There came an elastic aftershock of creaks and groans and then, softly softly, a chinking shower of rubbled cement. Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins. There is no warning. No chance to prepare. They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed.

The Shape of Water is set in Cold War-era Baltimore at the Occam Aerospace Research Center, which has recently received its most sensitive asset ever: an amphibious man captured in the Amazon. What unfolds is a stirring romance between the asset and one of the janitors on staff, a mute woman who uses sign language to communicate with the creature.

Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate, where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, of course, it does. More than three decades later, Lorna is determined to be married within the grand, ivy-covered walls of Pencraw Hall, known as Black Rabbit Hall among the locals.

Simon Watson, a young librarian on the verge of losing his job, lives alone on the Long Island Sound in his family home - a house, perched on the edge of a bluff, that is slowly crumbling toward the sea. His parents are long dead, his mother having drowned in the water his house overlooks. His younger sister, Enola, works for a traveling carnival reading tarot cards and seldom calls.

Digging for peat in the mountain with his Uncle Tally, Fergus finds the body of a child, and it looks like she’s been murdered. As Fergus tries to make sense of the mad world around him - his brother on hunger-strike in prison, his growing feelings for Cora, his parents arguing over the Troubles, and him in it up to the neck, blackmailed into acting as courier to God knows what - a little voice comes to him in his dreams, and the mystery of the bog child unfurls.

When her stepmother dies, Caro returns to her childhood home in the rural English countryside. She hadn’t seen Elizabeth in years, but the remote farmhouse offers refuge from a bad relationship and a chance to start again. But going through Elizabeth’s belongings unearths memories Caro would rather stay buried. In particular, the story her stepmother would tell her about two little girls and the terrible thing they do. As heavy snow traps Caro in the village, where her neighbours stare and whisper, Caro is forced to question why Elizabeth hated her so much and what she was hiding.

When half-sisters Kat, Flora, and Lauren are unexpectedly summoned to Rock Point, their wild and remote Cornish summer home, it's not a welcome invitation. They haven't been back since that fateful summer twenty years ago—a summer they're desperate to forget. But when they arrive, it's clear they're not alone. Someone is lurking in the shadows, watching their every move. Someone who remembers exactly what they did.

When 15-year-old Margot and her three sisters arrive at Applecote Manor in June 1959, they expect a quiet English country summer. Instead they find their aunt and uncle still reeling from the disappearance of their daughter, Audrey, five years before. As the sisters become divided by new tensions when two handsome neighbors drop by, Margot finds herself drawn into the life Audrey left behind. When the summer takes a deadly turn, the girls must unite behind an unthinkable choice or find themselves torn apart forever.

After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family’s story.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Lia, her husband Harry, and their beloved daughter, Iris, are a precisely balanced family of three. With Iris struggling to navigate the social tightrope of early adolescence, their tender home is a much-needed refuge. But when a sudden diagnosis threatens to derail each of their lives, the secrets of Lia’s past come rushing into the present, and the world around them begins to transform. Deftly guided through time, we discover the people who shaped Lia’s youth.

Maud Drennan is a dedicated caretaker, but her sunny, capable disposition and snappy quips mask a deep sadness. A tragic childhood event left her in the company of a cast of patron saints who pop in and out of her life like unwelcome tourists. She tries to find solace in her hard work in London...but then she meets the inimitable Mr. Flood. A menace by all accounts, Cathal Flood is a widower living alone in a Gothic Dorset mansion crawling with collector's items and feral cats.

Having been abandoned on the steps of an orphanage as an infant, lovable car thief and Dublin charmer Mahony assumed all his life that his mother had simply given him up. But when he receives an anonymous note suggesting that foul play may have led to his mother's disappearance, he sees only one option: to return to the rural Irish village where he was born and find out what really happened 26 years ago.

Lexie Sinclair yearns for more than her parents’ genteel country life. She makes her way to the city, where she meets a magazine editor, Innes, a man unlike any she has ever imagined. He introduces her to the thrilling world of Bohemian postwar London, and Lexie learns to become a reporter, to know art and artists, to live fully, unconventionally, and with deep love. And when she finds herself pregnant by a man wholly unsuitable for marriage or fatherhood, she doesn’t hesitate a minute to have the baby on her own.

A tragic family event reveals devastating news that rips apart Bella's comfortable existence. Embarking on a personal journey to uncover the truth, she faces a series of traumatic discoveries that take her to the ruggedly beautiful Cornish coast, where hidden truths, past betrayals and a 25-year-old mystery threaten not just her identity but her life.

There came an elastic aftershock of creaks and groans and then, softly softly, a chinking shower of rubbled cement. Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins. There is no warning. No chance to prepare. They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed.

Ever since he nearly drowned in the ocean three years earlier, 10-year-old Jack Peter Keenan has been deathly afraid to venture outdoors. Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire.

He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him. What you don't know is that he has an elaborate cage built into a secret basement under his garage. And the food that he's carefully shopping for is to feed a young woman he's holding there against her will - one in a string of many, unaware of the fate that awaits her.

The exquisitely crafted stories in Anthony Doerr's acclaimed debut collection take listeners from the African coast to the pine forests of Montana to the damp moors of Lapland, charting a vast physical and emotional landscape. Doerr explores the human condition in all its varieties - metamorphosis, grief, fractured relationships, and slowly mending hearts - and conjures nature in both its beautiful abundance and crushing power.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.

In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.

Lauren Groff’s acclaimed debut novel The Monsters of Templeton was short-listed for the Orange Prize. Her second novel, Arcadia opens in the late 1960s with a group of young idealists forming a commune in western New York State. Into this group is born Bit, who grows into a quiet, distant man. Over the course of 50 years, Bit witnesses the utopia crumble and the world change in unimaginable ways.

The dictionary doesn’t contain every word. Gretel, a lexicographer by trade, knows this better than most. She grew up on a houseboat with her mother, wandering the canals of Oxford and speaking a private language of their own invention. Her mother disappeared when Gretel was a teen, abandoning her to foster care, and Gretel has tried to move on, spending her days updating dictionary entries. One phone call from her mother is all it takes for the past to come rushing back. To find her, Gretel will have to recover buried memories of her final, fateful winter on the canals.

From the celebrated author of Swimming at Night comes a powerful and moving saga of one woman's struggle to overcome her husband's death and uncover his dark, mysterious past. Eva has only been married for eight months when her husband, Jackson, is swept to his death while fishing. Weighed down by confusion and sorrow, Eva decides to take leave of her midwifery practice in London and visit Jackson's estranged family in Tasmania with the hope of grieving together.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

Truly Plaice, an overly large and ungainly girl, is the polar opposite of her sister, Serena Jane, the epitome of feminine perfection. With their parents dead, Truly and Serena Jane are separated: Serena Jane to live a life of privilege as the future May Queen and Truly to live on the outskirts of town, the subject of constant abuse and humiliation.

Aila Quinn's mother, Juliet, has always been a mystery. Vibrant yet guarded, she keeps her secrets beyond Aila's reach. When Juliet dies, Aila and her younger brother, Miles, are sent to live in Sterling, a rural town with mysteries of its own. In Sterling, the experiences that weave life together - scents of flowers and food, reflections from mirrors and lakes, even the ability to dream - vanish every seven years. No one knows what causes these Disappearances or what will slip away next.

Katie’s world is shattered by the news that her headstrong, bohemian younger sister Mia has been found dead at the bottom of a cliff in Bali. The authorities say Mia jumped - that her death was a suicide. Although they hadn’t spoken since Mia suddenly left on an around-the-world trip six months earlier, Katie refuses to accept that her sister would take her own life. Distraught that they never made peace, she leaves behind her orderly life in London and embarks on a journey to find the truth.

The Feed is accessible everywhere, by everyone, at any time. It instantaneously links us to all information and global events. Tom and Kate use the Feed, but Tom has resisted its addiction. The Feed's collapse, taking modern society with it, leaves people scavenging to survive. Tom and Kate have managed to protect themselves and their family. But then their six-year-old daughter, Bea, goes missing. Who has taken her? How do you begin to look for someone in a world without technology?

In a city devastated by an epidemic, where survivors are all missing parts - an arm, a leg, an eye - Nell has always been an outsider. Her father is the famed scientist who created the biomechanical limbs that everyone now uses. But she's the only one with her machinery on the inside: her heart. Since the childhood operation, she has ticked. Like a clock, like a bomb. And as her community rebuilds, everyone is expected to contribute to the society's good, but how can Nell live up to her father's revolutionary ideas?