Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human

It is eleven thousand years from now . . . A lot has happened, and yet a lot is still very familiar. Ariel is a boy in a small town under a wizard’s rule. Like many adventurers before him, Ariel is called to explore a world full of unimaginable glories and challenges: unknown enemies, a mission to save the world, a girl. Here, as they say, be dragons. But none of this happens before Ariel comes across an artifact from an earlier civilization, a sentient, record-keeping artificial intelligence that carries with it the perspective of the whole of human history.

The recipe for forgiveness begins with an open heart and a full belly. Sisters Rose Tillman and her sister Marvina Nash haven't spoken in decades—not since Rose sent Marvina $40 to register their business and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world.

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind.

Written in taut, urgent prose, Hum is a work of speculative fiction that unflinchingly explores marriage, motherhood, and selfhood in a world compromised by global warming and dizzying technological advancement, a world of both dystopian and utopian possibilities.

A historic presidential campaign changes the trajectory of a young Black man’s life in this “coming of age story that captures the soul of America” (The Washington Post), the debut novel from The New Yorker staff writer and Pulitzer Prize finalist Vinson Cunningham.

A story inside a story inside a story. A man visits his aging father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write?

Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter, Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter, Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child.

Young Ajax Penumbra has not arrived in San Francisco looking for free love or a glimpse of the technological future. He is seeking a book: the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. The last record of the book locates it in the San Francisco of more than a century earlier, and on that scant bit of evidence, Penumbra's university has dispatched him west to acquire it for their library.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

First came the storms. Then came the Fever. And the Wall. After a string of devastating hurricanes and a severe outbreak of Delta Fever, the Gulf Coast has been quarantined. Years later, residents of the Outer States are under the assumption that life in the Delta is all but extinct...but in reality, a new primitive society has been born. Fen de la Guerre is living with the O-positive blood tribe in the Delta when they are ambushed. Left with her tribe leader's newborn, Fen is determined to get the baby to a better life over the wall before her blood becomes tainted.

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

Being the girlfriend of a successful rapper isn’t all it’s cracked up to be. Rhythm Baker, a successful occupational therapist, held it down for Raheem, her boyfriend of three years, without much complaining. After moving across the country to support his career and their relationship, Rhythm has grown increasingly uncomfortable with Raheem's inappropriate behavior and inflated ego. Feeling disrespected, unappreciated, and unheard, she moves out of the home they share, ending their relationship. Despite his recent moves, Raheem isn’t willing to let her go so easily.

The Day God Saw Me as Black is a genre-defying, cultural critique of white supremacy in the Black Pentecostal religious experience through the lenses of race, gender, sexual expression, and class analyses. A narrative that weaves between critique and meditation, decolonization and reconciliation, the theoretical and the deeply personal, The Day God Saw Me as Black is an imagining of what could be if we stopped denying ourselves — and each other — full liberation.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

You think you know the truth about the people you love. But one discovery can change everything.... Eight-year-old Billy goes missing one day, out flying his kite with his sister Rose. Two days later he is found dead. Sixteen years on, Rose still blames herself for Billy's death. How could she have failed to protect her little brother? Rose has never fully recovered from the trauma, and one of the few people she trusts is her neighbour Ronnie, who she has known all her life.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

It is eleven thousand years from now . . . A lot has happened, and yet a lot is still very familiar. Ariel is a boy in a small town under a wizard’s rule. Like many adventurers before him, Ariel is called to explore a world full of unimaginable glories and challenges: unknown enemies, a mission to save the world, a girl. Here, as they say, be dragons. But none of this happens before Ariel comes across an artifact from an earlier civilization, a sentient, record-keeping artificial intelligence that carries with it the perspective of the whole of human history.

Scout is an Archivist who scours the dead worlds of the cosmos for their last gifts: interesting technology, cultural rituals–anything left behind that might be useful to Home and their survival. During an excavation on a lifeless planet, Scout unearths something unbelievable: a surviving message from an alien who witnessed the world-ending entity thousands of years ago.

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body using a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth. However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she's found and nursed back to health by Homily, a warmhearted human, who has mistaken Shesheshen as a fellow human

Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

For a thousand years, Concordia has maintained peace between its provinces. To mark this incredible feat, the emperor’s ship embarks upon a twelve-day voyage to the sacred Goddess’s Mountain. Aboard are the twelve heirs of the provinces of Concordia, each graced with a unique and secret magical ability known as a Blessing. All except one: Ganymedes Piscero—class clown, slacker and all-around disappointment.

Solenne Bonet lives in Texas where choice no longer exists. An algorithm determines a Black woman’s occupation, spouse, and residence. Solenne finds solace in penning the biography of Henriette, an ancestor who’d been an enslaved concubine to a wealthy planter in 1800s Louisiana. But history repeats itself when Solenne, lonely and naïve, finds herself entangled with Bastien Martin, a high-ranking government official. Solenne finds the psychological bond unbearable, so she considers alternatives. With Henriette as her guide, she must decide whether and how to leave behind all she knows.

In this brilliant work of political satire, Henry Morris presents fourteen years of Conservative (mis)rule in the only form in which such misfortunes could be portrayed: as a Shakespearean play. In five acts that take in five prime ministers, The Tories: A Tragedy is a captivatingly realised Jacobean tragedy, replete with Machiavellian manoeuvrings, hilarious mechanicals and poignant verse.

A scathing examination of a wealthy Southern family and the greed that tears them apart. Regina’s brothers have inherited their father’s wealth, while after years of neglect, her dying husband is determined to see she gets nothing. It will take every ounce of her ruthless guile to outwit her relations and assure herself a gilded future.

Every time I close my eyes, I see those who are about to die, and I’m unable to do anything to stop it. Until one day, when I try to save yet another victim, something inside of me just…flips. The shadows rise, and they’re hungry. All I ever wanted was to be normal. Instead, I found out just how different I am. I must learn to control my powers in order to take charge of my life. Because if not? Well, there are angels out there hunting me.

The Carryx—part empire, part hive—has waged wars of conquest for centuries, destroying or enslaving species across the galaxy in its conflict with an ancient and deathless enemy. When they descend on the isolated world of Anjiin, the human population is abased, slaughtered, and put in chains. The best and brightest are abducted, taken to the Carryx world-palace to join prisoners from a thousand other species. Dafyd Alkhor, assistant to a prestigious scientist, is captured along with his team.

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

The story begins from nine-year-old Nate's point of view, etching the details of an unbalanced mind struggling to make sense of rampant thought patterns and heightened paranoia. Enter Ashley, Nate's mother and a hardworking advertising executive concerned that she's not giving her family enough of her time - especially now that she senses something might be wrong with her son. As the story moves deftly back and forth between the two perspectives, the narrative converges to reveal one family's journey of discovery as they strive to find balance in their lives.

A producer. A novelist. An actress. It's summer 1968 - a time of war and assassinations, protests and riots. While the world is reeling, our trio is involved in making a disaster-plagued, Swingin' Sixties British movie in sunny Brighton. All are leading secret lives. As the movie shoot zigs and zags, these layers of secrets become increasingly more untenable. Pressures build inexorably. The FBI and CIA get involved.

Through over ten years of research, interviewing activists along with unprecedented access to their personal archives, Tracy and Sonnie tell a crucial, untold story of the New Left. Their deeply sourced narrative history shows how poor and working-class individuals from diverse ethnic, rural and urban backgrounds cooperated and drew strength from one another. The groups they founded redefined community organizing, and transformed the lives and communities they touched.