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To the Lighthouse
- Narrated by: Juliet Stevenson
- Length: 7 hrs and 38 mins
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Publisher's summary
To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.
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- By Aaron and Greta Pankratz on 02-06-24
By: L. M. Montgomery
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Ethan Frome
- By: Edith Wharton
- Narrated by: Scott Brick
- Length: 3 hrs and 45 mins
- Unabridged
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Ethan Frome, a poor, downtrodden New England farmer, is trapped in a loveless marriage to his invalid wife, Zeena.When Zeena's young cousin Mattie arrives to help care for her, Ethan is immediately taken by Mattie's warm, vivacious personality. They fall desperately in love as he realizes how much is missing from his life and marriage.
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Slow is smooth and smooth is Fast until it isn't
- By Darwin8u on 05-29-13
By: Edith Wharton
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The Young Clementina
- By: D. E. Stevenson
- Narrated by: Karen Cass
- Length: 10 hrs
- Unabridged
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Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.
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Miss Dean's Dilemma
- By Jerri C on 05-02-18
By: D. E. Stevenson
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The Jewel of Seven Stars
- By: Bram Stoker
- Narrated by: Simon Vance
- Length: 8 hrs and 6 mins
- Unabridged
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The warning was inscribed on the entrance of the hidden tomb, forgotten for millennia in the sands of mystic Egypt. Then the archaeologists and grave robbers came in search of the fabled Jewel of Seven Stars, which they found clutched in the hand of the mummy. Few heeded the ancient warning, until all who came in contact with the Jewel began to die in a mysterious and violent way, with the marks of a strangler around their neck.
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Mother of all Mummy-Stories
- By Dorothea on 03-15-08
By: Bram Stoker
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The Blue Guitar
- A Novel
- By: John Banville
- Narrated by: Gerry O'Brien
- Length: 9 hrs and 28 mins
- Unabridged
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From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.
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Masterful
- By Amazon customer on 11-25-15
By: John Banville
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The Forsyte Chronicles, Vol. 2
- A Modern Comedy
- By: John Galsworthy
- Narrated by: David Timson
- Length: 34 hrs and 21 mins
- Unabridged
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John Galsworthy's magnificent trilogy of power and passion chronicles the wealthy Forsyte family. The complete Chronicles are divided into three volumes, containing nine books and four interludes in total. Volume 2, A Modern Comedy, focuses on Soames's vivacious daughter, Fleur. Soames tries constantly to protect her but is baffled by the carefree attitudes in post-war London. Fleur and her husband Michael Mont host society gatherings, but her previous affair with Jon Forsyte leaves embers of a passion that are ready to ignite - with dreadful consequences.
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Very worthwhile
- By Jonathan Kalkstein on 09-27-22
By: John Galsworthy
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Oblomov
- By: Ivan Goncharov
- Narrated by: Leighton Pugh
- Length: 20 hrs and 7 mins
- Unabridged
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A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.
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funny and smart
- By Bennett Weiss on 07-29-20
By: Ivan Goncharov
What listeners say about To the Lighthouse
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- T. Griffith
- 06-25-12
Excellent but difficult book
What did you like best about this story?
There is little plot to this story but Woolf's detailed description of the thoughts of the characters is amazing.and insightful.
What about Juliet Stevenson’s performance did you like?
To the Lighthouse is a brilliant but difficult book. It is often told in a "stream of consciousness" style. There is no narrator and little plot. Juliet Stevenson's energetic performance makes the novel is much easier to understand.
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20 people found this helpful
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- arthur owen
- 09-08-21
poetry not prose
as we moved from personage to personage directed by the author to dig deeply down into èach psyche, thereby hung a tale characters and egos waging wars of deliverace.
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- Shanon Maple
- 10-06-20
Excellent reading
Excellent reading of To the Lighthouse. The performance is perfect, and the story is timeless.
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- Maggie
- 01-03-24
Poetic
Glad I finally listened/read this author. As a hero to my heroes, I’ve wanted to read Woolf but never could get past the first chapter of Mrs. Dalloway. Woolf’s insight into the psyche of people, their fictitious narratives of friends/acquaintances and their personal internal battles hung together by the observances (or rebellion) of societal & familial structures rings heartbreakingly true. The writing is breathtaking and Stevenson’s narration beautiful. Highly recommend.
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- m
- 04-28-24
Fabulous reading of a must-read book
Brilliant reading by a world class actor who really gets the beauty, poignancy, and clarity of Woolf’s poetic vision.
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- Marcela
- 04-27-12
Great book... slightly complicated, but great
Any additional comments?
It's a great book, nothing to say about that... but if you're looking for action, look elsewhere. Here it's all about insight, the same scene narrated from more than one point of view - of course, the main character is Mrs. Ramsey (the one who keeps the others together), but the author shows the thoughts of the others, as well - especially how they see Mrs. Ramsey and each other...
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8 people found this helpful
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- Shakespeare
- 01-15-18
The narrator saved me!
Is there anything you would change about this book?
Had to read this book for my English class in college. I found Woolf's story intensely boring. Had it not been for such a superb narration, I don't think I could have managed to get through the novel.
What do you think your next listen will be?
I will probably listen to some other classic novel or play.
Which character – as performed by Juliet Stevenson – was your favorite?
n/a
Did To the Lighthouse inspire you to do anything?
It inspired me to avoid Woolf.
Any additional comments?
I have just discovered that I am not a fan of Virginia Woolf. I prefer novels that move at a faster pace rather than filled with useless description after description.
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- Peace-nik
- 02-17-23
A good read on audible
Juliet Stevenson narrates the superbly. Very much enjoyed listening to this book while traveling to and from work.
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- Millie
- 05-13-23
Overwhelmingly beautiful.
I would listen to Juliet Stevenson reading her shopping list… I found V. Woolf difficult to read, but listening to this beautiful reading reconciled me with her.
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- Jefferson
- 03-17-13
A Stark Tower on a Bare Rock, or a Hanging Garden?
On the surface not much happens in Virginia Woolf's semi-autobiographical modernist masterpiece To the Lighthouse (1929). In Part I: The Window, Mr. and Mrs. Ramsay (based on Woolf's own parents), their eight children, and several guests are vacationing at the Ramsays' summer house on the Isle of Skye in the early 20th century. Mrs. Ramsay, a meddling and kind fifty-year-old Greek-goddess, goes to town on errands, reads a fairy tale to her youngest child James, knits a stocking, presides over a dinner, communes without words with her husband, and holds the different people in the house together with the gravity of her charisma. Mr. Ramsay, an eccentric philosopher-academic, carries on with egotism, insecurity, and emotional tyranny. James' desire to visit the local lighthouse is thwarted by his father and the weather. Mr. Charles Tansley, an uptight disciple of Mr. Ramsay, asserts himself charmlessly. The somnolent and cat-eyed poet Mr. Carmichael reclines on the lawn. And independent, Chinese-eyed and pucker-faced Lily Briscoe works on a painting of Mrs. Ramsay and James and critically contemplates the family. In Part II: Time Passes, the forces of entropy besiege the house as it stands empty of people for ten years. And in Part III: The Lighthouse, Mr. Ramsay coerces his two youngest children--now moody teenagers—to accompany him to the lighthouse while Lily Briscoe--who partly represents Woolf herself as a writer--comes to terms with her feelings for Mrs. Ramsay as she tries to capture her vision in the painting she'd attempted ten years earlier.
Woolf is so good at sympathetically and honestly exposing people's minds and so good at revealing the beautiful and awful world we live in, and her writing is so beautiful, flowing, controlled, and poetic, that spending only a couple days with her characters is an indelibly rich experience. She employs a modernist stream of consciousness narration, and fluidly moves from one character to another. Her technique in the novel has been likened to that of the lighthouse beam moving across the benighted island world, briefly illuminating one mind and then another as it goes round, but Woolf's narration feels more organic than that. I relish her long, elegant sentences comprised of multiple clauses attached by semi-colons, her original and vivid metaphors, and her insights into human nature in a variety of vessels (male, female, old, young, educated, simple, etc.). I expected To the Lighthouse to be beautiful, philosophical, and sad, and it was, but I was surprised by its constant humor. At least as often as a poignant pang, I felt a flush of pleasure, similar to what Cam feels while sailing towards the lighthouse:
"From her hand, ice cold, held deep in the sea, there spurted up a fountain of joy at the change, at the escape, at the adventure (that she should be alive, that she should be there). And the drops falling from this sudden and unthinking fountain of joy fell here and there on the dark, the slumbrous shapes in her mind; shapes of a world not realised but turning in their darkness, catching here and there, a spark of light; Greece, Rome, Constantinople."
The dense novel explores the miraculous fragility and meaning (or lack thereof) of life; the varied and complex nature of love; the losses and gains involved in making families or living alone; the fraught relationships between children and parents; the confining roles of men and women; the surprising vividness and poignancy of memory; the complex nature of perception; the doomed but necessary attempt to understand other people; and the doomed but noble attempt through art to capture truth and to avoid entropy.
Juliet Stevenson was born to read Virginia Woolf! Her voice is lovely to listen to and full of understanding, irony, and sympathy, a perfect accompaniment to the text. With skillful subtlety, she modifies her voice for the thoughts of men and women and children and adults (and for the local Scottish workers who help the Ramsays). She carried me off To the Lighthouse. The only thing, perhaps, that is lost in the audiobook is Woolf's use of parentheses and brackets and semi-colons, which visually shape the reading of the text.
To the Lighthouse, like Mrs. Dalloway and Orlando, should be read by anyone interested in gender, art, love, life, modernism, beautiful prose, and early 20th century British culture.
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87 people found this helpful