Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

On a White Night in 2019, prima ballerina Natalia Leonova returns to St. Petersburg two years after a devastating accident that stalled her career. Once the most celebrated dancer of her generation, she now turns to pills and alcohol to numb the pain of her past. She is unmoored in her old city as the ghosts of her former life begin to resurface: her loving but difficult mother, her absentee father, and the two gifted dancers who led to her downfall. One of those dancers, Alexander, is the love of her life, who transformed both Natalia and her art.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Frank is a miserable old curmudgeon. An agoraphobic recluse and widower whose only company is the 'ghost' of his wife, Marcie. He is estranged from friends and family and is entirely cut off from the rest of the world. That is until he meets Red. Red is six years old. He's a funny, imaginative, and kind little boy who - following the separation of his parents - moves in next door. Red is fascinated by his new neighbour and seemingly oblivious to Frank's grumpy demeanour and strange ways.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

Michael Woodbine was seven years old when a near-fatal fireworks accident scarred him and led to his placement in foster care. Now a college freshman, he is still trying to hide the effects of his trauma from his classmates, his adoptive family, and himself. When Michael signs up for a film class, he meets Robert Dunning, a teacher who wears his own scars unapologetically. Robert encourages Michael to make a documentary that explores body image and self-perception.

Hana Babic is a quiet middle-aged librarian in Minnesota who wants nothing more than to be left alone. But when a detective arrives with the news that her best friend has been murdered, Hana knows that something evil has come for her, a dark remnant of the past she and her friend had shared. Thirty years before, Hana was someone else: Nura Divjak, a teenager growing up in the mountains of war-torn Bosnia—until Serbian soldiers arrived to slaughter her entire family before her eyes. The events of that day thrust Nura into the war, leading her to join a band of militia fighters.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat center she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Wife: I couldn’t be prouder of my charming husband and quiet and kind son. I’ve poured everything into my little family, so I choose to ignore my husband’s late-night phone calls and wandering eye. I won’t let anything ruin my perfect life…

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

Always on the periphery, looking on, young Frankie Howe was never quite sure enough of herself to take center stage—after all, life had already judged her harshly. Now old, Frankie finds it easier to forget the life that came before. Then Damian, a young Irish caretaker, arrives at her London flat, there to keep an eye on her as she recovers from a fall. A memory is sparked, and the past crackles into life as Damian listens to the story Frankie has kept stored away all these years.

Maggie Blount, divorced mother of two and California physician, puts her private practice on hold when disaster strikes. Doctors on Wheels takes her and Alex—Maggie’s professional and romantic partner—wherever they’re needed. After rolling into rural Louisiana in the wake of a category five hurricane, Maggie immediately bonds with two sisters and their puppy, all orphaned by the storm. It’s enough to break Maggie’s heart, and she’s not leaving them behind.

Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother (most of the time). But when tragedy strikes, she’s sent to England, a place she knows only from her mother’s stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother’s family are cold and distant. With one exception: her cousin Liv.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

Zahra Starling and her younger half sister, Aurora, have nothing in common. Not their childhoods or their personalities. And certainly not their outlooks. After a terrible loss, Zahra prefers the solitude of her LA kitchen to people, especially family. Bubbly Aurora, a rising Hollywood starlet, has everything she’s ever dreamed of, except a relationship with her sister. Then comes a plea from their dying father, who wants both daughters by his side. He has a secret to share that’s been a long time coming.

The newly nameless narrator of Make Sure You Die Screaming has rejected the gender binary, has flamed out with a vengeance at their corporate gig, is most likely brain damaged from a major tussle with their now ex-boyfriend, and is on a bender to end all benders. A call from their mother with the news that their MAGA-friendly, conspiracy-theorist father has gone missing launches the narrator from Chicago to deep red Arkansas in a stolen car.

It’s 1947 when Sister Mary Agnes arrives in New Mexico. Her mission is to establish a monastery in the town of Roswell, where weeks before rumors of the crash landing of an unidentified craft have triggered a crisis of faith. Residents are drifting away from the divine, awed no longer by the heavens but rather the stars.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

Marina gave up her career as a chef to raise her children, but her divorce has left her harried, lonely, and the black sheep of her family. It’s also left her in dire financial straits. Opal is a post-menopausal fitness guru who spends her days chasing likes and followers in an industry that worships youth. Even her glossy online persona can’t mask her checkered past. Lilah is a shy and optimistic librarian who spends her days tending to the stacks, until she wins an unbelievable sum in the lottery. With a growing bank account and a dashing fiancé, life seems too good to be true.

Workaholic Molly is buzzing when her best friend tells her she’s getting married. As maid of honour Molly can’t wait for the perfect bachelorette party in Spain. What could be better than a week in a stunning villa? Sun, sea, cocktails and gossiping – and best of all, no boys allowed. But when the hens arrive they discover that they are not alone. The villa has been accidentally double booked by a group of stags who make it very clear they’re not leaving!

Michael Woodbine was seven years old when a near-fatal fireworks accident scarred him and led to his placement in foster care. Now a college freshman, he is still trying to hide the effects of his trauma from his classmates, his adoptive family, and himself. When Michael signs up for a film class, he meets Robert Dunning, a teacher who wears his own scars unapologetically. Robert encourages Michael to make a documentary that explores body image and self-perception.

For fans of Megan Collins with the taut character study of Angie Kim comes a searing mystery that follows three siblings as they reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

It’s 1980s California, and everyone’s dreaming of the endless summer: sun-drenched beaches, infinite waves, and most of all, beautiful, beautiful freedom. For the Merrick siblings, this idyllic vision is their reality, as they travel up and down the coast with their parents in a van year-round, surfing and swimming their days away. But when a photographer secretly snaps a stunning photo of the family with their boards in the sand, and the image ripples across the country, the only life they’ve ever known is put at risk.

Bookish high school student Rintaro Natsuki is about to close the secondhand bookstore he inherited from his beloved bookworm grandfather. Then, a talking cat appears with an unusual request. The feline asks for — or rather, demands — the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and the cat and Rintaro must liberate them from their neglectful owners.

Business has never been better for Nura Khan, a third-generation matchmaker in Atlanta. Her exclusive clientele benefits from her impeccable track record. And while a single thirty-one-year-old matchmaker would normally raise some perfectly threaded eyebrows in the community, Nura’s childhood best friend, Azar, is willing to double as her pretend fiancé at her clients’ weddings—even though Nura’s feelings for him might not be so pretend.

Hannah is a fusion scientist working alone at a remote cottage off the coast of Scotland when she sees a figure making his way from the sea. It is a young man from a human settlement on Mars, traveling backwards through time to try to make a crucial intervention in the fate of our dying planet, and he needs Hannah's help. Hannah and the stranger are on the path towards a breakthrough—and then things go terribly wrong.

Frank is a miserable old curmudgeon. An agoraphobic recluse and widower whose only company is the 'ghost' of his wife, Marcie. He is estranged from friends and family and is entirely cut off from the rest of the world. That is until he meets Red. Red is six years old. He's a funny, imaginative, and kind little boy who - following the separation of his parents - moves in next door. Red is fascinated by his new neighbour and seemingly oblivious to Frank's grumpy demeanour and strange ways.