Sixty seconds after she wakes from a coma, Maggie's world is torn apart. The police tell her that her daughter, Elspeth, is dead. That she drowned when the car Maggie had been driving plunged into the river. Maggie remembers nothing. When Maggie begs to see her husband, Sean, the police tell her that he has disappeared. He was last seen on the day of their daughter's funeral. What really happened that day at the river? Where is Maggie's husband? And why can't she shake the suspicion that somewhere, somehow, her daughter is still alive?

Kate has spent 15 years bringing global injustice home: as a decorated war reporter, she's always in a place of conflict, writing about ordinary people in unimaginable situations. When her mother dies, Kate returns home from Syria for the funeral. But an incident with a young Syrian boy haunts her dreams, and when Kate sees a boy in the garden of the house next door - a house inhabited by an Iraqi refugee who claims her husband is away and she has no children - Kate becomes convinced that something is very wrong.

As I sit in her dimly lit bedroom, surrounded by flickering candles, I feel the crushing weight of my daughter’s absence. It's been two years since Layla was murdered. The police have searched tirelessly for her killer, but they've found nothing – it's like whoever did it vanished into thin air. My once-perfect marriage is falling apart, we can hardly look at each other anymore. Our ten-year-old son Gale is struggling. He’s changed since she died. He’s more secretive and also…

Opal is a lot of things—orphan, high school dropout, full-time cynic and part-time cashier—but above all, she's a determined to find a better life for her younger brother Jasper. One that gets them out of Eden, Kentucky, a town remarkable for only two things: bad luck and E. Starling, the reclusive nineteenth century author of The Underland, who disappeared over a hundred years ago. All she left behind were dark rumors—and her home. Everyone agrees that it’s best to ignore the uncanny mansion and its misanthropic heir, Arthur. Almost everyone, anyway.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred.

Reclusive Sally Diamond is thrust into the media spotlight when she tries to incinerate her dead father, causing widespread outrage. Now she’s the center of attention, not only from hungry reporters and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the repressed memories of her horrific early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say.

Kit Darling is a maid with a snooping problem. She’s the “invisible girl,” compelled to poke into her wealthy clients’ closely guarded lives. It’s a harmless hobby until Kit sees something she can’t unsee in the home of her brand-new clients: a secret so dark it could destroy the privileged couple expecting their first child. This makes Kit dangerous to the couple. In turn, it makes the couple—who might kill to keep their secret—dangerous to Kit.

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen’s new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings. As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid. When Ingrid confides that the Bartholomew is not what it seems, Jules brushes it off as a harmless ghost story...until the next day, when Ingrid disappears.

Mia and Finn are busy turning a derelict house into their dream home when Mia unexpectedly falls pregnant. But just when they think the house is ready, Mia discovers a shocking message scored into a skirting board: I WILL SAVE THEM FROM THE ATTIC. Following the clue up into the eaves, the couple make a gruesome discovery: their home was once a real-life murder house, with the evidence still concealed within the four walls.

Kelly is taking her twin daughters to their first day of school, ushering them into the classroom, her heart breaking to think they might not need her any more, when she turns around and sees that her newborn baby is gone. As a desperate search ensues, baby Noah is quickly found - parked in front of a different classroom. But when Kelly reaches forward to comfort him, she finds something tucked beside his blanket. A locket that belonged to her sister Freya. A locket Kelly hasn’t seen since the day Freya died.

Ava only left her daughter in the pushchair for five minutes. The buckle was fastened, and she was sure it was safe. But when she came downstairs, the door was open and Abi was gone - she walked down the road, past the Lovegoods' house, and was never seen again. A year later, the Lovegoods throw a housewarming party, showing off the results of their renovation. Ava doesn’t want to go. She can’t bear to look down that end of the road, to see the place where Abi vanished, and she doesn’t want to spend time with people who don’t share her grief.

Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has published eight other critically acclaimed novels and achieved international recognition as one of crime fictions great living writers. Now for the first time Neville offers listeners a collection of his short fiction - 12 chilling stories that traverse and blend the genres of noir, horror, and speculative fiction and which bring the history and lore of Neville's native Northern Ireland to glittering life.

It was meant to be Caitlin's perfect summer, but betrayed by her best friend and her boyfriend, she finds herself hitchhiking home alone, heartbroken, and penniless. When a smiling family pulls up on the roadside to help her on her way, she's relieved at first - they seem friendly, normal. And when they offer her a warm bed in their cottage for the night, she's grateful - it's not safe for young women travelling alone in the dark, and she's in no rush to get home, where she knows a grave secret is due to blow her family apart.

Owen Taylor is about to be betrayed on his final covert mission. It will take everything he has to make it home alive - and to save the woman he loves.