anxiety. But her stress only rises when Tommie insists he’d been hearing someone walking on the roof and calling his name late at night.