
The Operator
Ian Bragg Thriller, Book 1
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Narrated by:
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Chris Abernathy
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By:
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Craig Martelle
A hitman with a conscience....
Ian Bragg is paid to kill people. Only bad people and not many, but for a great deal of money.
Case the target. Make the hit. Move on until he meets the woman with sparkling green eyes who changes everything.
Is his newest target deserving of death? Who is Ian to decide if the politician needs to die? He is the one who has to live with the consequences, that’s who.
The contract deadline nears. Too many unknowns, too much to lose. Pull the trigger or not?
Ian makes his own rules to get himself out of a quandary where it’s more than just his life on the line. For the greater good, join Ian Bragg.
©2020 Craig Martelle (P)2020 Craig MartelleListeners also enjoyed...




















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Ian Bragg - every waiter's favorite customer
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Not what you expect.
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The stiff, childish prose is only accentuated y the reader who has only one cadence: five words together, followed by a pause, regardless of punctuation, like a small dog panting over small exertions.
And of course our hero must be attractive to the fairer sex, but of course not a cad or a heel. No, he has refined tastes, selecting the not-skinny young woman in the herd of friends cruising for men, and of course he treats the not-skinny woman with all the reverence normally reserved for some Arthurian romance.
So I could of course go on, but why would anyone read any farther This book follows a pattern of such things, kind of a bridge between an Xtian romance and a sordid thriller, I suppose . . . representing a reality so at odds with real life as to constitute a fantasy, but a peculiarly sterile one, creating a world that is supposed to be threatening enough to require a hit-man, but a world (and hitman) operating on such a level of saccharine inoffensiveness as to be not worth saving.
this weird genre
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Boring
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Really, really bad book
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