An inimitable blend of satire, fantasy, and thriller, The Constant Rabbit is the latest dazzlingly original foray into Jasper Fforde's ever-astonishing creative genius. England, 2022. There are 1.2 million human-sized rabbits living in the UK. They can walk, talk, drive cars, and like to read Voltaire, the result of an Inexplicable Anthropomorphising Event 55 years before.

Every Winter, the human population hibernates. Your name is Charlie Worthing, and it's your first season with the Winter Consuls, the committed but mildly unhinged group of misfits who are responsible for ensuring the hibernatory safe passage of the sleeping masses. You are investigating an outbreak of viral dreams which you dismiss as nonsense; nothing more than a quirky artifact borne of the sleeping mind. When the dreams start to kill people, it's unsettling. When you get the dreams, too, it's weird. When they start to come true, you begin to doubt your sanity.

It's Easter in Reading, a bad time for eggs, and no one can remember the last sunny day. Ovoid D-class nursery celebrity Humpty Stuyvesant Van Dumpty III, minor baronet, ex-convict, and former millionaire philanthropist, is found shattered to death beneath a wall in a shabby area of town. All the evidence points to his ex-wife, who has conveniently shot herself.

In Jasper Fforde's Great Britain, circa 1985, time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jodi Taylor reads the long-awaited prequel in her Chronicles of St Mary’s series, as Dr Bairstow struggles to set up St Mary’s as we know it in a world still scarred by the ravages of civil war. Ever wondered how it all began? It’s two years since the final victory at the Battersea Barricades. The fighting might be finished, but for Dr Bairstow, just now setting up St Mary's, the struggle is only beginning. How will he assemble his team? From where will his funding come?

Contains books one and two of the Attempted Vampirism series: Attempted Vampirism and Attempted Adventuring.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

San Francisco, 1947. Bartender Sammy “Two Toes” Tiffin and the rest of the Cookie’s Coffee Irregulars—a ragtag bunch of working mugs last seen in Noir—are on the hustle: they’re trying to open a driving school; shanghai an abusive Swedish stevedore; get Mable, the local madam, and her girls to a Christmas party at the State Hospital without alerting the overzealous head of the S.F.P.D. vice squad.

A weekly newspaper dedicated to the weird and the wonderful (but mostly the weird), The Stranger Times is the go-to publication for the unexplained and inexplicable. At least that's their pitch. The reality is rather less auspicious. Their editor is a drunken, foul-tempered and foul-mouthed husk of a man who thinks little of the publication he edits. His staff are a ragtag group of misfits. And as for the assistant editor...well, that job is a revolving door - and it has just revolved to reveal Hannah Willis, who's got problems of her own.

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

It's a simple story. Boy finds proof that reality is a computer program. Boy uses program to manipulate time and space. Boy gets in trouble. Boy flees back in time to Medieval England to live as a wizard while he tries to think of a way to fix things. Boy gets in more trouble. Oh, and boy meets girl at some point.

Grant Ashford has his heart set on becoming the next mayor of the City of Detroit, and he has joined forces with some powerful players to assist with obtaining this goal. He is well aware of their ability to turn his dream into a reality; however, he is quite naïve regarding the fact that commingling with this circle could possibly turn his dream into a nightmare. What does a player do when he finds out he’s the one being played?

Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.