With great wit and stunning intellect - drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam - Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the divine. The Perennial Philosophy includes selections from Meister Eckhart, Rumi, and Lao Tzu, as well as the Bhagavad Gita, Tibetan Book of the Dead, Diamond Sutra, and Upanishads, among many others.

In his final novel - which he considered his most important - Aldous Huxley transports us to the remote Pacific island of Pala, where an ideal society has flourished for 120 years. Inevitably, this island of bliss attracts the envy and enmity of the surrounding world. A conspiracy is underway to take over Pala, and events are set in motion when an agent of the conspirators, a newspaperman named Faranby, is shipwrecked there. What Faranby doesn't expect is how his time with the people of Pala will revolutionize all his values and - to his amazement - give him hope.

In this anthology of 26 essays and other writings, Huxley discusses the nature of God, enlightenment, being, good and evil, religion, eternity, and the divine. Huxley consistently examined the spiritual basis of both the individual and human society, always seeking to reach an authentic and clearly defined experience of the divine.

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

In 1632, an entire convent in the small French village of Loudun was apparently possessed by the devil. After a sensational and celebrated trial, the convent's charismatic priest Urban Grandier - accused of spiritually and sexually seducing the nuns in his charge - was convicted of being in league with Satan. Then he was burned at the stake for witchcraft. A remarkable true story of religious and sexual obsession, The Devils of Loudun is considered by many to be Brave New World author Aldous Huxley's nonfiction masterpiece.

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery.

Isolated from society in a tenement basement in St. Petersburg, a malicious former civil servant vents his resentments. In the rambling notes that follow, we are exposed to the inner turmoil of the Underground Man, who represents the voice of his generation. An emotional, paranoid knot of contradictions, the spiteful narrator is also desperate to join a society he loathes, if only to prove his superiority to it.

Albert Camus' The Stranger is one of the most widely read novels in the world, with millions of copies sold. It stands as perhaps the greatest existentialist tale ever conceived, and is certainly one of the most important and influential books ever produced. Now, for the first time, this revered masterpiece is available as an unabridged audio production.

This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.

With great originality and wit, Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defense of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell’s essays created a unique literary manner from the process of thinking aloud and continue to challenge, move, and entertain.

Elegantly styled, Camus' profoundly disturbing novel of a Parisian lawyer's confessions is a searing study of modern amorality.

A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals—while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities. In a world where lives are shaped by irrevocable choices and fortuitous events, and everything occurs but once, existence seems to lose its substance, its weight. Hence we feel “the unbearable lightness of being."

Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnes becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnes becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.

A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals—while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities. In a world where lives are shaped by irrevocable choices and fortuitous events, and everything occurs but once, existence seems to lose its substance, its weight. Hence we feel “the unbearable lightness of being."

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

A young, shy, sickly priest is assigned to his first parish, a sleepy village in Northern France. Though his faith is devout, he finds nothing but indifference and mockery. The children laugh at his teachings, his parishioners are consumed by boredom, rumours are spread about him and he is tormented by stomach pains. Even his attempts to clarify his thoughts in a diary fail to deliver him from worldly concerns. Yet somehow, despite his suffering, he tries to find love for his fellow humans and even a state of grace.

Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine.

'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.

"I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent, Myra's moment to instruct and delight has once again arrived.

First published in 1925, The Painted Veil is an affirmation of the human capacity to grow, change, and forgive. Set in England and Hong Kong in the 1920s, it is the story of the beautiful but shallow young Kitty Fane. When her husband discovers her adulterous affair, he forces her to accompany him to a remote region of China ravaged by a cholera epidemic.

D. H. Lawrence's 'The Rainbow' explores themes of love, sexuality, and the struggle for personal fulfilment in early 20th century England. Published in 1915, it follows the lives of three generations of the Brangwen family, focusing primarily on the women, as they navigate societal expectations and their own desires.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

Although it is little known in this country, The Belly of Paris is considered one of Émile Zola’s best novels. Set in the newly built food markets of Paris, it is a story of wealth and poverty set against a sumptuous banquet of food and commerce. Having just escaped from prison after being wrongfully accused, young Florent arrives at Paris’ food market, Les Halles, half starved, surrounded by all he can’t have, and indignant at his world, which he now knows to be unjust. He finds that the city’s working classes have been displaced to make way for bigger streets and bourgeois living quarters, so he settles in with his brother’s family.

In this anthology of 26 essays and other writings, Huxley discusses the nature of God, enlightenment, being, good and evil, religion, eternity, and the divine. Huxley consistently examined the spiritual basis of both the individual and human society, always seeking to reach an authentic and clearly defined experience of the divine.

In 1632, an entire convent in the small French village of Loudun was apparently possessed by the devil. After a sensational and celebrated trial, the convent's charismatic priest Urban Grandier - accused of spiritually and sexually seducing the nuns in his charge - was convicted of being in league with Satan. Then he was burned at the stake for witchcraft. A remarkable true story of religious and sexual obsession, The Devils of Loudun is considered by many to be Brave New World author Aldous Huxley's nonfiction masterpiece.

With great wit and stunning intellect - drawing on a diverse array of faiths, including Zen Buddhism, Hinduism, Taoism, Christian mysticism, and Islam - Huxley examines the spiritual beliefs of various religious traditions and explains how they are united by a common human yearning to experience the divine. The Perennial Philosophy includes selections from Meister Eckhart, Rumi, and Lao Tzu, as well as the Bhagavad Gita, Tibetan Book of the Dead, Diamond Sutra, and Upanishads, among many others.

In his final novel - which he considered his most important - Aldous Huxley transports us to the remote Pacific island of Pala, where an ideal society has flourished for 120 years. Inevitably, this island of bliss attracts the envy and enmity of the surrounding world. A conspiracy is underway to take over Pala, and events are set in motion when an agent of the conspirators, a newspaperman named Faranby, is shipwrecked there. What Faranby doesn't expect is how his time with the people of Pala will revolutionize all his values and - to his amazement - give him hope.

The critically acclaimed novelist and social critic Aldous Huxley, describes his personal experimentation with the drug mescaline and explores the nature of visionary experience. The title of this classic comes from William Blake's The Marriage of Heaven and Hell: "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."

The plot centers on Anthony Beavis, a dilettante social theorist, a man inclined to recoil from life. The pleasures of the physical world disgust him and the universe of ideas is but a poor refuge. Having long lost the art of intimacy, he betrays friendships and toys with the affections of women. But as Beavis approaches middle age, his world of perfect detachment begins to lose its appeal. Finally realizing that his withdrawal from life has been motivated not by intellectual honesty but by moral cowardice, Beavis, devastated and at crisis point, meets the remarkable and redoubtable Dr Miller.

Unlike the dystopian vision described in Brave New World, or the psychedelic vision described in his The Doors of Perception, in The Art of Seeing, Aldous Huxley focuses on the actual vision of the human eye. Documenting his own profound near-blindness and subsequent attempts to improve his own sight, Huxley offers a thorough instruction manual on the controversial alternative vision therapy exercises developed by W. H. Bates.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.

In the small coastal city of Oran, Algeria, rats begin rising up from the filth, only to die as bloody heaps in the streets. Shortly after, an outbreak of the bubonic plague erupts and envelops the human population. Albert Camus' The Plague is a brilliant and haunting rendering of human perseverance and futility in the face of a relentless terror born of nature.