The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

A compelling drama and a merciless scrutiny of a newly monied upper-middle-class family at the turn of the 20th century, The Forsyte Saga has a sumptuous range of characters. If you have enjoyed The Forsyte Saga on television in the past, you will be familiar with this engrossing story; if not, prepare to be completely captivated and engaged by one of the best tales ever told.

Jessica Raine stars in all four BBC Radio 4 full-cast dramatisations of John Galsworthy's Forsyte novels. An irresistible family saga of love, money and betrayal, The Forsytes: The Complete Series encompasses four acclaimed BBC Radio 4 productions of Galsworthy's perennially popular epic, spanning 50 years from 1886 to 1936.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

It was a strange, uncertain world that Harriet entered when she married Guy Pringle. Guy taught English at the university at Bucharest, a city of vivid contrasts, where professional beggars exist alongside the excesses of mid-European royalty and expatriate journalists with a taste for truffles and quails in aspic. Underlying this is a fitful awareness of the proximity of the Nazi threat to a Romania which is enjoying an uneasy peace.

Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.

Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

Opportunistic, shrewd and beautiful, Ethelberta resolves to disguise her humble beginnings and elevate her position in society. Crafting her career as a society poet and staging her family as her servants, she proves admirably adept at sustaining her own web of deceit as she reinvents herself and navigates the attentions of four different suitors. The wealthiest is not the one she loves... what will she do? This is a light-hearted urban tale, offering a different side of Thomas Hardy.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

When The Far Pavilions was first published 19 years ago, it moved the critic Edmund Fuller to write this: "Were Miss Kaye to produce no other book, The Far Pavilions might stand as a lasting accomplishment in a single work comparable to Margaret Mitchell's achievement in Gond With the Wind." From its beginning in the foothills of the towering Himalayas, M. M. Kaye's masterwork is a vast, rich, and vibrant tapestry of love and war that ranks with the greatest panoramic sagas of modern fiction.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Imagine you could travel back to the 14th century. What would you see? What would you smell? More to the point, where are you going to stay? And what are you going to eat? Ian Mortimer shows us that the past is not just something to be studied; it is also something to be lived. He sets out to explain what life was like in the most immediate way, through taking you to the Middle Ages. The result is the most astonishing social history book you are ever likely to read: evolutionary in its concept, informative and entertaining in its detail.

John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. The complete Chronicles are divided into three volumes, containing nine books and four interludes in total. Volume 2, A Modern Comedy, focuses on Soames's vivacious daughter, Fleur. Soames tries constantly to protect her but is baffled by the carefree attitudes in post-war London. Fleur and her husband Michael Mont host society gatherings, but her previous affair with Jon Forsyte leaves embers of a passion that are ready to ignite - with dreadful consequences.

Bigger, newer, faster. Demolish and rebuild, then demolish and rebuild again. Smoke, soot, and noise are the badges of prosperity, and growth is for growth's sake.

Ethan Frome, a poor, downtrodden New England farmer, is trapped in a loveless marriage to his invalid wife, Zeena.When Zeena's young cousin Mattie arrives to help care for her, Ethan is immediately taken by Mattie's warm, vivacious personality. They fall desperately in love as he realizes how much is missing from his life and marriage.

A fast-paced Victorian thriller that will delight audiences today as it did 100 years ago, Lady Audley's Secret has subterfuge, kidnapping, jealousy, and fraud, all thrown into the mix and shaken up for good measure.

A mystery which keeps a listener guessing until the last moments, this production is a must-listen for anyone who enjoys playing detective.

In this rich new audio production, acclaimed British American actress Rebecca Hall brings one of E. M. Forster's most admired works to life in this classic tale of human struggle. A charming young Englishwoman, Lucy Honeychurch, is wooed by both free-spirited George Emerson and wealthy Cecil Vyse while vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil or George, the man she knows would bring her true happiness. Should Lucy choose social acceptance or true love?

One of Edith Wharton's most acclaimed works, The Custom of the Country is a blistering indictment of materialism, power, and misplaced values. Its heroine, Undine Spragg, is one of the most ruthless characters in all of literature, as selfishly unscrupulous as she is fiercely beautiful. As she climbs the class ladder through a series of marriages and affairs, she shows little concern for who she has to step on.

Set in stifled, industrial Staffordshire in the late 19th century, against a strong evangelical background, Anna of the Five Towns tells of the courting of hard businessman Ephraim Tellright's daughter by prosperous and accomplished Henry Mynors. As her father's fortune grows, so does Anna understanding. She realises her legacy and responsibility for the possible ruination of her father's tenants, Titus Price and his son, Willie, who also loves her.

Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Anton Pavlovich Chekhov, (1860-1904), was born in Russia at Taganrog on the Sea of Azov. His name has become synonymous with a certain literary style much admired and widely copied since his death. Typically, a Chekhov story is a "mood", a state of mind, usually with regard to relations between one person and another. Under the influence of the constant, infinitesimal, and unforeseen pinpricks of life, there occurs a gradual transformation of that state of mind.

Of Human Bondage is one of the greatest novels of modern times, and it is certainly Maugham's greatest achievement. It was published in 1914, when Maugham was at the height of his creative powers. The story concerns Philip Carey, afflicted at birth with a club foot, and his passionate search for truth in a cruel world. We follow his growth to manhood, his educational progress, his first loves, and the wrenching tragedies and disappointments that life has in store for him. In some of the finest prose of the 20th century, Maugham has presented us with the timeless story of one man's search for the meaning of life.

Anna Karenina seems to have everything - beauty, wealth, popularity and an adored son. But she feels that her life is empty until the moment she encounters the impetuous officer Count Vronsky.

Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.

Znamenityj roman vvodit nas v bogatyj, raznoobraznyj, udivitel'no uyutnyj i privlekatel'nyj mir russkoj dvoryanskoj zhizni Moskvy i Peterburga. Tolstoj vystupaet zdes' pevcom povsednevnoj zhizni, kotoruyu on poehtiziruet i v kotoroj vidit filosofskuyu glubinu, primiryayushchuyu stol' razitel'nye protivopolozhnosti, kak tragicheskaya nezakonnaya svyaz' Anny Kareninoj s Vronskim i schastlivaya semejnaya zhizn' Kiti s Cherbackoj i Levina.

John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. The complete Chronicles are divided into three volumes, containing nine books and four interludes in total. Volume 2, A Modern Comedy, focuses on Soames's vivacious daughter, Fleur. Soames tries constantly to protect her but is baffled by the carefree attitudes in post-war London. Fleur and her husband Michael Mont host society gatherings, but her previous affair with Jon Forsyte leaves embers of a passion that are ready to ignite - with dreadful consequences.

The three novels that make up The Forsyte Saga chronicle the ebbing social power of the commercial upper-middle class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s. Galsworthy's masterly narrative examines not only their fortunes but also the wider developments within society, particularly the changing position of women.

Jessica Raine stars in all four BBC Radio 4 full-cast dramatisations of John Galsworthy's Forsyte novels. An irresistible family saga of love, money and betrayal, The Forsytes: The Complete Series encompasses four acclaimed BBC Radio 4 productions of Galsworthy's perennially popular epic, spanning 50 years from 1886 to 1936.

The third volume of this gripping family saga, End of the Chapter, shifts to the Cherrells - cousins of the Forsytes by marriage. Young Dinny Cherrell in particular cherishes their ancestral home, Condaford Grange, which represents stability in a rapidly changing world. Through his depiction of the lives and loves of this family, Galsworthy throws a brilliant spotlight on the social and political upheavals of the 1930s.

Soames Forsyte's great desire to own things even extends to his captivating wife, Irene. Jealous of her friendships with others, he concocts a plan to move her away to the countryside, where he might come to own her completely. Resisting his bitter intentions, she falls for architect Philip Bossiney, who is unfortunately engaged to her best friend (and Soames' cousin), June Forsyte.