Cannock Chase is a 26-mile-square forest in the heart of Staffordshire, England, that has become known around the world as the UK's most active supernatural hotspot. Famous for the Pigman and the Black-Eyed Child, the woodlands and villages around the district are home to some of the freakiest occurrences ever reported anywhere in the world.

Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante.

American Ripper is the true story of Gerard John Schaefer, a Florida law enforcement officer who was a prolific serial killer in the late 1960s early 1970s. The decade that was thought to be filled with love, peace, and happiness became a new dark age, breeding more serial killers than any other time in US history including Charles Manson, the Zodiac Killer, the Son of Sam, John Wayne Gacy, and Ted Bundy, who was held in the same prison as Schaefer and whom he both idolized and resented for the recognition his crimes brought him, a recognition Schaefer never received.

It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. Landlines fell to cell phones, the internet exploded, and pop culture accelerated without the aid of technology that remembered everything. It was the last era with a real mainstream to either identify with or oppose. The ’90s brought about a revolution in the human condition, and a shift in consciousness, that we’re still struggling to understand.

In this eloquent and persuasive book, Neil Postman examines the deep and broad effects of television culture on the manner in which we conduct our public affairs, and how "entertainment values" have corrupted the very way we think. As politics, news, religion, education, and commerce are given less and less expression in the form of the printed word, they are rapidly being reshaped to suit the requirements of television.

Originally published in 1966, Susan Sontag's first collection of essays is a modern classic and includes the famous essays "Notes on Camp" and "Against Interpretation", as well as, her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Levi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.

The world is going to hell. So begins this book, pointing to the prevalence of apocalypse - cataclysmic destruction and nightmarish end-of-the-world scenarios - in contemporary entertainment.

From such cult hits as Raising Arizona and The Big Lebowski to major critical darlings Fargo, No Country for Old Men, and Inside Llewyn Davis, Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. Film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, "some Grand Unified Theory of Coen-ness." The book combines critical text with a visual aesthetic that honors the Coens' singular mix of darkness and levity.

The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

Within the concentric circles of Trump's regime lies an unseen culture of occultists, power-seekers, and mind-magicians whose influence is on the rise. In this unparalleled account, historian Gary Lachman examines the influence of occult and esoteric philosophy on the unexpected rise of the alt-right.

Do you watch movies with your eyes open? You buy your tickets and concessions, and you walk into the theater. Celluloid images flash at 24 frames per second, and the hypnotic sequence of moving pictures coaxes you to suspend disbelief and be entertained by the implausible. Unfortunately, many often suspend their beliefs as well, succumbing to subtle lessons in how to behave, think, and even perceive reality.

In the past decade, there has never been such a pop culture titan as Game of Thrones. We all now live in the seven Kingdoms of Westeros, yearn for the Iron Throne, believe in dragons and know the magic word that makes them breathe fire. What is it in the HBO show, spawned by George R. R. Martin's A Song of Ice and Fire series of fantasy novels, that has propelled it into the cultural Hall of Fame and made it such a global phenomenon, with loyal fans from all nationalities, cultures, ages, genders, and even tastes?

From one of the most acclaimed and profound writers in the world of comics comes a thrilling and provocative exploration of humankind's great modern myth: the superhero. In this exhilarating work of a lifetime, Grant Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero - why they matter, why they will always be with us, and what they tell us about who we are... and what we may yet become.

Humans are storytelling animals. Stories are what make our societies possible. Countless books celebrate their virtues. But Jonathan Gottschall, an expert on the science of stories, argues that there is a dark side to storytelling we can no longer ignore. Storytelling, the very tradition that built human civilization, may be the thing that destroys it.

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes listeners through the progress of comics in the 20th century and beyond. Follow the history from the golden age of newspaper comic strips - Krazy Kat, Yellow Kid, Dick Tracy - to the midcentury superhero boom - Superman, Batman, Wonder Woman - and from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights to the graphic novel’s rise.

They don't know who he really is. They never know where he'll show up. But the citizens of Gotham City know they have a protector. With an arsenal of amazing weaponry and a repertoire of incredible acrobatics, he is the legend they call Batman. In a toxic brew of big-city corruption, a bone-white, green-haired, eternally grinning clown is born. His name is the Joker. Charting the origins of the Dark Knight and early battles between the Caped Crusader and the Clown Prince of Crime, Batman depicts the timeless, violent war between criminal and crimefighter, Batman vs. the Joker.

Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante.

We all know that billionaire Bruce Wayne is secretly Gotham City’s vigilante detective and protector, The Batman - but what road led him there? Find out in Before The Batman: An Original Movie Novel, which includes an exciting original story of Bruce Wayne's early adventures on his way to becoming The Batman!

The Joker is dead, but not forgotten. Gotham City is saved, but it is still not safe. By night, its new symbol of hope, Batman, continues his fight to protect the innocent and the powerless. By day, his alter ego, Bruce Wayne, wonders whether there may someday be a future beyond skulking the city’s rooftops or the cavernous halls of his stately manor alongside the ever-dutiful Alfred Pennyworth. But even after death, the Clown Prince of Crime’s imprint can be seen in more than just the pavement.

It’s summer, and Gotham City has cause for celebration. The last vestiges of The Joker’s toxic legacy have finally faded, just in time for the mayor to partner with retail magnate Max Shreck to stage a Fourth of July celebration for the ages. But not everyone is rejoicing. Batman’s eternal vigilance continues as threats from rival gangs and masked criminals escalate by the day. Meanwhile, on the streets, protests grow in opposition to the city’s lavish excesses.