Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

An arrest for cocaine possession on the last day of a sweltering New York summer leaves Smith, a queer Black Stanford graduate, in a state of turmoil. Pulled into the court system and mandated treatment, he finds himself in an absurd but dangerous situation: his class protects him, but his race does not. It’s just weeks after the death of his beloved roommate Elle, the daughter of a famous soul singer, and he’s still reeling from the tabloid spectacle—as well as lingering questions around how well he really knew his closest friend.

In in his debut book for adults, Jeffery Self invites listeners into his world, taking them through the usual foibles of gay adolescence, amplified in the vast wasteland of the American South and the odd characters who peopled it, from shoddy community theater productions to underage drinking with Broadway stars, from downtown comedy rooms to adventure-filled bedrooms.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Writing in his own singular voice, Barry Diller delivers both an astute and entertaining business memoir and a surprisingly frank coming-of-age story. After starting his career in the mailroom of the William Morris Agency, Diller went on to have one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four.

In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods.

It’s 1989, and Joe Agabian and his best friend Ronnie set out to spend their first summer working in the hedonistic gay paradise of Fire Island Pines. Joe is desperate to let loose and finally move beyond the heartbreak of having lost his boyfriend to the HIV/AIDS epidemic. The two friends are quickly taken in by a pair of quirky, older house cleaners. But something seems off, and Joe starts to suspect the two older men of being up to something otherworldly. In truth, Howie and Lenny are members of a secret disco witch coven tasked with protecting the island.

For the first and possibly last time, Josh Gad dives into a wide array of personal topics: the lasting impact of his parents’ divorce; how he struggled with weight and self-image; his first big break; how everyone was sure his most successful ventures (both on the big screen and the stage) would fail; his take on fatherhood, and so much more.

Boy George's compelling storytelling shines a light on his encounters with legendary figures like David Bowie, Prince, and Madonna, providing an intimate peek into the music industry's glittering world. Humor, sarcasm, and signature style are brought to this explosive and honest account of Boy George's life as a child growing up in sixties London and coming out to his Irish Catholic family. Hear his account of his exploration of his sexuality through the hedonism of the seventies (the glam rock and punk rock revolution that birthed Culture Club) and his ultimately embracing who he is today.

In 1932 Eleanor Roosevelt entered the claustrophobic, duty-bound existence of the first lady with dread. By that time she had put her deep disappointment in her marriage behind her and developed an independent life - now threatened by the public role she would be forced to play. A lifeline came to her in the form of a feisty campaign reporter for the Associated Press: Lorena Hickok. Over the next 30 years, until Eleanor's death, the two women carried on an extraordinary relationship.

In the wake of a catastrophic two-year relationship, Melissa Febos decided to take a break: For three months she would abstain from dating, relationships, and sex. Her friends were amused. Did she really think three months was a long time? But to Febos, it was. Ever since her teens, she had been in one relationship after another with men and women. As she puts it, she could trace a “daisy chain of romances” from her adolescence to her midthirties. Finally, she would carve out time to focus on herself and examine the patterns that had produced her midlife disaster.

At ten years old, Chelsea opened a lemonade stand and realized she’d make more money if the drinks were spiked. So she added vodka to her recipe and used her earnings to upgrade herself to first-class on a family vacation—leaving her parents and siblings in coach. She moved to Los Angeles and got fired from her temp job when she admitted she didn’t know how to transfer calls. She’s played pickleball with the scions of an American dynasty. She’s sexted a governor. She shared psychedelics with strangers in Spain.

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—revealing his formative years in rock and roll and bringing to life stories that shaped a generation, in the bestselling tradition of Patti Smith’s Just Kids with a dash of Moss Hart’s Act One. The Uncool is a joyful dispatch from a lost world, the real-life events that became Almost Famous, and a coming-of-age journey filled with characters you won’t soon forget.

In the early 2000s, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for an unknown little TV show. Given that it was a show about lesbians living in Los Angeles, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there—that is, if it even got picked up.

From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”

The actor of White Lotus and Euphoria details his upbringing in the West Coast—including a broken family, struggles with addiction, sex, borderline personality disorder—and his commitment to being the center of attention at all times, even as he actually becomes a star in this heartwarming memoir. I Wrote This for Attention is a riveting, exquisite memoir full of heart that chronicles Lukas Gage’s coming of age in the haunting underbelly of San Diego and clawing his way to stardom.

Anxiety, depression, financial struggles, illness—Debbie writes candidly about these and other challenges, and how she ultimately redesigned her life to overcome them. This is the story of her not only surviving, but thriving: returning to her musical roots, releasing new albums, going back out on tour, and living the best version of her authentic self to remain…Eternally Electric!

Packed with her wit, wisdom and unfiltered stories, The Little Book of Miriam is a memory palace of Miriam's extraordinary life's standout moments, opinions and conclusions. Never forget that this is a woman who knocked back WARREN BEATTY, played to an audience of TWO THOUSAND NAKED LESBIANS, injected sex into the CADBURY'S CARAMEL BUNNY and was VOGUE'S COVER STAR AGED 83. Miriam is always full of surprises and this book is too.

In Manual Not Included, Hilaria writes about the relatable, hard-earned insights she’s gained from her experiences as an individual, a partner, and a parent—from feeling empowered, to having a fulfilling relationship, to being as good a mother as possible, all while still being a work in progress.

From Mark Ronson, one of the most distinguished musical influencers of our time, comes a memoir that captures the music, characters, escapades, and energy of his DJ days in '90s New York. ​

It's 2044 and life is bleak for many Americans, but not for Mason Daunt. Safe in his Los Angeles mansion, Mason can remain blissfully unaware of the relentless wildfires engulfing California, the proliferation of violent right-wing militias, and the rampant authoritarianism destroying American society. He's so rich, in fact, that he and his partner Yunho Kim are throwing a 100-person, $100,000 baby shower to celebrate their newborn-on-the-way.

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

Actor-dancer Alyson Stoner's revelatory and incisive memoir—from family violence and betrayal, to eating disorders and religious trauma—may begin in Hollywood, but its chilling relatability will resonate with anyone navigating identity, privacy, purpose, and mental health in a digital age.

“Thank god the revolution has begun, honey.” Rumor has it that after Marsha P. Johnson threw the first brick in the 1969 Stonewall Uprising, she picked up a shard of broken mirror to fix her makeup. Marsha, a legendary Black transgender activist, embodied both the beauty and the struggle of the early gay rights movement. Her work sparked the progress we see today, yet there has never been a definitive record of her life. Until now.

Priscilla Presley’s divorce from Elvis left his fans incredulous. How could she leave the man every woman wanted? From the outside, life in Elvis’s mansion looked glamorous and enviable, and in many respects, it was. But inside the mansion, her husband was constantly surrounded by a male entourage while at the gates, lines of beautiful women waited hopefully for an audience with the King. From the time she was seventeen years old, that life was all Priscilla had known.

For years, Tommy Dorfman turned her back on her thoughts and emotions, hoping they’d simply go away. After a lifetime of confusion, she finally gained clarity around her gender and began to transition. But there were still parts of herself she’d locked away, elements of her story that she needed, for the first time, to fully confront. She sought guidance in a tarot deck. Maybe This Will Save Me is structured through the cards of that tarot pull.

At twenty-five years old, Parvati Shallow was plunged into fame and fortune after becoming the million-dollar winner of the reality television series Survivor. But despite her success, the ghosts of her traumatic past, coupled with the harsh glare of the public eye, kept her locked in a survival cycle of fear and shame that sabotaged her self-confidence and eroded her self-trust.