The End We Start From
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Narrated by:
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Louise Brealey
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By:
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Megan Hunter
About this listen
As London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, she and her baby are forced to leave their home in search of safety. They head north through a newly dangerous country seeking refuge from place to place, shelter to shelter, to a desolate island and back again. The story traces fear and wonder, as the baby's small fists grasp at the first colors he sees, as he grows and stretches, thriving and content against all the odds.
Written with poise and poeticism, The End We Start From is an indelible and elemental first book - a lyrical vision of the strangeness and beauty of new motherhood, and a portentous tale of endurance in the face of ungovernable change.
©2017 Megan Hunter (P)2017 Blackstone Audio, Inc.Listeners also enjoyed...
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Though her mind is still sharp, Elizabeth's eyes have failed. No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family, especially her beloved twin sister, Emily. When her late father's journals are discovered after an accident, the past suddenly becomes all too present. With the help of Morgan, a delinquent teenager performing community service at her senior home, Elizabeth goes through the diaries.
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very good
- By Jason Burger on 09-17-17
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The Emissary
- By: Yoko Tawada, Margaret Mitsutani - translator
- Narrated by: Julian Cihi
- Length: 4 hrs and 8 mins
- Unabridged
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Japan, after suffering from a massive irreparable disaster, cuts itself off from the world. Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient - frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism.
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Tedious. Waste of time.
- By Kenneth McGovern on 02-17-19
By: Yoko Tawada, and others
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Without a Map
- A Memoir
- By: Meredith Hall
- Narrated by: Kathe Mazur
- Length: 9 hrs and 41 mins
- Unabridged
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Meredith Hall's moving but unsentimental memoir begins in 1965, when she becomes pregnant at sixteen. Shunned by her insular New Hampshire community, she is then kicked out of the house by her mother. Her father and stepmother reluctantly take her in, hiding her before they finally banish her altogether. After giving her baby up for adoption, Hall wanders recklessly through the Middle East, where she survives by selling her possessions and finally her blood.
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Not Your Average "16 and Pregnant"
- By Susie on 12-11-12
By: Meredith Hall
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Into the Forest
- By: Jean Hegland
- Narrated by: Alyssa Bresnahan
- Length: 10 hrs and 28 mins
- Unabridged
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Performance
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As America collapses in the chaos of war, pollution, and bankruptcy, two sisters pool their resources to survive alone in the hills above San Francisco. Although dwindling food and increasing isolation threaten them, they soon find a more immediate danger standing at their door. When a young man arrives, his friendship offers tantalizing fulfillment, but his love threatens to divide the sisters.
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Depressing, boring, & disturbing
- By The Ropers on 07-14-16
By: Jean Hegland
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Now & Then
- By: Jacqueline Sheehan
- Narrated by: Susan Ericksen
- Length: 12 hrs and 26 mins
- Unabridged
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Overall
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Performance
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Story
Anna O’Shea has failed at marriage, shed her job at a law firm, and she’s trying to re-create herself when she and her recalcitrant nephew are summoned to the past in a manner that nearly destroys them. Her twenty-first-century skills pale as she struggles to find her nephew in nineteenth-century Ireland. For one of them, the past is brutally difficult, filled with hunger and struggle. For the other, the past is filled with privilege, status, and a reprieve from the crushing pain of present-day life. For both Anna and her nephew, the past offers them a chance at love.
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Loved This Book
- By Janina on 03-07-17
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Behind the Scenes at the Museum
- A Novel
- By: Kate Atkinson
- Narrated by: Pearl Hewitt
- Length: 12 hrs and 50 mins
- Unabridged
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Performance
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Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.
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Another Kate Atkinson multi-generational story
- By Satisfied Customer on 11-08-18
By: Kate Atkinson
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A Golden Age
- A Novel
- By: Tahmima Anam
- Narrated by: Madhur Jaffrey
- Length: 9 hrs and 9 mins
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Performance
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Story
As young widow Rehana Haque awakes one March morning, she might be forgiven for feeling happy. Today she will throw a party for her son and daughter. In the garden of the house she has built, her roses are blooming, her children are almost grown, and beyond their doorstep, the city is buzzing with excitement after recent elections. Change is in the air.
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sad, poignant, thought-provoking, beautiful
- By Rio Delta Wild on 06-04-08
By: Tahmima Anam
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Elmet
- By: Fiona Mozley
- Narrated by: Gareth Bennett Ryan
- Length: 7 hrs and 37 mins
- Unabridged
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In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.
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Strains credibility
- By DM on 01-06-18
By: Fiona Mozley
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The Feed
- A Novel
- By: Nick Clark Windo
- Narrated by: Clare Corbett, Nick Clark Windo
- Length: 11 hrs and 20 mins
- Unabridged
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Overall
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Performance
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The Feed is accessible everywhere, by everyone, at any time. It instantaneously links us to all information and global events. Tom and Kate use the Feed, but Tom has resisted its addiction. The Feed's collapse, taking modern society with it, leaves people scavenging to survive. Tom and Kate have managed to protect themselves and their family. But then their six-year-old daughter, Bea, goes missing. Who has taken her? How do you begin to look for someone in a world without technology?
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uhhh
- By Michelle on 03-10-20
By: Nick Clark Windo
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The New Moon's Arms
- By: Nalo Hopkinson
- Narrated by: Gin Hammond
- Length: 9 hrs and 59 mins
- Unabridged
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Overall
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Performance
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Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.
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What a joy
- By newmoon on 07-05-19
By: Nalo Hopkinson
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The Trees
- By: Ali Shaw
- Narrated by: Ben Onwukwe
- Length: 18 hrs and 1 min
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There came an elastic aftershock of creaks and groans and then, softly softly, a chinking shower of rubbled cement. Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins. There is no warning. No chance to prepare. They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed.
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Post apocalypse with a little bit of magic
- By Tam on 09-20-16
By: Ali Shaw
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On the day the government decrees that women are no longer allowed more than 100 words daily, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. This is just the beginning. Soon women are not permitted to hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke 16,000 words a day, but now women only have 100 to make themselves heard. But this is not the end. For herself, her daughter, and every woman silenced, Jean will reclaim her voice.
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So accurate.
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A necessary read
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Good but I wish I hadn't read it.
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This forest isn't charted on any map. Every car breaks down at its treeline. Mina's is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn't reach the bunker in time.
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Surprising and original
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What listeners say about The End We Start From
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Maggie
- 01-12-23
Came for Jodie Comer, Stayed for the Story
As my title states, I’m a massive Jodie Comer fan and heard she would star in the film adaptation. I downloaded the audio book while waiting on my physical copy to arrive. Prior to this, my only other audible listen (at the time) was a story narrated by Jodie herself… I always considered myself an analog kinda gal.
Anyway, I didn’t quite know what to expect but I was pleasantly surprised. The narrator did a fantastic job. It was easy to follow along and her voice was really soothing. The story itself is a quick listen. It’s poetic, in a sense, and descriptive but doesn’t give more detail than necessary and I honestly love the use of a single letter instead of names.
I’m not a mother, but I have friends that are and from what I can tell, she beautifully puts into words a shared sentiment among mothers and a terrifying glimpse of what it’d be like to face dangerous elements.
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- VIEN A.
- 01-25-24
Strong Female Bonds and Survival Instincts. Woman's The Man.
I was gripped by the vast symbolisms and strong female bonds and survival instincts. Immersive narration. Vivid, raw - completely unembellished take on our roles toward each other and toward the environment and when it takes sharp turns and challenges our very existence and the ones we live for. The complex navigation and mirrors this story held up in high waters is honestly genius. Woman's The Man.
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- Jake Kapicak
- 07-19-24
Great one liner quotes. Pretty bland otherwise.
it was a story. not much to it. pretty bland, like the main characters life. some really great quotes, but other than that, pretty boring.
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- nvg
- 12-23-22
Slow read
It was a cute and short story but it was kind of boring for me
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- Mackenzie Pulse
- 11-28-17
Yes!
Beautiful and quick read about the end and beginning of life. Highly recommend this book.
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2 people found this helpful
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- Stephanie Carroll
- 10-11-18
an intriguing and literary story
the writing was superb and the story kept me going. the end made me think. overall great experience
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- Amazon Customer
- 03-16-24
Simple story beautifully told
This book is very lyrical. I listened to it straight through twice. It is beautifully written and performed.
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- Dylan
- 12-31-17
A Must Read for Any Parent in 2017
I loved the poetic nature of this story- I found myself feeling the feelings and wondering how I would feel in the same situation. Beautifully written!
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2 people found this helpful
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- Cy Hy
- 02-09-22
I'm so glad I read this
The format of the story, with all of it basically focused on the baby, was just riveting. It seemed as if it was all told through his eyes, as well as hers. The words. The narration.
Give this one a read if you're looking for cli-fi that's off the beaten path and that's so well written it will make you gasp.
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- mother of many
- 02-03-24
Just too weird
I was pretty disappointed. I did not like that characters were only named by their first initial. I did not like the way R couldn’t step up and be a husband and father when he was needed, leaving his wife and baby to fend for themselves. I didn’t like the references to Bible passages, taken so out of context and used seemingly randomly at times. I love disaster stories and disruption refugee stories but this one was just too weird for me. The narrator was descent though.
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