Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments -resulting in 26 volumes that give unprecedented insight into the mind of a genius. Collected here are the passages most relevant to her work and writing.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Milly Theale is a young, beautiful, and fabulously wealthy American. When she arrives in London and meets the equally beautiful but impoverished Kate Croy, they form an intimate friendship. But nothing is as it seems: materialism, romance, self-delusion, and ultimately fatal illness insidiously contaminate the glamorous social whirl.

The Portrait of a Lady tells the compelling and ultimately tragic tale of a beautiful young American woman's encounter with European sophistication. Set principally in England and Italy, the story follows Isabel Archer's fortunes as a variety of admirers vie for her hand. Her choice will be crucial, and she is not wanting for advice, whether from the generous-spirited Ralph Touchett or the charming Madame Merle.

In Madame Bovary, one of the great novels of 19th-century France, Flaubert draws a deeply felt and sympathetic portrait of a woman who, having married a country doctor and found herself unhappy with a rural, genteel existence, longs for love and excitement. However, her aspirations and her desires to escape only bring her further disappointment and eventually lead to unexpected, painful consequences. Flaubert’s critical portrait of bourgeois provincial life remains as powerful as ever

'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.

Swann’s Way is the first and best-known part of Proust’s monumental work, Remembrance of Things Past. Often compared to a symphony, this complex masterpiece is ideally suited for audio. Listening lets you appreciate anew the incredible beauty of Proust’s language and the uniqueness of his style. The novel’s narrator, Marcel, finds the true meaning of experience in memories stimulated by some random object or event.

In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the 18th and 19th centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker - a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

A party of English people is aboard the Euphrosyne, bound for South America. Among them is Rachel Vinrace, a young girl, innocent and wholly ignorant of the world of politics and society, books, sex, love and marriage. She is a free spirit half-caught, momentarily and passionately, by Terence Hewet, an aspiring writer who she meets in Santa Marina. But their engagement is to end abruptly, and tragically. Virginia Woolf's first novel, published in 1915, is a haunting exploration of a young woman's mind.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.