Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

The dead can't speak to us, Professor Madoc had said. But that was a lie. The body Patrick Fort is examining in anatomy class is trying to tell him all kinds of things. But no one hears what he does, and no one understands when he tries to tell them. Life is already strange enough for Patrick - being a medical student with Asperger's Syndrome doesn't come without its challenges. And that's before he is faced with solving a possible murder, especially when no one believes a crime has even taken place.

On the beaches and cliffs of North Devon, lone women have become victims in a terrifying game where only one player knows the rules - and, when those rules change, the new game is murder. But that madman on the loose feels very far from the crumbling, seaside home of 10-year-old Ruby Trick. Instead of living in fear of him, she lives in fear of school bullies, the dark forest crowding her house into the sea, and the threat of her parents' divorce. So when she decides to help her father catch the killer, it seems like a good way to keep her father close.

The island was abandoned for fifty years. So how did the body get there? Three hundred miles from the mainland in the middle of the Atlantic Ocean lies Navigaceo: a tiny island that was hastily abandoned fifty years ago and has been uninhabited ever since. Until now. Tess Macfarlane is a documentary filmmaker tasked with capturing the wild beauty of Navigaceo. Accompanied by a small team of researchers, her job is to film everything she sees. But Tess sees too much: a body. It's clearly a recent murder.

Eilean Eadar is a barren, windswept rock best known for the unsolved mystery of the three lighthouse keepers who vanished back in 1919. But when a young man is found dead at the base of that same lighthouse, two detective inspectors are sent from Glasgow to investigate.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

Four in the morning, mid-December, and snow blankets St. Andrews School. Student Alex Gilbery and his three best friends are staggering home from a party when they stumble upon the body of a young woman. Rosie Duff has been raped, stabbed and left for dead in the ancient Pictish cemetery. The only suspects are the four young students stained with her blood. Twenty-five years later, police mount a cold case review. Among the unsolved murders they're examining is that of Rosie Duff. But someone else has his own idea of justice.

Following leads as they fly at them, not sure exactly who to trust and struggling to connect the dots as the motives don’t seem to add up, Benny and Vaughn find their case increasingly points to the corruption polluting the country. They know the clock is ticking—and Benny also has to be at the altar on time for his anxiously-anticipated wedding day.

Showrunner Ethan Harris had a hit with The Murder Show, a television crime drama that features a private detective who solves cases the police can’t. But after his pitch for the fourth season is rejected by the network, he returns home to Minnesota looking for inspiration. His timing is fortunate—his former classmate Ro Greeman is now a local police officer, and she's uncovered new information about the devastating hit and run that killed their mutual friend Ricky the summer after high school. She asks Ethan to help her investigate.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

1954: When her former novice’s dependable letters stop, Nora Breen asks to be released from her vows. Haunted by a line in Frieda’s letter, Nora arrives at Gulls Nest, a charming hotel in Gore-on-Sea in Kent. A seaside town, a place of fresh air and relaxed constraints, is the perfect place for a new start. Nora hides her identity and pries into the lives of her fellow guests. But when a series of bizarre murders rattles the occupants of Gulls Nest it’s time to ask if a dark past can ever really be left behind.

A group of friends gather at an Airbnb on New Year’s Eve. It is Benjamin’s birthday, and his sister Abigail is throwing him a jazz-age Murder Mystery themed party. As the night plays out, champagne is drunk, hors d’oeuvres consumed, and relationships forged, consolidated or frayed. Someone kisses the wrong person; someone else’s heart is broken. In the morning, all of them wake up—except Benjamin. As Abigail attempts to wrap her mind around her brother’s death, an eminent detective arrives determined to find Benjamin's killer.

Debut author Belinda Bauer crafts an incredibly moving first novel in Blacklands. Twelve-year-old Steven is determined to put an end to his family’s misery and find the remains of his uncle, who was believed to be murdered as a child by a local pedophile. Steven spends his days digging for clues around his grandmother’s home, but when his search fails to unearth anything new, he reaches out to the only person with answers—the accused murderer now serving life in prison.

Meg Russo was behind the wheel when it happened. She and her husband Justin were driving their daughter Lily to Ithaca College, the family celebrating the eighteen-year-old music prodigy’s future. Then a car swerved up beside them, the young men inside it behaving bizarrely—and Meg lost control of her own vehicle. The family road trip turned into a tragedy. Justin didn’t survive the accident.

From Vanity Fair and The New York Times contributor comes a beautifully written, deeply felt memoir recounting the solo cross-country journey she made along the Ten across the American southwest: a mission to uncover both what harrowing violence may or may not have happened to her late mother, but also, to look within and discover who she herself is—where her mother ends and she begins.

The dead can't speak to us, Professor Madoc had said. But that was a lie. The body Patrick Fort is examining in anatomy class is trying to tell him all kinds of things. But no one hears what he does, and no one understands when he tries to tell them. Life is already strange enough for Patrick - being a medical student with Asperger's Syndrome doesn't come without its challenges. And that's before he is faced with solving a possible murder, especially when no one believes a crime has even taken place.

"Jack's in charge," said his mother, as she disappeared up the road to get help. "I won't be long." So 11-year-old Jack and his two sisters wait on the hard shoulder in their stifling, broken-down car, bickering and whining and playing I-Spy until she comes back. But their mother doesn't come back. She never comes back. And after that long hot summer day, nothing will ever be the same again. Three years later, Jack's 15 and still in charge.

Felix Pink is retired. Widowed for more than a decade and a painfully literal thinker, he has led a life of routine. He occupies himself volunteering as an Exiteer - someone who sits with terminally ill people as they die by suicide, assisting with logistics and lending moral support. When Felix lets himself into Number 3 Black Lane, he’s there to keep a dying man company as he takes his final breath. But just 15 minutes later, Felix is on the run from the police. Now he must discover whether what went wrong was a simple mistake - or deliberate, a murder.

A woman gets involved with a psychic who may be able to find her missing son. Five footprints are the only sign that four-year-old Daniel Buck was ever here. Every day, Anna Buck guards the little prints in the cement. Polishing them to a shine. Keeping them safe. Spiraling toward insanity. Anna is desperate for hope, which she's not getting from the police or her husband, James. So when a woman tells her she's found a true psychic, a "shut eye", she grasps at it. Maybe he can tell her what happened to her son.

Debut author Belinda Bauer crafts an incredibly moving first novel in Blacklands. Twelve-year-old Steven is determined to put an end to his family’s misery and find the remains of his uncle, who was believed to be murdered as a child by a local pedophile. Steven spends his days digging for clues around his grandmother’s home, but when his search fails to unearth anything new, he reaches out to the only person with answers—the accused murderer now serving life in prison.

On the beaches and cliffs of North Devon, lone women have become victims in a terrifying game where only one player knows the rules - and, when those rules change, the new game is murder. But that madman on the loose feels very far from the crumbling, seaside home of 10-year-old Ruby Trick. Instead of living in fear of him, she lives in fear of school bullies, the dark forest crowding her house into the sea, and the threat of her parents' divorce. So when she decides to help her father catch the killer, it seems like a good way to keep her father close.

Crime reporter Eve Singer's career is on the downward slope when a spate of bizarre murders - each carefully orchestrated and advertised like performance art - begin in her territory. Covering these very public crimes revives her byline, and when the killer contacts Eve to discuss her coverage of his crimes, she is suddenly on the inside of the biggest murder investigation of the decade. But as the killer becomes increasingly obsessed with her, Eve realizes there's a thin line between inside information and becoming an accomplice to murder.

1954: When her former novice’s dependable letters stop, Nora Breen asks to be released from her vows. Haunted by a line in Frieda’s letter, Nora arrives at Gulls Nest, a charming hotel in Gore-on-Sea in Kent. A seaside town, a place of fresh air and relaxed constraints, is the perfect place for a new start. Nora hides her identity and pries into the lives of her fellow guests. But when a series of bizarre murders rattles the occupants of Gulls Nest it’s time to ask if a dark past can ever really be left behind.

Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be.

Florence, 1557. Le peintre Pontormo est retrouvé assassiné au pied des fresques auxquelles il travaillait depuis onze ans. Un tableau a été maquillé. Un crime de lèse-majesté a été commis. Vasari, l’homme à tout faire du duc de Florence, est chargé de l’enquête. Pour l’assister à distance, il se tourne vers le vieux Michel-Ange exilé à Rome.

Edinburgh, 1948. Welfare Officer Helen Crowther has enough on her plate between her hectic job, her complicated love life, and her growing reputation as a troublemaker. Last year's scandal did nothing to help with the disapproval she already gets as a woman in her line of work. All she wants now is to focus on doing what she loves: helping the poor of the Fountainbridge ward in the city of Edinburgh. The last thing she needs is another string of murders to distract her . . .

The Summer of Love has been replaced by the Summer of Fear as a sadistic killer prowls the streets of San Francisco. Known only as 'The Gemini,' his brutal murders have the city paralyzed in a merciless grip of terror as he taunts police with a series of cryptic puzzles and the body count rises. As detectives work to unravel the Gemini's chilling clues, the line between nightmare and reality begins to blur when Cassie Kennedy—a newly separated young mother and part-time psychic—discovers that her dreams are foretelling the gruesome deaths of three women.

After having survived a deadly prison break, ex-Detroit cop Kurt Argento is ready for some quiet. Still working through his grief over the passing of his wife, Argento finds himself house-sitting for a friend with his loyal companion, Hudson, a Chow Chow-Shepard mix. It's a simple life, picking up odd jobs here and there, but it's one that Argento is content to live. Then Kristin Reed shows up with her young son, Ethan, and begs Argento to help find her missing husband... and Argento tells her he'd just be in the way.

It's 1900, and Louise Wilk is taking her dying husband home to Buffalo, where he grew up. Dr. Edward Wilk is wasting away from an aggressive and debilitating malady. But it's becoming clearer that his condition isn't exactly a disease but a phase of existence that seeks to transform and ultimately possess him.

Katie seems to have the perfect life—a great husband, a precocious and winning ten-year-old son; and a glamorous job as writer for the long-running TV series, Spy Guys, based on her own surprisingly successful novel. But for Katie, writing about the spy business isn’t as satisfying as working in it.