The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

A sweet sapphic romance takes a deadly dark turn in this sharp-as-a-knife novella with the slow build menace of Angela Carter's The Bloody Chamber—from a New York Times-bestselling author hailed by Chuck Wendig as "a storyteller working at the top of her class."

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family's communal care—threaten to destroy this fragile second chance at life.

Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she satisfies her burning appetite by picking apart their bodies. But Mama’s want is stronger than her hunger sometimes.

Inesa lives with her brother in a half-sunken town where they scrape by running a taxidermy shop. Unbeknownst to Inesa, their cruel and indolent mother has accrued an enormous debt—enough to qualify one of her children for Caerus’s livestreamed assassination spectacle: the Lamb’s Gauntlet. Melinoë is a Caerus assassin, trained to track and kill the sacrificial Lambs. The product of neural reconditioning and physiological alteration, she is a living weapon, known for her cold brutality and deadly beauty.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now... something absolutely impossible.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Father Ilya Pavlovich Sokolov is a lonely priest and pariah of his small town. Tasked with killing an injured monster in the woods, Ilya is certain of his death. Instead, he heals the monster's injury and lifts its curse, revealing a handsome, memory-less man. Cocksure Danya is a man lost in an unfamiliar world. He struggles to recall his past life, flashes returning as he and Ilya grow closer. Soon, his appearance begins to change once more, but not into a beast—instead, Danya grows into something just like the Sun that Ilya has worshiped all his life.

For the last year, Holly and Brian have been out of sync. Neither can forget what happened that one winter evening; neither can forgive what’s happened since. Tonight, Holly and Brian race toward Pinebuck, New York, trying to outrun a blizzard on their way to the ski village getaway they hope will save their relationship. But soon they lose control of the car—and then of themselves. Now Sheriff Kendra Book is getting calls about a couple in trouble—along with reports of a brutal and mysterious creature rampaging through town.

In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers—ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?

In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne—in an earthquake-ravaged dystopian reimagining of Nepal.

What does it mean to be-in-kind with a nonhuman animal? Or, in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness: to see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera of a fresh kill; and, above all, to feel the belonging of the pack.

When a local parish finds themselves without a priest, Father Woosley stepped onto the pulpit, ready to fight sin with his new congregation and bring the word that had saved him so many times. When he is visited by a divine power promising to help him purge the unearthly evil from the hearts of his congregation, Father Woosley believes his prayers have been answered. As darkness spreads malignant and ruthless through the church, and an insidious presence sinks its claws into his soul, he realizes that even the faithful can fall.

Tim Waverly, a young teacher, escapes London's spiralling housing costs by becoming a live-in caretaker at an abandoned orphanage. But his arrival triggers a series of frightening events. An ancient evil has awakened. A new Harvest has begun. As Tim and those around him become engulfed in a dark nightmare, he is forced to confront his deepest fears in order to save countless innocent lives.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. But when Dawn's seemingly perfect life in the big city implodes, she is forced to return to her childhood home and the prairie city that still holds so much pain for her and her fractured family. Cody is released from prison with a mysterious new friend by his side, and Dawn must follow increasingly sinister leads to uncover their nefarious plans to access a dangerous supernatural network.

Since my dog died, I've been cursed with dreams of blood and cries. Things that were once so clear are now foggy. Why have the gods plagued my life? With loss and rot. I've grown to despise the deities I was raised to worship. So why do I find myself crossing into the realm of the gods and entertaining the same ethereal beings?

Clara Woods is a killer—and perfectly fine with it, too. So what if she takes a couple of lives to make her own a little bit better? At the bottom of her garden is a flower bed, long overgrown, where her late husband rests in peace—or so she’s always thought. Then the girls arrive. Lily and Violet are her nieces, recently orphaned after their affluent parents died on an ill-fated anniversary trip. In accordance with their parents’ will, the sisters are to go to their closest relative—who happens to be Clara.

Living in Andy's boyhood summer home, they discover the old house is haunted by its original owner, Basil Tannard, who decades earlier was saved by a seal from an accident at sea. Because no one in the village believed Basil and thought he'd gone mad, Basil drowned himself. Yet he remains a ghost in the house, a soothsayer prompting Kate to believe in the unimaginable.

Not many people can say they woke up dead. Even fewer people wake up as ghosts. Guess I’m the unlucky one since no one can see or hear me, and I have no recollection of how I ended up like this. I thought I’d spend the afterlife alone… until him. The solitary man who stumbled across me during my restless wandering of the Scottish Highlands. He doesn’t want me around. I can’t seem to stay away. It turns out Ciaran has a dark secret. And I’m determined to discover exactly what he’s hiding even if it might mean the death of me all over again.

Helliconia follows an eccentric orbit around a double-star system with a twenty-six-hundred-year cycle of very long seasons. As spring slowly breaks the brutally long winter, humans emerge from hiding and a long sequence of civilization and growth begins to repeat again, unbeknownst to the participants but watched by an orbiting satellite station, Avernus, created by Earth some centuries ago. Humans free themselves from slavery to the aboriginal Phagors, and religion and science flower and expand.

Some might call Princess Anja of Ivermere brave for offering herself up as a bride to Kael the Conqueror, a barbarian warlord who'd won his crown by the bloodied edge of his sword. It was not courage that drove Anja from her magic-wielding family's enchanted palace, however, but a desperate attempt to secure a kingdom of her own—even if she has to kill the Conqueror to do it. She expects pain beneath his brutal touch as she awaits her chance. She expects death if he discovers the truth of her intentions.

A dying father in the grip of fever and delirium recounts his youth, his Grand Tour, the Venetian palaces populated by fascinating and evil figures, his ruin, and his most beautiful journey—the crossing on foot of the frozen Hudson River. His son, still a child, sits at the foot of the bed, attentively collecting these final hallucinated words. Could the work of Herman Melville—masterful author, misunderstood, far too ahead of his time, and considered crazy and dangerous by some critics—have as its source this ultimate paternal legacy?