The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

A compelling drama and a merciless scrutiny of a newly monied upper-middle-class family at the turn of the 20th century, The Forsyte Saga has a sumptuous range of characters. If you have enjoyed The Forsyte Saga on television in the past, you will be familiar with this engrossing story; if not, prepare to be completely captivated and engaged by one of the best tales ever told.

Jessica Raine stars in all four BBC Radio 4 full-cast dramatisations of John Galsworthy's Forsyte novels. An irresistible family saga of love, money and betrayal, The Forsytes: The Complete Series encompasses four acclaimed BBC Radio 4 productions of Galsworthy's perennially popular epic, spanning 50 years from 1886 to 1936.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

It was a strange, uncertain world that Harriet entered when she married Guy Pringle. Guy taught English at the university at Bucharest, a city of vivid contrasts, where professional beggars exist alongside the excesses of mid-European royalty and expatriate journalists with a taste for truffles and quails in aspic. Underlying this is a fitful awareness of the proximity of the Nazi threat to a Romania which is enjoying an uneasy peace.

Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

Opportunistic, shrewd and beautiful, Ethelberta resolves to disguise her humble beginnings and elevate her position in society. Crafting her career as a society poet and staging her family as her servants, she proves admirably adept at sustaining her own web of deceit as she reinvents herself and navigates the attentions of four different suitors. The wealthiest is not the one she loves... what will she do? This is a light-hearted urban tale, offering a different side of Thomas Hardy.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

When The Far Pavilions was first published 19 years ago, it moved the critic Edmund Fuller to write this: "Were Miss Kaye to produce no other book, The Far Pavilions might stand as a lasting accomplishment in a single work comparable to Margaret Mitchell's achievement in Gond With the Wind." From its beginning in the foothills of the towering Himalayas, M. M. Kaye's masterwork is a vast, rich, and vibrant tapestry of love and war that ranks with the greatest panoramic sagas of modern fiction.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Imagine you could travel back to the 14th century. What would you see? What would you smell? More to the point, where are you going to stay? And what are you going to eat? Ian Mortimer shows us that the past is not just something to be studied; it is also something to be lived. He sets out to explain what life was like in the most immediate way, through taking you to the Middle Ages. The result is the most astonishing social history book you are ever likely to read: evolutionary in its concept, informative and entertaining in its detail.