Fifty-two-year-old Michelle Banks is struggling to keep all the plates spinning. She’s a perimenopausal district nurse, caring for elderly parents. Her husband is wasting their money on children’s TV memorabilia, her teenage daughter is riddled with anxiety and her 16-year-old son is behaving secretively. Alexa is the only one who knows how much Michelle is juggling. Listening in via four smart speakers, she also knows that it’s about to get even worse. So, when Michelle pleads for help, Alexa decides to go rogue.

Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

When Maggie Banks arrives to run her best friend's struggling bookstore, she expects to sell bestsellers to the small-town clientele. But with the town on the map as a top literary destination and the tourist society bent on keeping businesses historic, Maggie is banned from selling anything written this century. So, when a series of mishaps suddenly tip the bookstore toward ruin, Maggie will have to get creative to keep the shop afloat. And in Maggie's world, bookish rules are made to be broken.

Nettie Boileau joins the Black Panthers’ Free Health Clinics in Oakland in 1968 and is soon swept up in an all-consuming love affair with Melvin Mosley, a defense captain of the Black Panther Party. When Nettie and Melvin head to Chicago to help launch the Illinois chapter of the Panthers, they find themselves targets of J. Edgar Hoover’s famous covert campaigns against civil rights leaders. As she learns more about the inner workings of the Panthers, Nettie discovers that fighting for social justice may not always mean equal justice for women.

Meet Nora Hughes - the overworked, underpaid, last bookish assistant standing. At least for now. When Nora landed an editorial assistant position at Parsons Press, it was her first step toward "the dream job". Because, honestly, is there anything dreamier than making books for a living? But after five years of lunch orders, finicky authors, and per my last emails, Nora has come to one grand conclusion: dream jobs do not exist. With her life spiraling and the Parsons staff sinking, Nora gets hit with even worse news. Parsons is cutting her already unlivable salary.

Pumkin Patterson is a thirteen-year-old girl living in a tiny two-room house in Kingston, Jamaica, with her grandmother (who wants to improve the family’s social standing), her Aunt Sophie (who dreams of a new life in Paris for her and Pumkin), and her mother Paulette (who’s rarely home). When Sophie is offered the chance to move to France for work, she seizes the opportunity, and promises to send for her niece in one year’s time....

Set in the Allegheny Mountains of Appalachia, Take What You Need traces the parallel lives of Jean and her beloved but estranged stepdaughter, Leah, who’s sought a clean break from her rural childhood. In Leah’s urban life with her young family, she’s revealed little about Jean, how much she misses her stepmother’s hard-won insights and joyful lack of inhibition. But with Jean’s death, Leah must return to sort through what’s been left behind.

It's 2038 and Jacinda (Jake) Greenwood is a storyteller and a liar, an overqualified tour guide babysitting ultra-rich vacationers in one of the world's last remaining forests. It's 2008 and Liam Greenwood is a carpenter, sprawled on his back after a workplace fall, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

1954: In the quaint town of Mendol, Oklahoma, Bailey Dowery is a Black dressmaker for the wives and daughters of local oil barons. She earns a good living fitting designer gowns and creating custom wedding dresses for the town’s elite. But beyond her needle and thread lies a deeper talent, one passed down from her mother: the gift of insight. With just a fleeting touch or brush against the skin, Bailey has sudden flashes of intuition.

To her thousands of Instagram followers, Josephine Boateng is the brilliant, dazzling self-love expert, Dr. Jojo. But off-camera, Jo’s grappling with the intense pressures of her career and her love life is nonexistent thanks to an unrequited crush on her best friend, rom-com heartthrob Ezra Adelman. Then Ezra shows up to his thirtieth birthday party with her childhood bully on his arm—and Jo realizes it’s finally time to take her own advice. Enter Malcom Waters, the world’s newest literary darling.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves. In masterful, elegant prose, debut novelist Sarai Johnson has created a rich and moving portrait of Black women’s lives today.

Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act.

Sara Marsala barely knows who she is anymore after the failure of her business and marriage. On top of that, her beloved great-aunt Rosie passes away, leaving Sara bereft with grief. But Aunt Rosie’s death also opens an escape from her life and a window into the past by way of a plane ticket to Sicily, a deed to a possibly valuable plot of land, and a bombshell family secret. Rosie believes Sara’s great-grandmother Serafina, the family matriarch who was left behind while her husband worked in America, didn’t die of illness as family lore has it . . . she was murdered.