An American literary treasure, Charles Portis penned the Western classic True Grit. Set in the 1960s, Norwood is a picaresque romp taking audiences on a journey from Texas to New York and back again. An ex-marine, troubadour Norwood Pratt is on a mission to recover money he once loaned to a buddy in the service. Along the way, he gets into all manner of trouble involving stolen cars, beautiful women, and a chicken with a college education.

For a time, Jimmy spent his expat days in Mexico unearthing pre-Columbian artifacts. Now he makes a living doing small trucking jobs and helping out with the occasional missing-person situation. But Jimmy’s laid-back lifestyle is being seriously imposed upon by a ninety-pound stalker named Louise. Add to this a sudden wave of hippies led by a murderous ex-con guru in search of psychic happenings, archaeologists unearthing (illegally) the Mayan tombs, and Louise and her weirdo husband’s quest for UFO sites, and Jimmy’s south-of-the-border existence is in danger.

Mattie Ross, a 14-year-old girl from Dardanelle, Arkansas, sets out to avenge her Daddy who was shot to death by a no-good outlaw. Mattie convinces one-eyed "Rooster" Cogburn, the meanest U.S. marshal in the land, to ride along with her. In True Grit, we have a true American classic, as young Mattie, as vital as she is innocent, outdickers and outmaneuvers the hard-bitten men of the trail in a legend that will last through the ages.

Lamar Jimmerson is the leader of the Gnomon Society, the international fraternal order dedicated to preserving the arcane wisdom of the lost city of Atlantis. Stationed in France in 1917, Jimmerson comes across a little book crammed with Atlantean puzzles, Egyptian riddles, and extended alchemical metaphors. It's the Codex Pappus—the sacred Gnomon text. Soon he is basking in the lore of lost Atlantis, convinced that his mission on earth is to administer to and extend the ranks of the noble brotherhood.

Best known for his glorious comic novels, Charles Portis was also a prolific essayist, travel writer, and newspaper reporter. Now, for the first time, these writings—journalism, short fiction, memoir, travel stories, and even a play—have been brought together in Escape Velocity: A Charles Portis Miscellany. The collection encompasses the breadth of Portis’s fifty-year writing career, covering topics as varied as road tripping in Baja, Elvis’s visits to his aging mother, and his own boyhood in Arkansas.

It is three in the morning when Bobby Western plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the site are the pilot’s bag, the plane’s black box, and the tenth passenger. A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.

In the tradition of Jonathan Swift and Mark Twain, America Fantastica delivers a biting, witty, and entertaining story about the causes and costs of outlandish fantasy, while also marking the triumphant return of an essential voice in American letters. And at the heart of the novel, amid a teeming cast of characters, readers will delight in the tug-of-war between two memorable and iconic human beings—the exuberant savior-of-souls Angie Bing and the penitent but compulsive liar Boyd Halverson.

An almost-true story about a small town in Texas that ought to exist if it doesn’t, with characters like Sam the Lion, the delectable Jacy, and Ruth Popper, the coach’s wife. Set in a small, dusty, Texas town, The Last Picture Show introduced the characters of Jacy, Duane, and Sonny: teenagers stumbling toward adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.

Outer Dark is a novel at once fabular and starkly evocative, set is an unspecified place in Appalachia, sometime around the turn of the century. A woman bears her brother's child, a boy; he leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.

Amid the dizzying rides, tantalizing games of chance, and fanciful attractions of a state fair, two teenage sweethearts on the cusp of life and love's pleasures find their way to a shadowy carnival tent brimming with curiosities. There, from the bizarre and enthralling Gypsy Mummy, a mechanized merchant of dreams and prognosticator of tomorrows, the young couple learns what fate promises for them. But fate, for Odd Thomas and Stormy Llewellyn, is something altogether different: full of dark corners, sharp edges, and things no seer or soothsayer could ever anticipate.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay—playful raconteur, child lost and found and lost, guardian of the institutionalized—has a project to pass along. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

The hero of John Kennedy Toole's incomparable, Pultizer Prize–winning comic classic is one Ignatius J. Reilly, an obese, self-absorbed, hapless Don Quixote of the French Quarter, whose half-hearted attempts at employment lead to a series of wacky adventures among the lower denizens of New Orleans.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? In this brilliantly conceived tour de force, Stephen King - who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer - takes listeners on an incredible journey into the past and the possibility of altering it.

In 1964, Little Big Man gave us the reminiscences of Jack Crabb - a white orphan raised among the Cheyenne - who returns to "civilized" society, where (among other things) he tangles with Wyatt Earp and Wild Bill Hickok, and ends up as the only white survivor of Custer's Last Stand. At the end of Little Big Man, Jack's supposed death at age 111 cut short his tale.

For a time, Jimmy spent his expat days in Mexico unearthing pre-Columbian artifacts. Now he makes a living doing small trucking jobs and helping out with the occasional missing-person situation. But Jimmy’s laid-back lifestyle is being seriously imposed upon by a ninety-pound stalker named Louise. Add to this a sudden wave of hippies led by a murderous ex-con guru in search of psychic happenings, archaeologists unearthing (illegally) the Mayan tombs, and Louise and her weirdo husband’s quest for UFO sites, and Jimmy’s south-of-the-border existence is in danger.

Lamar Jimmerson is the leader of the Gnomon Society, the international fraternal order dedicated to preserving the arcane wisdom of the lost city of Atlantis. Stationed in France in 1917, Jimmerson comes across a little book crammed with Atlantean puzzles, Egyptian riddles, and extended alchemical metaphors. It's the Codex Pappus—the sacred Gnomon text. Soon he is basking in the lore of lost Atlantis, convinced that his mission on earth is to administer to and extend the ranks of the noble brotherhood.

An American literary treasure, Charles Portis penned the Western classic True Grit. Set in the 1960s, Norwood is a picaresque romp taking audiences on a journey from Texas to New York and back again. An ex-marine, troubadour Norwood Pratt is on a mission to recover money he once loaned to a buddy in the service. Along the way, he gets into all manner of trouble involving stolen cars, beautiful women, and a chicken with a college education.

Best known for his glorious comic novels, Charles Portis was also a prolific essayist, travel writer, and newspaper reporter. Now, for the first time, these writings—journalism, short fiction, memoir, travel stories, and even a play—have been brought together in Escape Velocity: A Charles Portis Miscellany. The collection encompasses the breadth of Portis’s fifty-year writing career, covering topics as varied as road tripping in Baja, Elvis’s visits to his aging mother, and his own boyhood in Arkansas.

Mattie Ross, a 14-year-old girl from Dardanelle, Arkansas, sets out to avenge her Daddy who was shot to death by a no-good outlaw. Mattie convinces one-eyed "Rooster" Cogburn, the meanest U.S. marshal in the land, to ride along with her. In True Grit, we have a true American classic, as young Mattie, as vital as she is innocent, outdickers and outmaneuvers the hard-bitten men of the trail in a legend that will last through the ages.

When Comanches slaughter his parents in 1855 West Texas, eight-year-old Jeff buries their scalped bodies—and the charred remains of his younger brother. Taken in by a homesteading family, Jeff ekes out an existence. But as he dons Confederate gray, he never dreams his brother is alive—or that he’s wearing Union blue.

Cattleman Homer Bannon is a walking advertisement for traditional, old-frontier morals—in contrast to his stepson, Hud. Homer’s grandson Lonnie is torn between emotions for his father and grandfather as he struggles to define his own identity.

Oakley Hall's legendary Warlock revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction.

Orphaned at fourteen, Hector “Heck” Martin heads west, determined to see the far country and make a man of himself. Along the way, he falls in love with bold and beautiful Hope Mullen. But Heck is too young and poor to marry, so he heads west again. During a three-year journey, Heck crosses thousands of miles, becomes a bareknuckle boxer, a mountain man, and an Indian fighter, and meets the likes of Kit Carson and Jim Bridger as he explores the gorgeous and deadly frontier.

An almost-true story about a small town in Texas that ought to exist if it doesn’t, with characters like Sam the Lion, the delectable Jacy, and Ruth Popper, the coach’s wife. Set in a small, dusty, Texas town, The Last Picture Show introduced the characters of Jacy, Duane, and Sonny: teenagers stumbling toward adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love.