For too long, Opaline, Martha and Henry have been the side characters in their own lives. But when a vanishing bookshop casts its spell, these three unsuspecting strangers will discover that their own stories are every bit as extraordinary as the ones found in the pages of their beloved books. And by unlocking the secrets of the shelves, they find themselves transported to a world of wonder…where nothing is as it seems.

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.

The story of a young and affluent middle-class girl, Lucy Honeychurch is wooed by George Emerson and Cecil Vyse whilst vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil, or George, the man she knows would bring her true happiness.

Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

When Mary Lennox's parents die from cholera in India, the spoiled orphan is transplanted to her uncle's 600-year-old gloomy and secretive estate in England. She is certain that she is destined for misery at Misselthwaite Manor. However, she soon discovers an arched doorway into an overgrown garden, locked shut since the death of her aunt 10 years earlier.

Thirty miles off the coast of San Francisco lie the Farallon Islands, known to sailors as the Devil’s Teeth. Despite their fearsome reputation, their remote nature appeals to young Lucy Riley, who in 1859 seeks a new start as a teacher to the lighthouse keepers’ children. But Lucy brings treacherous secrets with her, including a name that isn’t hers and a past she can’t escape. On the island, she meets Will Sisson, a mysterious man who seems to recognize her name—but not her face. Wary of Will at first, Lucy slowly starts to trust him.

Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.

Based in part on Dickens's own life, it is the story of a young man's journey from an unhappy and impoverished childhood to the discovery of his vocation as a successful novelist. Among its gloriously vivid cast of characters, he e.ncounters his tyrannical stepfather, Mr. Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; the frivolous, enchanting Dora; and one of literature's great comic creations, the magnificently impecunious Mr. Micawber.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man.

At 40, May Attaway is more at home with plants than people. Over the years, she's turned inward, finding pleasure in language, her work as a gardener, and keeping her neighbors at arm's length while keenly observing them. But when she is unexpectedly granted some leave from her job, May is inspired to reconnect with four once close friends. She knows they will never have a proper reunion, so she goes, one by one, to each of them. A student of the classics, May considers her journey a female Odyssey.

Vivid and compelling, The Henna Artist opens a door into a world that is at once lush and fascinating, stark and cruel. Escaping from an abusive marriage, seventeen-year-old Lakshmi makes her way alone to the vibrant 1950s pink city of Jaipur. There she becomes the most highly requested henna artist—and confidante—to the wealthy women of the upper class. But trusted with the secrets of the wealthy, she can never reveal her own. Years later, she is confronted by her husband who has tracked her down.

In 1922, Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him entry into a much larger world of emotional discovery.

This is a journey of both escape and discovery for four exquisitely different women, a month of bliss and privacy for four weary souls. Their refuge on the Italian Riviera provides the perfect backdrop for a story about the search for spiritual harmony within and without.

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

The discreet advertisement in The Times, addressed 'To Those who Appreciate Wistaria and Sunshine', offers a small medieval castle for rent, above a bay on the Italian Riviera. Four very different women - the dishevelled and downtrodden Mrs Wilkins, the sad, sweet-faced Mrs Arbuthnot, the formidable widow Mrs Fisher and the ravishing socialite Lady Caroline Dester - are drawn to the shores of the Mediterranean that April. As each, in turn, blossoms in the warmth of the Italian spring and finds their spirits stirring, quite unexpected changes occur.

Set in the Dorset landscape familiar to Hardy novels, The Woodlanders concerns the fortunes of Giles Winterborne, whose love for the well-do-do Grace Melbury is challenged by the arrival of a dashing and dissolute doctor, Edred Fitzpiers. When the mysterious Mrs Charmond further complicates the romantic entanglements, marital choice and class mobility become inextricably linked.

Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.

Eugenia, an American expatriate brought up in Europe, arrives in rural New England with her charming brother Felix, hoping to find a wealthy second husband after the collapse of her marriage to a German prince. Their exotic, sophisticated airs cause quite a stir with their affluent, God-fearing American cousins, the Wentworth's - and provoke the disapproval of their uncle, suspicious of foreign influences.

Hardy's first major literary success, here brought to life by narrator Nathaniel Parker, is the story of the independent and spirited Bathsheba Everdene, who inherits her uncle's farm, the largest estate in the area. She surprises the villagers of Weatherbury by deciding to run it herself. Attracted to this bold young woman are three suitors all vying for her affections. They include the lonely gentleman-farmer Boldwood, the young and handsome but inconsiderate Sergeant Troy and the faithful shepherd Gabriel Oak.

Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.

When her father assassinates Henry Carson, his employer's son and Mary's admirer, suspicion falls on Mary's second admirer, Jem, a fellow worker. Mary has to prove her lover's innocence without incriminating her own father.

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

When two sisters, Elinor and Marianne, and their mother are left to the financial mercies of John Dashwood and his wife, they find themselves in drastically reduced circumstances.

The work tells the story of Jane's early life, her experience at Lowood School and as a governess. Her refusal to accept Rochester's love on any but her own strictly moral terms is a passionate cry for independence.

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

The passionate and tragic story of Catherine Earnshaw and Heathcliff is one of the high points of 19th-century Romantic literature. In the relationship of Cathy and Heathcliff, and in the wild, bleak Yorkshire Moors of its setting, Wuthering Heights creates a world of its own, conceived with a disregard for convention and an instinct for poetry and the darkest depths of the human soul in torment.

"... Why, it would really be being unselfish to go away and be happy for a little, because we would come back so much nicer." Lottie and Rose belong to the same London women's club, but they don't know each other very well. They both see the same advertisement for a castle in Italy, which is available for rent for a month. For different reasons, these women want to get away from their husbands for a while and they put out an ad and find two more women in need of vacation. And so, the four vastly different women head to Italy.