The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.

The young Victoria remembers nothing but Kensington Palace. Arriving as a baby, she has been brought up inside its musty, mold-ridden walls. Others may see the value of Kensington's priceless artifacts and objets d'art, but the palace is a jail cell for young Victoria.

England. 1923. After a year away at finishing school where she learned etiquette, deportment, and the difference between a fish fork and a salad one, Kitty Worthington is eager to return home. But minutes after she and her brother Ned board the Golden Arrow, the unthinkable happens. A woman with a mysterious connection to her brother is poisoned, and the murderer can only be someone aboard the train. When Scotland Yard hones on Ned as the main suspect, Kitty sets out to investigate.

The tenacious Lizzie Bennet has earned her place at Longbourn, her father’s law firm. Her work keeps her busy, but luckily it gives her plenty of reasons to consult with Mr. Fitzwilliam Darcy, a stern but secretly softhearted solicitor at Pemberley. Lizzie is hired to investigate a deadly warehouse fire and to find the mysterious woman who was spotted at the scene moments before the flames took hold. But when the case leads to the sitting room of a woman Darcy once proposed marriage to, the delicate balance between personal and professional in their relationship is threatened.

Amelia Amesbury—widow, mother, and countess—has a secret. Amelia writes for a London penny paper, doling out advice on fashion, relationships, and manners under the pen name Lady Agony. But when a lady’s maid writes Amelia to ask for advice when she believes her mistress has been murdered—and then ends up a victim herself—Amelia is determined to solve the case.

When Fitzwilliam Darcy's sister lies dying from a magical ailment, the only person who can help is Elizabeth Bennet, the powerful Librarian of the Great Library – the same woman he abandoned five years earlier. Elizabeth can't forget Darcy's refusal to believe in her magical ability, even now that she has a griffin familiar. However, as the Librarian, duty compels her to help him. Together, they undertake a quest to the Faerie Realm to find a cure, encountering dangerous magical creatures along the way. An even greater danger lurks in their own hearts.

“Woe, for I am the bug that meets the windshield's might, No longer the speeding glass, smooth, clean and bright . . .” You’re right. I, Rosie Montague of Verona, am lousy at iambic pentameter and Shakespeare speak, but you get the point: Sometimes you’re the windshield and sometimes you’re the bug. I, who for my whole life, have cruised along, unruffled by life’s trials, am suddenly smashed flat and speeding recklessly up the WhattheHellHappened Highway.

Sir Huxley, famed gentleman inspector and Beatrice’s former crush, is still considered the real investigator in London, so the only cases left for Beatrice and Drake are lost pets and spectacles. Not that Beatrice has much time for crime-solving, anyways, as her mother still expects her to find an eligible (rich) husband to protect their family from destitution. Beatrice is struggling to balance all the demands on her and begins to wonder if she can become a true detective in a city that feels full of false promises.

Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when one of the house guests is murdered, her brother-in-law asks her to aid the insufferable Sebastian Gage - a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down, as accusations and rumors swirl.

Miss Caroline has doubts when she receives an urgent invitation from a London law firm to discuss her late father's estate. After all, the dishonored Earl of Morton died without a pound sterling. But while helping Mrs. Frogerton's daughter navigate the high social season, Caroline meets with a cagey lawyer, Mr. Smith, who shares life-altering news—the earl composed a second will, leaving behind an undisclosed fortune. Mrs. Frogerton, however, is unimpressed with the firm's conduct and suspicious of their motives. Her instinct proves right when the two ladies find the office ransacked.

Fourteen-year-old Elizabeth Bennet thought Fitzwilliam Darcy, her friend Georgiana's brother, was the most wonderful, handsomest man in the entire world. When he went to India to fight Britain’s enemies, she made him promise to write her along with Georgie regularly. There wasn't anything improper, since Georgiana and she had sworn to be sisters. When Elizabeth and Georgiana learned that Fitzwilliam was captured, they kept writing letters to him, so that when he was released, he would know that he had not been forgotten by those who loved him.

Elizabeth Bennet loathes insufferable Mr. Darcy. When a series of mishaps repeatedly throws them into each other’s company—first with her unconscious at Netherfield, then him injured at Rosings—Elizabeth begins to see a different side of the proud man she thought she knew. This tender, low-angst Regency variation of Jane Austen’s Pride & Prejudice proves that pride does indeed come before a fall…and that, in this case, love always comes after.

Life hasn’t been easy for Finlay Donovan lately, but it just got a whole lot harder. Her nanny and partner-in-crime, Vero, has been extradited from Virginia to Maryland, where she’s facing criminal charges for a theft she swears she didn’t commit. A prisoner to an ankle bracelet as she awaits her trial, Vero is forced to live with her overbearing mother and nosy aunt. Threatening messages keep arriving on her mother’s door, demanding Vero “turn over the money . . . or else.”

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

It’s been a quiet year for the Thursday Murder Club. Joyce is busy with table plans and first dances. Elizabeth is grieving. Ron is dealing with family troubles, and Ibrahim is still providing therapy to his favorite criminal. But when Elizabeth meets a wedding guest who’s in trouble, kidnap and death are hot on their heels. A villain wants access to an uncrackable code and will stop at nothing to get it. Plunged back into action once more, can the gang solve the puzzle and a murder in time?

The happily married Mr. Knightley and Emma are throwing a party at their country estate, bringing together distant relatives and new acquaintances—characters beloved by Jane Austen fans. Definitely not invited is Mr. Wickham, whose latest financial scheme has netted him an even broader array of enemies. As tempers flare and secrets are revealed, it’s clear that everyone would be happier if Mr. Wickham got his comeuppance. Yet they’re all shocked when Wickham turns up murdered—except, of course, for the killer hidden in their midst.

Sir Huxley, famed gentleman inspector and Beatrice’s former crush, is still considered the real investigator in London, so the only cases left for Beatrice and Drake are lost pets and spectacles. Not that Beatrice has much time for crime-solving, anyways, as her mother still expects her to find an eligible (rich) husband to protect their family from destitution. Beatrice is struggling to balance all the demands on her and begins to wonder if she can become a true detective in a city that feels full of false promises.

In the quaint English town of Hoslewit, the biggest names in crime writing have congregated to celebrate all things bookish and murderous. Author Jane Hepburn is determined to make her time at the Killer Lines festival worthwhile. This is her chance to change her fortunes and make her fictional Private Detective Baker a household name. And if she has to resort to sneaking into the book tent after hours to rearrange some books so hers are front and center, so be it. But when Jane encounters the dead body of renowned literary agent Carrie Marks, the festival takes on a decidedly different tone.

Retired nurse, avid gardener, and renowned cake maker Miss Hortense has lived in Bigglesweigh, a quiet suburb of Birmingham, England, since she emigrated from Jamaica in 1960. She takes great pride in her home, starching her lace curtains bright white, and she can tell if she’s being shortchanged on turmeric before she’s taken her first bite of a beef patty. A career in nursing has also left her afraid of nobody, whether an interfering priest or a local drug dealer, and she’s an expert in deciphering other people’s secrets with just a glance.

Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when one of the house guests is murdered, her brother-in-law asks her to aid the insufferable Sebastian Gage - a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down, as accusations and rumors swirl.

Amelia Amesbury—widow, mother, and countess—has a secret. Amelia writes for a London penny paper, doling out advice on fashion, relationships, and manners under the pen name Lady Agony. But when a lady’s maid writes Amelia to ask for advice when she believes her mistress has been murdered—and then ends up a victim herself—Amelia is determined to solve the case.

Less than one year into her marriage to respected magistrate George Knightley, Emma has grown unusually content in her newfound partnership and refreshed sense of independence. The height of summer sees the former Miss Woodhouse gracefully balancing the meticulous management of her elegant family estate and a flurry of social engagements, with few worries apart from her beloved father's health . . . But cheery circumstances change in an instant when Emma and Harriet Martin, now the wife of one of Mr. Knightley's tenant farmers, discover a hideous shock at the local church.

Once the most charming rake in London, John Aubin lost everything when he overheard a powerful earl’s fraudulent dealings. Branded a liar and cast out of society, he now lives under an assumed name, working in the very orphanage the earl owns. But Aubin’s purpose isn’t charity—it’s revenge. Sober and focused for the first time in his life, he plans to expose the earl’s corruption and reclaim his good name. Nothing will stand in his way—until he meets her.

What will happen to the Bennet females now that Mr. Bennet has died? With Mr. Tristan Collins on his way from America to claim his property, Mrs. Bennet hatches her plan. The new heir to Longbourn simply must marry one of her daughters. Nothing else will do. Will it be Mary or Kitty singled out for this dubious honor? When the gentleman in question turns out to be quite a catch after all, the contest between the sisters is on. Which one will be the next mistress of Longbourn?

Lady Augusta Colebrook, “Gus,” is determinedly unmarried, bored by society life, and tired of being dismissed at the age of forty-two. She and her twin sister, Julia, who is grieving her dead betrothed, need a distraction. One soon presents itself: to rescue their friend’s goddaughter, Caroline, from her violent husband. The sisters set out to Caroline’s country estate with a plan, but their carriage is accosted by a highwayman. In the scuffle, Gus accidentally shoots and injures the ruffian, only to discover he is Lord Evan Belford, an acquaintance from their past.

The tenacious Lizzie Bennet has earned her place at Longbourn, her father’s law firm. Her work keeps her busy, but luckily it gives her plenty of reasons to consult with Mr. Fitzwilliam Darcy, a stern but secretly softhearted solicitor at Pemberley. Lizzie is hired to investigate a deadly warehouse fire and to find the mysterious woman who was spotted at the scene moments before the flames took hold. But when the case leads to the sitting room of a woman Darcy once proposed marriage to, the delicate balance between personal and professional in their relationship is threatened.

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

Miss Caroline has doubts when she receives an urgent invitation from a London law firm to discuss her late father's estate. After all, the dishonored Earl of Morton died without a pound sterling. But while helping Mrs. Frogerton's daughter navigate the high social season, Caroline meets with a cagey lawyer, Mr. Smith, who shares life-altering news—the earl composed a second will, leaving behind an undisclosed fortune. Mrs. Frogerton, however, is unimpressed with the firm's conduct and suspicious of their motives. Her instinct proves right when the two ladies find the office ransacked.

When Sam’s plane crashes catastrophically over the Atlantic, it defies all odds for Sam to be the sole survivor. But it seems impossible that she’s rescued by a warship in 1805. With a dashing sea captain as her guide, she begins to find her footing in a world she’d only seen in movies. Then Sam is betrayed. At the mercy of the men and morals of the time, and without the means to survive on her own, she’s left with no choice but to throw herself on the charity of the captain's sisters. She resigns herself to a quiet life of forever hiding her true self.

“Woe, for I am the bug that meets the windshield's might, No longer the speeding glass, smooth, clean and bright . . .” You’re right. I, Rosie Montague of Verona, am lousy at iambic pentameter and Shakespeare speak, but you get the point: Sometimes you’re the windshield and sometimes you’re the bug. I, who for my whole life, have cruised along, unruffled by life’s trials, am suddenly smashed flat and speeding recklessly up the WhattheHellHappened Highway.