In enemy-occupied Paris, as the locals go to bed starving and defeated by the war, music and laughter spills through the door of a little restaurant, crowded with German soldiers. The owner, Marianne, moves on weary feet between its packed tables, carrying plates of steaming, wholesome food for the enemy officers. Her smile is bright and sparkling, her welcome cordial. Nobody would guess the hatred she hides in her heart. That night, the restaurant closes its doors for the final time.

Hamburg, 1938. Fifteen-year-old Asta is hurrying home from school with her twin brother, Jurgen. The mood in the city is tense - synagogues have been smashed with sledgehammers, and Asta is too frightened to laugh as she used to. But when she and Jurgen are stopped in the street by a friend, her world implodes further. Her Jewish parents have been dragged into the streets by German soldiers, and if she and Jurgen return to their house, they will be taken, too.

Berlin, 1942. "All I know is we will survive this together," he says before kissing the tears away from my cheeks. But I know if the Nazis discover what we’ve done, how we’ve conspired against them, we will die together. Deaf since the age of five, Mina has had to fight for everything she has, including her place at an Austrian university to study physics. She has never felt accepted—until she meets fellow student Siggy, and her heart stops at the kindness in his bright blue eyes.

For Iris, each visit to her mother in St Mabon’s Cove, Cornwall has been the same—a serene escape from the city. But today, as she breaths in the salt air on the doorstep of her beloved childhood home, a heavy weight of anticipation settles over her. Iris knows she’s adopted, but any questions about where she came from have always been shut down by her parents, who can’t bear to revisit the past. Now, Iris can’t stop thinking about what she’s read on the official paperwork: BABY GIRL, FRANCE, 1939 – the year war was declared with Nazi Germany.

Working in a museum under a false identity is Brigitte’s only hope. Until she meets Isabelle Valette, who confides in hushed tones that she is part of the Resistance. And when her new friend tells her of a train leaving Paris that can take children to safety, Brigitte knows her daughter must be on it, even if it breaks her heart. But getting Sophie onto the train is dangerous. If they are caught smuggling a Jewish child out of Paris, they will be killed. And with the enemy closing in, can Brigitte get her beloved daughter to safety before it is too late?

When the new deputy librarian, Juliet Lansdown, finds that Bethnal Green Library isn’t the bustling hub she is expecting, she becomes determined to breathe life back into it. But can she show the men in charge that a woman is up to the task of running the library, especially when a confrontation with her past threatens to derail her?

It was a misty Wednesday morning. Inside the Gestapo headquarters, you could cut the tension with a knife. There was a traitor in their midst: Someone had leaked a list of the SS to the British press. The head of the Gestapo called me into his office. Panelled oak walls, a grand piano in the corner, rugs lining the floor—the place where he ordered executions every day.

In the summer of 1940, ambitious young American journalist Ruby Sutton gets her big break: the chance to report on the European war as a staff writer for Picture Weekly newsmagazine in London. She jumps at the chance, for it's an opportunity not only to prove herself, but also to start fresh in a city and country that know nothing of her humble origins. But life in besieged Britain tests Ruby in ways she never imagined.

London, 1936: At twenty-one, Kate Grifferty is a press photographer in a Fleet Street agency, an unusual job for a young woman. But Kate is both talented and daring, recklessly going wherever the story might be—including, one October day, to an anti-fascism protest in East London. There, she meets David Rabatkin, a brilliant Jewish medical student. While his idealistic brother is eager to go to Spain and join the fight for the Republic, David knows where his path lies: at home, fulfilling the expectations of his profession and his family.

Sophie Dix fled Stuttgart with her brother as the Nazi regime gained power in Germany. Now, with her brother gone and her adopted home city of Paris conquered by the Reich, Sophie reluctantly accepts a position restoring damaged art at the Jeu de Paume museum under the supervision of the ERR—a German art commission using the museum as a repository for art they’ve looted from Jewish families.

Dachau, 1942. Emilie has been told she's here to nurse evil men. But the first patient she sees in the cold, dark room is hauntingly familiar. Her first love is not wicked. He couldn't be. What is he doing here? Emilie's heart stops as she takes in her childhood sweetheart hunched in a tattered prisoners uniform, the light lost from his face. Her new husband, Otto, said this was a camp for criminals. He should know, he's the doctor. But Danner would never have broken the law.

Paris, 1943. German soldiers drag me out onto the cobbled street and push me toward the waiting truck. I force myself to face forward as tears stream down my cheeks. If I look back, they’ll know. I can’t let them find my baby girl....

It is 1942 and Eva Adami has boarded a train to Auschwitz. Barely able to breathe due to the press of bodies and exhausted from standing up for two days, she can think only of her longed-for reunion with her husband Michal, who was sent there six months earlier. But when Eva arrives at Auschwitz, there is no sign of Michal and the stark reality of the camp comes crashing down upon her. As she lies heartbroken and shivering on a thin mattress, her head shaved by rough hands, she hears a whisper. Her bunkmate, Sofie, is reaching out her hand....

In 1936, the Nazi are little more than loud, brutish bores to 15-year-old Stephan Neuman, the son of a wealthy and influential Jewish family and budding playwright whose playground extends from Vienna’s streets to its intricate underground tunnels. Stephan’s best friend and companion is the brilliant Žofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents’ carefree innocence is shattered when the Nazis’ take control.

Ania hears the explosion of gunshots before she sees the Nazi soldiers approach her beloved home. Her family don’t have time to run, but she does. Hiding nearby, she listens to her sister’s screams and – stroking the red ribbon she keeps tied around her wrist – she begins to plot her revenge… Taunted her whole life for being smarter than anyone else in the village, now living in war-torn Poland, being governed by Nazis who think Poles are subhuman and women only good for one thing… Ania now only has her wits to rely on, if she's going to survive.