The Man Who Was Thursday
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Narrated by:
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Walter Covell
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By:
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G. K. Chesterton
About this listen
This is Chesterton's most famous novel. Never out of print since it was first published in 1908, critics immediately hailed it as "amazingly clever", "a remarkable acrobatic performance", and "a scurrying, door-slamming farce that ends like a chapter in the Apocalypse". One reviewer described how he had read it in one sitting and put it down, "completely dazed".
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Editorial reviews
Of G. K. Chesterton’s thousands of books, essays, short stories, and poems, the greatest is The Man Who Was Thursday: A Nightmare. Draped in the luxurious cloth of Edwardian thriller, this seminal story is actually a metaphysical argument between law and revolt, with a smattering of Christian theology thrown into the mix. As luxurious as its prose is Walter Covell’s performance of the text. Using a precise British accent, Covell conveys the action as if he is seated upon a swivel chair three feet above its unfolding. Sit back as men who represent days of the week strip the facades from their true beings.
Critic reviews
"This book is Chesterton at his best. Every scene is perfect. Every line is a gem." (The American Chesterton Society)
"Gilbert Keith Chesterton's tale, The Man Who Was Thursday is an intriguing story about a group of anarchists and one man's endeavor to uncover their nefarious plot. Part mystery and part social commentary, this is a delightfully funny foray into turn of the century (19th) London that is as relevant today as it was in 1908, when it was first published. Bizarre, hilarious, and a real page turner, this is one of those books to add to your list of books to have with you should you ever be stranded on a desert island, for with every reading you will ferret out more elements of the mystery, as well as the nuances of Chesterton's social and political commentaries that run as an unobtrusive commentary throughout this unique and deceptively complex novel." (Fritz du Trey)
"It is very difficult to classify The Man Who Was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, The Man Who Was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing." (World Wide School Library)
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- By: Mikhail Lermontov
- Narrated by: Nicholas Boulton
- Length: 6 hrs and 9 mins
- Unabridged
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Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.
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Sarcastic Title
- By SmartShopper on 04-23-24
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Heart of Darkness: A Signature Performance by Kenneth Branagh
- By: Joseph Conrad
- Narrated by: Kenneth Branagh
- Length: 3 hrs and 49 mins
- Unabridged
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A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.
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Disgusting Revision
- By Long_Schlong_Silver on 09-27-18
By: Joseph Conrad
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Nausea (New Directions Paperbook)
- By: Jean-Paul Sartre
- Narrated by: Edoardo Ballerini
- Length: 8 hrs and 12 mins
- Unabridged
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Sartre's greatest novel and existentialism's key text, now introduced by James Wood, and read by the inimitable Edoardo Ballerini. Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form, he ruthlessly catalogs his every feeling and sensation.
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Glad to have existed to enjoy reading this book!
- By mohammed on 08-11-21
By: Jean-Paul Sartre
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H. P. Lovecraft's Book of the Supernatural
- 20 Classic Tales of the Macabre, Chosen by the Master of Horror Himself
- By: Henry James, Washington Irving, Edgar Allan Poe, and others
- Narrated by: Davina Porter, Steven Crossley, Bronson Pinchot
- Length: 16 hrs and 45 mins
- Unabridged
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H. P. Lovecraft is arguably the most important horror writer of the 20th century. Culled from his 1927 essay "Supernatural Horror in Literature”, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer, including Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle. This chilling collection includes 20 works, each prefaced by Lovecraft's own opinions and insights in each author’s work.
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Not all the stories are complete
- By SteffiT on 10-21-13
By: Henry James, and others
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Death in Venice
- By: Thomas Mann
- Narrated by: Peter Batchelor
- Length: 3 hrs and 6 mins
- Unabridged
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A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.
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A problem with the narration
- By Erez on 03-19-12
By: Thomas Mann
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The Crime at Black Dudley
- An Albert Campion Mystery
- By: Margery Allingham
- Narrated by: David Thorpe
- Length: 7 hrs and 33 mins
- Unabridged
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When George Abbershaw is invited to Black Dudley Manor for the weekend, he has only one thing on his mind - proposing to Meggie Oliphant. Unfortunately for George, things don't quite go according to plan. A harmless game turns decidedly deadly and suspicions of murder take precedence over matrimony. Trapped in a remote country house with a murderer, George can see no way out. But Albert Campion can.
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I LIKE this narrator quite a lot!!!!
- By Meep on 11-16-13
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The Scarlet Pimpernel
- By: Baroness Orczy
- Narrated by: Flo Gibson
- Length: 8 hrs and 27 mins
- Unabridged
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The mysterious Scarlet Pimpernel's daring rescues of French nobility from the threat of the guillotine and the evil Chauvelin's efforts to track him down are all part of the intrigue in this swashbuckling adventure.
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nostalgic
- By theamazingcatherine on 07-29-18
By: Baroness Orczy
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At Swim-Two-Birds
- By: Flann O’Brien
- Narrated by: Alan Smyth
- Length: 10 hrs and 20 mins
- Unabridged
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A wildly comic send-up of Irish literature and culture, At Swim-Two-Birds is the story of a young, lazy, and frequently drunk Irish college student who lives with his curmudgeonly uncle in Dublin. When not in bed (where he seems to spend most of his time) or reading, he is composing a mischief-filled novel about Dermot Trellis, a second-rate author whose characters ultimately rebel against him and seek vengeance. From drugging him as he sleeps to dropping the ceiling on his head, these figures of Irish myth make Trellis pay dearly for his bad writing.
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Worth waiting for
- By Ken Watkins on 02-04-20
By: Flann O’Brien
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Les Misérables
- By: Victor Hugo
- Narrated by: Bill Homewood
- Length: 67 hrs and 53 mins
- Unabridged
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Les Misérables is set in Paris after the French Revolution. In the sewers and backstreets, we encounter "the wolf-like tread of crime", and assassination for a few sous is all in a day's work. We weep with the unlucky and heart-broken Fantine, and we exult with the heroic revolutionaries of the barricades; but above all we thrill to the steadfast courage and nobility of soul of ex-convict Jean Valjean, always in danger from the relentless pursuit of the diabolical Inspector Javert.
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Use earphones that are light on bass
- By Tad Davis on 11-08-15
By: Victor Hugo
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The Third Policeman
- By: Flann O'Brien
- Narrated by: Jim Norton
- Length: 6 hrs and 43 mins
- Unabridged
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Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.
Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.
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Hell is other people's bicycles.
- By Darwin8u on 03-01-15
By: Flann O'Brien
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Crome Yellow
- By: Aldous Huxley
- Narrated by: Robert Whitfield
- Length: 5 hrs and 55 mins
- Unabridged
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One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.
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Bloomsbury in a blender, 1922
- By Adeliese Baumann on 01-02-17
By: Aldous Huxley
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Burmese Days
- A Novel
- By: George Orwell
- Narrated by: Frederick Davidson
- Length: 10 hrs and 17 mins
- Unabridged
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Colonial politics in Kyauktada, India, in the 1920s, come to a head when the European Club, previously for whites only, is ordered to elect one token native member. The deeply racist members do their best to manipulate the situation, resulting in the loss not only of reputations but of lives. Amid this cynical setting, timber merchant James Flory, a Brit with a genuine appreciation for the native people and culture, stands as a bridge between the warring factions. But he has trouble acting on his feelings, and the significance of his vote, both social and political, weighs on him.
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A Sad, Fierce and Ambitious Colonial Novel
- By Darwin8u on 11-08-12
By: George Orwell
What listeners say about The Man Who Was Thursday
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tresa
- 10-25-16
A masterpiece of narrative poetry
He who has ears to hear, let him hear. He who has eyes to see, let him understand.
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Overall
- C_
- 07-22-06
crazy
I really like chesterton, but I found this book completely incomprehensible. The ending didn't explain anything. At least, not to me, maybe better minds than mine understood it.
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1 person found this helpful
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Overall
- Eric Chevlen
- 01-23-05
A Chesterton Disappointment
"The Man Who Was Thursday" starts off as a spy novel set in Victorian England. The villains are the anarchists, a group of ruthless nihilists bent on destroying civilization and ultimately mankind. If one substitutes the concept of "terrorist" for that of "anarchist," the idea does not seem so outdated. Syme, the protagonist of the novel, is a poet, but also an undercover agent who infiltrates the secret cabal of the anarchists. One expects to find deeply conservative philosophical underpinnings in a Chesterton novel, and this book provides that bountifully.
But as the book progresses, the characters become less like individual people, and more like incarnations of philosophical concepts. The plot, too, becomes less credible, until finally it seems amateurish.
Most disappointing of all is the end of the book, in which the reader does not find a satisfactory tying together of the various strands of the story line. Having read most of the Father Brown mystery short stories, I had expected more and better from Chesterton.
Walter Covell's excellent narration is not enough to compensate for the shortcomings of this book. Chesteron, it seems, tried to write both a thriller and a philosophical tome in one book. Sadly, he succeeded at neither.
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4 people found this helpful
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- Olivia
- 04-20-15
Surprisingly philosophical and fun narrative
Gk has a thoroughly entertaining narrative and one of the most creative and unique Christian perspectives. The book moves the reader along well between philosophical insights. The last chapter is very profound about the problem of suffering.
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- Andre
- 11-01-04
Anarchist Farce?
The novel starts as an amusing farce about anarchists and the police infiltrating their organization. The first half of the novel is quite worth hearing. But then the plot becomes more and more wild and ridiculous, and the last third degenerates into arch, nonsensical social commentary. The ending is very weak indeed. Overall, not very worthwhile spending time on.
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6 people found this helpful
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Overall
- Roy McKenzie
- 03-02-09
Just me little Roy
Wow I did not expect that.
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- Aaron Lewis
- 03-10-16
Sloppy, cop out story telling
I'll admit, this story had me hooked in the beginning. But with every piece of plot development, it got more and more predictable and painful. Sometimes it was big, "what the hell" moments, other times it was little things that ruined the suspended disbelief, like "there's no way all of this dialogue could take place in that amount of time;" which ruins any fiction. I gave the narrator 4 stars because I only just realized that I did actually finish the book.
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