In Victorian London, Genevieve Timmons poses as a spiritualist to swindle wealthy mourners—until one misstep lands her in a jail cell awaiting the noose. Then a stranger arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been inconsolable since the tragic death of his beautiful bride-to-be. If Genevieve can perform a séance persuasive enough to bring the young lord peace, she will win her freedom.

With one unexpected email from her estranged best friend, Lucy, Mina Murray’s carefully curated life is turned upside down. Leaving behind her psychiatric practice in London, along with her routine and the calm it brings, she returns to the windswept shores of Wales. Faced with everything she’s left behind, she soon discovers that Lucy’s symptoms mirror those of her mysterious patient with amnesia hundreds of miles away.

When Hannah and Jasper move to Silverbanks, a luxury gated neighbourhood, it’s a dream come true. This house, with its floor-to-ceiling glass doors, direct access to the sandy beach, and close-knit, caring community, will be the perfect place to raise their precious daughter, Pia. And then Hannah meets her next-door neighbour. The flicker of recognition in his eyes only lasts for a second, but it’s enough. Suddenly, her safe haven has become the most dangerous place she could be. Unless she does something about it.

When struggling writer Sebastian finds a room to let in a palatial Hampstead residence, he cannot believe his luck. The rent is ridiculously cheap and he immediately feels a connection with his beautiful widowed landlady, Adriana. Things take a dark turn when he finds out what happened to the last lodger. Could this be why the house is a fortress of security, and why Adriana seems so fragile? Adriana doesn't want to talk about the death and sadness that seem to follow her wherever she goes and Sebastian has secrets of his own.

England, 1881. Hereford Cathedral stands sentinel over the city, keeping its secrets, holding long forgotten souls in its stony embrace. Hecate Cavendish speeds through the cobbled streets on her bicycle, skirts hitched daringly high, heading for her new life as Assistant Librarian. But this is no ordinary collection of books. The cathedral houses an ancient chained library, wisdom guarded for centuries, mysteries and stories locked onto its worn, humble shelves. The most prized artifact, however, is the medieval world map which hangs next to Hecate’s desk.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

It was surreal returning to work after a five-month enforced sabbatical following the suspicious death of my best friend Livvy at a work event. I was grateful for the time away to grieve and had slotted straight back in work but a surprise awaited my return. Amanda Dowd, Livvy’s replacement, was entrenched as my new flatmate in the company apartment. Something didn’t feel right, I felt on edge. But everyone seemed to love her. Even my ex-Jayden was blinded by her outgoing personality and model looks.When I began to receive calls, photos and presents supposedly from Livvy, I became spooked.

Ali and Christopher Tolfrey's one-year-old daughter, Eden, is abducted whilst in the care of Ali’s best-friend. Snatched in broad daylight from Bushy Park on a trip to the swings, Eden disappears without a trace. Brooke Simmons regains consciousness, dazed from a blow to the head, to find Eden, her best friend's child, missing. Someone has taken Eden, and Brooke knows who. But it's a secret she can't share with Ali or the police without revealing the web of deceit she's spun.

I’ve never felt welcome in my husband Dominic’s family home. His parents make it clear I’m a poor comparison to his perfect first wife, Carla. But we’re here for Christmas, so it’s important to pretend everything is fine. Until Dominic’s mother bustles into our bedroom. Smiling thinly, she blindsides me: ‘You won’t mind, will you. Carla is coming for the holidays. She’s still one of the family to us, and she can’t get home because of the storm.’ My eyes widen—did she and Carla plan this on purpose? I know Dominic won’t say a thing. He never stands up to his parents.

One hundred years ago, Anna, a young farm girl, volunteers to help an intriguing American visitor translate fairy stories from Irish to English. But all is not as it seems and Anna soon finds herself at the heart of a mystery that threatens her very way of life. In New York in the present day, Sarah Harper boards a plane bound for the West Coast of Ireland. But once there, she finds she has unearthed dark secrets – secrets that tread the line between the everyday and the otherworldly, the seen and the unseen.

It was meant to be Caitlin's perfect summer, but betrayed by her best friend and her boyfriend, she finds herself hitchhiking home alone, heartbroken, and penniless. When a smiling family pulls up on the roadside to help her on her way, she's relieved at first - they seem friendly, normal. And when they offer her a warm bed in their cottage for the night, she's grateful - it's not safe for young women travelling alone in the dark, and she's in no rush to get home, where she knows a grave secret is due to blow her family apart.

Mary Jekyll, alone and penniless following her parents' deaths, is curious about the secrets of her father's mysterious past. One clue in particular hints that Edward Hyde, her father's former friend and a murderer, may be nearby, and there is a reward for information leading to his capture...a reward that would solve all of her immediate financial woes. But her hunt leads her to Hyde's daughter, Diana, a feral child left to be raised by nuns.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

London, 1923. Newly minted research assistant Saffron Everleigh is the first woman to hold the position at University College of London. When she attends a dinner party for the school, she expects to engage in conversations about the university's large expedition to the Amazon. What she doesn’t expect is for Mrs. Henry, one of the professors’ wives, to drop to the floor, poisoned by an unknown toxin. Dr. Maxwell, Saffron’s mentor, is the main suspect, and evidence quickly mounts.

A barrow-wight shows up on Greta and Varney’s doorstep one night with 11-year-old Lucy Ashton who’s been newly—and forcefully—bitten and turned. Who did this to her, and why? With the help of her vampiric friends, Greta is determined to find out.

Meet Randi Burnett—she’s brilliant, she’s beautiful, and she works for the bride. Missing groom? Intoxicated in-laws? Crying ring-bearer? You name it, she wrangles it. Too bad her personal life isn’t thriving like her side gig as a bridesmaid for hire. Recently dumped, Randi throws herself into her biggest challenge yet when she’s hired as a maid of honor and pretend best friend for an ice queen bride. There’s just one problem—the best man is infuriating, overprotective, and anti-marriage.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Ryder, Garrett, Kenzo, and Diesel - The Vipers. Their deals are as sordid as their business, and their reputation is enough to bring a grown man to his knees, forcing him to beg for mercy. They are not people you mess with, yet my dad did. The old man ran up a debt with them and then sold me to cover his losses. Yes, sold me. They own me now. I’m theirs in every sense of the word. But I’ve never been meek and compliant.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.

I'm addicted to my stalker. He watches me at night, sneaking in through my living room window and making my blood turn to ice. I feel him all around me as chills snake down my spine. Each night he becomes bolder, getting closer and welcoming himself into my bedroom, feeding his addiction.

In Victorian London, Genevieve Timmons poses as a spiritualist to swindle wealthy mourners—until one misstep lands her in a jail cell awaiting the noose. Then a stranger arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been inconsolable since the tragic death of his beautiful bride-to-be. If Genevieve can perform a séance persuasive enough to bring the young lord peace, she will win her freedom.

Princess Delia knows her duty: She must choose a prince to marry in order to secure an alliance and save her failing planet. Yet she secretly dreams of true love and feels there must be a better way. Determined to chart her own course, she steals a spaceship to avoid the marriage, only to discover a handsome stowaway.

The only sign of life for miles is an empty BMW. Inside the expensive car he finds clothes that fit perfectly, shoes for his tattered feet, a Rolex, and an auto registration in the name of Daniel Hayes, resident of Malibu, California. None of it is familiar. How did he get here? Who is he? Who was he? While he searches for answers, the world searches for him - beginning with the cops that kick in the door of his dingy motel with guns drawn. Lost and alone, the man who might be Daniel Hayes flees into the night. All he remembers is a woman’s face, so he sets off for the only place he might find her.

Carrie Morgan ran from Woodsmoke ten years ago, and the decision has haunted her ever since. Spending a decade painting and drifting around Europe, she tries to forget her family’s legacy and the friends she left behind. But the Morgan women have always been able to harness the power of the mountains surrounding the town, and their spells—and curses—are sewn into the soil. The mountains, they say, never forget. Sure enough, when Carrie’s grandmother dies and leaves behind her dilapidated cottage, she returns to renovate—certain she will only be there for one winter.

Ellie Briar is the first non-witch to be born into her family for generations. The Briar family of witches run the town of Silverton, caring for its inhabitants with their skills and magic. In the usual scheme of things, they would be burnt for their sorcery, but the church has given them dispensation in return for their protection of the borders of the Darklands, where the much-feared Leech Lords hold sway.

England. 1191. After the death of her friend and patron, King Henry II, Adelia Aguilar, England's vaunted Mistress of the Art of Death, is living comfortably in retirement and training her daughter, Allie, to carry on her craft—sharing the practical knowledge of anatomy, forensics, and sleuthing that catches murderers. Allie is already a skilled healer, with a particular gift for treating animals. But the young woman is nearly twenty, and her father, Rowley, Bishop of Saint Albans, and his patron, the Queen Eleanor of Aquitaine, have plans to marry Allie to an influential husband.

1784 London. Miss Tiffany Woodall didn’t murder her half-brother, but she did bury him in the back garden so that she could keep her cottage. Now, the confirmed spinster has to pretend to be Uriah and fulfill his duties as the Duke of Beaufort’s librarian while searching Astwell Palace for Uriah’s missing diamond pin, the only thing of value they own. Her ruse is almost up when she is discovered by Mr. Samir Lathrop, the local bookseller, who tries to save her from drowning while she's actually just washing up in a lake after burying her brother.

Most days, Magda is fine. She has her routines. She has her anxious therapy patients, who depend on her to cure their bad habits. She has her longtime colleagues, whose playful bickering she mediates. She’s mourning the recent loss of her best friend, Sara, but has brokered a tentative truce with Sara’s prickly widower as she helps him sort through the last of Sara’s possessions. She’s fine. But in going through Sara’s old journal, Magda discovers her friend’s last directive: plans for a road trip they would take together in celebration of Magda’s upcoming seventieth birthday.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

Jess Metcalf is perfectly content with her quiet, predictable life. But when her beloved grandmother passes away and she loses her job at the local library, Jess’ life is turned upside down. Determined to pick up the pieces, Jess decides it’s time for a new beginning. Unable to part with her grandmother’s cherished books, she packs them all up and moves to a tiny cottage in the English countryside. To her surprise, Jess discovers that she’s now the owner of an old red phone box that was left on the property.

Viola Marek is a struggling real estate agent, and a vampire. But her biggest problem currently is that the house she needs to sell is haunted. The ghost haunting the house has been murdered, and until he can solve the mystery of how he died, he refuses to move on. Fox D’Mora is a medium, and though is also most-definitely a shameless fraud, he isn’t entirely without his uses—seeing as he’s actually the godson of Death.

London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.

Anya is enjoying a relaxing bath when she hears a noise coming from the ceiling. Through the open bathroom door, she sees the attic hatch swing down, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realizes why the footage is eerily familiar: it was filmed inside her own house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words discarded or neglected by the dictionary men.

London, 1923. Newly minted research assistant Saffron Everleigh is the first woman to hold the position at University College of London. When she attends a dinner party for the school, she expects to engage in conversations about the university's large expedition to the Amazon. What she doesn’t expect is for Mrs. Henry, one of the professors’ wives, to drop to the floor, poisoned by an unknown toxin. Dr. Maxwell, Saffron’s mentor, is the main suspect, and evidence quickly mounts.