Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America—but faces an unthinkable hardship.

Beartooth is a novel about two survivalist brothers in desperate straits, who are lured into committing a crime in Yellowstone National Park. Thad and Hazen, long ago abandoned by their wayward mother, are drowning in medical bills and notices about back taxes. They live alone in an aging, timber house hand-built into the leeside of the Beartooth Mountains. Thad’s the older brother, responsible, a loner, the caretaker of Hazen, who is a little . . . different.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

When he was just a boy, Ilyas was stolen from his parents on the coast of East Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back—until he meets the beautiful, undaunted Afiya.

Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough” work. It is at once the chronicle of an African boy’s coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism.

On a late November afternoon, Saleh Omar arrives at Gatwick Airport from his native Zanzibar. With him he has a small bag in which lies his most precious possession—a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise, silence his only protection.

Salim has always known that his father does not want him. Living with his parents and his adored Uncle Amir in a house full of secrets, he is a bookish child, a dreamer haunted by night terrors. It is the 1970s and Zanzibar is changing. Tourists arrive, the island’s white sands obscuring the memory of recent conflict—the longed-for independence from British colonialism swiftly followed by bloody revolution. When his father moves out, retreating into dishevelled introspection, Salim is confused and ashamed. His mother does not discuss the change.

When the stones of her house begin to rattle and shift and call out mysterious messages to her in the middle of the night, Pauline Sinclair, age ninety-nine, knows she will not make it to her one-hundredth birthday. She has lived a modest life in Mason Hall, a rural Jamaican village, educating herself with stolen books, raising her two children, surviving by becoming a successful ganja farmers in the area, and experiencing both deep passion and true loss with her beloved baby father, Clive. Behind this seemingly benign façade, however, Miss Pauline has buried many secrets.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

Writing at the peak of his powers, Abdulrazak Gurnah gives us in Desertion a spellbinding novel of forbidden love and cultural upheaval, with consequences powerfully reverberating through three generations and across continents—from the heyday of the British empire to the aftermath of African independence.

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life.

Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavík.

From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell comes a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought, but beneath its own violent histories.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Naema, an elderly princess dedicated to her pet causes, is in a bind: struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends.

Faruq Zaidi, a young journalist processing the recent death of his father, a devout Muslim, takes the opportunity to embed himself in a cult called “the nameless.” Based in the California redwoods and shepherded by an enigmatic Vietnam War veteran named Odo, the nameless adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.”

Jihye is an ordinary woman who has never been extraordinary. In her administrative job at the Academy, she silently tolerates office politics and the absurdities of Korean bureaucracy. Forever only one misplaced email away from career catastrophe, she effectively becomes a master of the silent eye-roll and the tactical coffee run. But all her efforts to endure her superiors and the semi-hostile work environment they create are upended when a new intern, Gyuok Lee, arrives.

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.